Jake & Leon #362: Mr. Glass Returns

You’d think the guy who plays Nick Fury would be aware of that.

Even by what Hollywood defines (usually as an insult) as a “comic book movie”, being grounded kind of runs counter to that, but I don’t think these people understand comics. TV is good, movies are good, books are good, streaming services that act like TV are given a pass, but comics, video games, and anything created on YouTube or Vimeo by “normal people” are ridiculed and scorned. That makes me sad. “We aren’t part of it so it doesn’t matter.” 😛 By the way, that is an actual statement by Samuel L. Jackson in an interview promoting the upcoming Glass, which combines M. Night Shyamalan’s not-technically-speaking-superhero movies Unbreakable and Split. It might be grounded but it’s not a comic book movie since M. Night came up with this himself (or someone who works for him does) and it was a movie first. At best there was a comic adaptation or tie-in that I haven’t seen but that’s it. Words mean things.

Over at The Clutter Reports I read my email. Yes, that’s clutter too. Do you know what kind of backlog I have on emails? It’s worse than the DVR backlog and I worked on some of that as well. And this will give me more Morning Article Link fodder. Maybe even a commentary or two by the time I’m done.

In the comic reviews this week I’ll be finishing the Marvel mini-event “Live Kree Or Die” and taking a break from All Hail Megatron to go over a Transformers Spotlight issue. Plus we’re nearing the end of the Gargoyles comics I have. Next week I believe will be the last issue I bought, although I hear they pulled a Voltron Omnibus and finished the story in a trade. Come to think of it Gargoyles: Bad Guys did the same thing. I’m glad this didn’t become a trend. It hasn’t, right?

As for feature articles I know what I want to do but every time I say “I want to do this” more often than not I don’t get the chance to lately. So we’ll see what happens this week.

Saturday Night Showcase: Disney’s Muppet Babies

Jim Henson's Muppet Babies

Jim Henson’s Muppet Babies (Photo credit: Wikipedia)

 

In The Muppets Take Manhattan Miss Piggy fantasizes about what her and Kermit’s life would be like if they met as babies. This leads to a dream sequence music video in which baby versions of Piggy and Kermit are joined by baby Fozzie, Rolf, Scooter, and Gonzo. (I don’t know why those four were chosen.) Somebody got a brilliant idea during production because only two months later (and it takes longer than that to put a cartoon together) Jim Henson’s Muppet Babies premiered on CBS’s Saturday morning line-up and stayed there for seven seasons. I think only Superfriends lasted longer.

The show followed baby versions of Kermit, Piggy, Fozzie, Gonzo (with stuffed chicken Camilla), Rolf, and Scooter, joined by Animal and original character Skeeter, Scooter’s twin sister, to add to the female cast. Although there were other girl characters in The Muppet Show for them to use. Janice only appears once as a teenager and both Sue Ann and Miss Mousey were also available but never used. Adult versions of Statler and Waldorf popped up in the later seasons as did Bean Bunny while Honeydue and Beaker were always recurring characters who would visit the nursery to play with the others. Even Robin showed up as a tadpole. The show sparked a trend of kid versions of classic cartoons at both kid and baby stages. And their imagination-fueled adventures (often using clips of movies and TV shows for some visual appeal) may well have inspired the tales of the Rugrats, though I can’t confirm that.

Recently in 2018 Disney decided to revive the concept for their Disney Junior lineup. Even though they now own Marvel and the Show branch of the Muppets (Sesame Workshop, formerly the Children’s Television Workshop, owns the Sesame Street Muppets and I think Jim Henson Productions still owns the rest) they opted not to bring Skeeter back. (If you were here for my review of the Muppet Show comics this is why, in her appearance, everyone called her “Scooter’s sister” and not by name.) Rolf and Scooter are also absent and Camilla is one of a group of baby chicks who live in the backyard. Instead of using one of the established female characters the Disney version created their own character to round out the cast, the art-loving penguin Summer. So how well does the new version fare? Is it like other remakes or is it relatively faithful to the original while doing it’s own thing? Well, they posted an episode to the Disney Junior YouTube channel so let’s find out.

Continue reading →

“Yesterday’s” Comic> Superman Adventures #30

“Next time I’ll bring my alter ego to visit.”

Superman Adventures #30

DC Comics (April, 1999)

“Family Reunion” part 1

WRITER: Mark Millar

PENCILER: Aluir Amancio

INKER: Terry Austin

COLORIST: Marie Severin

SEPARATION: Zylonol

LETTERER: Phil Felix

ASSISTANT EDITOR: Frank Berrios

EDITOR: Mike McAvennie

Continue reading →

Satire Versus Parody

With the Friday Night Fights on pre-Prize Fight break I needed to make a regular article but I wasn’t sure what I wanted to go with. Then I gave in to YouTube’s suggesting (or pestering, depending on how you look at it) to check out a commentary by Wisecrack about the differences between satire and parody, and what each style does versus the other. For their example of satire they looked at Watchmen while for parody they chose the Japanese series One-Punch Man.

My audience should of course be familiar with the former. Watchmen is a comic miniseries turned movie turned upcoming HBO series (if it goes through) that takes a more cynical take on superheroes. Writer Alan Moore originally wanted to take the superheroes DC acquired from Charleston comics–The Question, Captain Atom, Blue Beetle, and others–and create a world in which superheroes did more harm than good. It might have been an interesting story had so many writers not followed this formula and deconstruct the superhero genre to death. I have ended up hating this story and I’ve never even fully read it, and the more I hear about it and see its influence the less I really want to. I appreciate the talent but not the message.

One-Punch Man some of you may be less familiar with. A Japanese webcomic turned published manga turned anime series, it follows the adventures of the titular superhero, aka Saitama, who has made himself so strong that he defeats his enemies in one punch. It also features other parodies of Japanese and American superheroes and all their wacky adventures. Think The Tick for Japan. This series I do want to check out at some point.

So what is the big difference between the two besides one being gritty and serious and the other being silly and fun? I’ll let Jared from Wisecrack explain.

Continue reading →

“Yesterday’s” Comic> The Phantom #21 (Moonstone)

That’s not what they mean by “jumping on point”, Kit.

The Phantom #21

Moonstone (2008)

“Checkmate” part 1

WRITER: Mike Bullock

ARTIST: Silvestre Szilagyi

COVER ART: Bret Blevins & Terry Austin

COLORIST: Bob Pedroza

LETTERER: Nate Pride

EDITOR: Joe Gentile

Continue reading →

BW’s Morning Article Link: Double Dare Returning To TV

Game cover for the NES version of Double Dare.

Game cover for the NES version of Double Dare. (Photo credit: Wikipedia)

Variety is reporting that Nickelodeon is re-launching their classic kids game show Double Dare. The original, hosted by Mark Summers, featured a mix of trivia questions and messy stunts. It received a family version on Fox’s Sunday lineup for a brief time and this isn’t the first attempt to revive the show. Hopefully this does better than Double Dare 2000. (That was the last attempt.)

By the way, doesn’t Variety have editors? Because this article has typos I wouldn’t make and I don’t have an editor.

The Animated Intros Of Superman

You didn’t think I wouldn’t go over the other intros, did you? If so you’re new around here. Welcome!

When a show has multiple iterations I like to go over all of the intros, but Superman has a lot of shows behind him. Thus he has lots of intros. While the live-action ones tend to be a bit on the mediocre side (the downside of having to credit the lead actors–it’s not always easy to pull off although it’s happened) the animated ones tend to be good. And frankly few heroes are as suited to animation as Superman anyway. It’s easier to suspend your disbelief, allowing you to get more imaginative with the story.

So tonight we’re going to look at all the animated Superman show intros…well, not all. Superfriends is pretty much its own article, I don’t plan to include Justice League Action because it isn’t technically a Superman show, and I already discussed the intro for The New Batman/Superman Adventures. Don’t worry, there are plenty of other cartoons to make this article complete, starting with the one that wasn’t started on television.

Continue reading →