Free Comic Inside Halloween Special: FEAR Director’s Cut

This isn’t the next planned Free Comic Inside but considering how little I care about horror comics or horror games (or any other horror story), this is really the only time I’d be able to discuss this particular minicomic. I know there are people who like the adrenaline rush they get from being scared, or just really enjoy dark and bloody stories or games. I am not one of those people and there’s nothing wrong with that. So a game like F.E.A.R.: First Encounter Assault Recon is not something I would ever play, unlike most of the toys and games that come with free comics for me to review. But there is a minicomic and this is the day when people like scary stuff so why not boost the signal a bit?

In the “director’s cut” release of the game on CD-Rom you get a minicomic, which I learned thanks to Lazy Game Review’s review of the game. I’ll post that at the end of the minicomic review but here’s what little I know. In the game you play the silent protagonist (normal for a “first person shooter”) known only as Point Man. You are a member of the First Encounter Assault Recon, a special ops unit that deals with the freaky paranormal stuff. From what I can tell the minicomic is an extended version of the opening that serves as a mission briefing to the characters, but I’m going strictly on the review. Note that the game is rather dark and violent and I’m expecting no less from the minicomic. Given the nature of this site I do warn that LGR left a lot of that in there in his video but as for images from the comic I will not. But how scary is this thing?

And you thought it was tough getting your kid a haircut.

F.E.A.R.

Dark Horse Comics/Vivendi/Sierra (September, 2005)

WRITER: Alden Freewater

ARTIST: Edwin David

COLORIST: Dan Jackson

LETTERER: Michael David Thomas

DESIGNER: Debra Bailey

ASSISTANT EDITOR: Katie Moody

EDITOR: Dave Land

I don’t know if this was ever released outside of the Director’s Cut game but if you want to read this yourself, it is on the F.E.A.R. fan wiki (because there’s a wiki for almost everything nowadays). So let’s get into this thing.

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“Yesterday’s” Comic> Doctor Who #9 (Marvel US)

I don’t see this Ben-Hur remake working out.

Doctor Who #9

Marvel Comics Group (June, 1985)

WRITER: Steve Moore

US COLORIST: Andy Yanchus

COVER ART: Dave Gibbons

COVER COLORIST: George Roussos

Doctor Who: “The Life Bringer!”

(originally presented in Doctor Who Monthly #s 49-50)

ARTIST: Dave Gibbons

Star Tigers part 1

(originally presented in Doctor Who Weekly #s 27-28

ARTIST: Steve Dillon

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BW’s Morning Article Link: The Most Horrific Slasher Deaths

I really should have showed this in the article of the Jake & Leon comic it came in (click to see that). Maybe because it looks like they’re perving on the girl in bed?

I’m not a horror person and most of my Halloween costumes have been superheroes, not monsters. That’s just the way I am. But considering I have something Halloween-ish planned for tonight I thought I would bend a bit. Screen Crush lists the 10 most horrible ways victims in a slasher movie met their end. I didn’t watch any of the video but I bet they’re graphic. Don’t let your kids watch or they’ll be too scared to trick or treat.

Also this will be the last Morning Article Link for a while. If you missed the announcement, November starts up the Art Soundoff Challenge again this year and that will be taking up the morning slot. If something really good shows up I’ll post the link in the midnight slot I haven’t been able to use lately, but only as a special occasion.

Apu And The Stereotype Issue

The Simpsons began as a series of short appearing on The Tracy Ullman Show, a skit show in the style of Carol Burnett. The shorts followed a family that was a bit dysfunctional but in the end loved each other. Imagine if Married…With Children had less annoying people. The shorts did so well that the family got their own Christmas special, which began fleshing out their world. That did well enough that a full series was created, which meant more characters. One of those characters was Apu Nahasapeemapetilon, the owner of the local convenience store in the town of Springfield, the Kwik-E-Mart, a take on stores like 7-11 (more of a guide than a commentary), but easily the cheap and legally questionable version. 7-11 even ran a promotional campaign for the theatrical movie by becoming Kwik-E-Marts so I guess they didn’t have a problem with the gag.

However, somebody had a problem with Apu. They say the character is a horrible stereotype. This came to a head after Indian comic Hari Kondabolu put out the documentary The Problem With Apu, which showcased the exact problems. I haven’t seen this so I can’t comment. I do know that I really haven’t watched the show in years and even when I did, in the show’s early years, I only watched it occasionally. So to put this in perspective before I give my thoughts here’s a reason v-log by one of my fellow Reviewers Unknown contributors, Joey Tedesco of the Cartoon Palooza. He’s working to get into animation and sets up my thoughts on the whole debate.

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“Yesterday’s” Comic> Thunderbolts #26

“Fine, I’ll stop singing Elvis Presley songs!”

Thunderbolts #26

Marvel Comics (May, 1999)

“Lockdown”

FRAMING DEVICE:

WRITER: Kurt Busiek

PENCILER: Mark Bagley (also cover)

INKER: Scott Hana (also cover)

MAIN STORY:

WRITER: Joe Casey

ARTIST: Leonardo Manco

COLORIST: Joe Rosas

LETTERING: Saida Temofonte

EDITOR: Tom Brevoort

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BW’s Morning Article Link: How The Mandalorian Killed Boba Fett

The next Star Wars character movie was supposed to be about Boba Fett. However, with the live-action series The Mandalorian in production, they opted for his homeworld rather than Fett himself and canceled the movie in favor of the series.

As I’ve stated before I don’t understand the Fett worship to begin with. Yeah, he has cool armor, but now so does his whole planet. Otherwise what did he really do in Empire Strikes Back and Return Of The Jedi that made him so popular the novels even tried to un-kill him?

Why Superman Had The Last Good Comic Book Death

Superman #75 is one of the most important stories in comics, and of course it means attempts to emulate it have been far and wide. Not only with Superman himself in two separate animated movies, one of which has a sequel, but in the recent Batman V Superman: Dawn Of Injustice Against Characters You Love And Grew Up With. Superman’s death at the hands of Doomsday was big news. At the time Superman was still DC’s flagship and most popular character. Now they use some dark and broody version of Batman but even now Superman is usually the superhero standard. He’s the highest we can achieve as being not because of “powers and abilities far beyond those of mortal men” but because of his love for people, his courage to press, his desire to instill hope and justice in others, and other things that come from his heart instead of a yellow sun. That’s why those of us who are Superman fans love him so much and wish we were him.

Granted, being able to fly through space and shove planets around helps. 🙂

I don’t think anybody actually believed Superman was going to stay dead even outside of comics fandom. Superman meant way too much back then. It was a marketing gimmick, but really what story isn’t? It’s all about coming up with a story that will draw in readers. “The Death Of Superman” was in turn followed by “Funeral For A Friend” and “Reign Of The Supermen”, the latter indeed finding a way to bring back the original Man Of Steel while also introducing three new character: a heroic version of The Eradicator, Steel, and a new take on Superboy, this time a teenage clone with telekinetic powers instead of typical Kryptonian ones. It drew a lot of attention…which sounds just wonderful to modern writers. They want the praise and adulation. They want to be able to say “I wrote the big life-changing event that everyone loved and changed comics forever”. The problem is they and their editors don’t understand what made the “Death & Return Of Superman” storyline work. Let me see if I can explain it.

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