BW Filler Video: History Of The IDW Transformers Universe

While not my intention this week events have kind of messed with what little scheduling I have, and next week will be even worse. Life just keeps getting in my way. So to attempt to get back on track I need to do another filler video.

All Hail Megatron will signify the end of my look at the IDW Transformers Universe (although I will be doing stories from other continuities) since the last few issues of the main AHM stories were reviewed when BW Media Spotlight began. I’ll be revisiting those issues but as I continue to go through my comic collection to cut it down I don’t want to spend time re-reviewing the entire series until I jumped off. Between “This Week’s Reviews” and “Today’s Comic” everything should be done as I complete the series through “Yesterday’s Comic”. You can hunt down those reviews at your leisure because there are quite a lot.

However, if you just want a quick overview of the IDW TFU, Transformers: The Basics has you covered. In tonight’s filler video Chris McFeely gives a brief synopsis of the IDW run and recommends some stories to start with.

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“Yesterday’s” Comic> Transformers: All Hail Megatron #1

I tried hard to get all the propaganda covers because they were the most interesting of the variants.

Transformers: All Hail Megatron #1

IDW Publishing (July, 2008)

WRITER: Shane McCarthy

ARTIST: Guido Guidi

COLORIST: Josh Burcham

SELECTED COVER ART: Trevor Hutchison

LETTERERS: Neil Uyetake & Chris Mowry

EDITOR: Denton J. Tipton

I need to correct something I’ve thought for years, that All Hail Megatron was intended to be a stand-alone story and not in the main IDW TF Universe. Instead it was intended to be the new direction as Furman’s sales were slipping. (If I were to hazard a guess it would be that I’m not the only one who wasn’t into 10 different plotlines going on simultaneously, but that’s just my opinion.) It’s just that McCarthy would be the first to ignore continuity he didn’t like in favor of his own ideas and in all the years IDW has played with the license (reported to be ending soon) he wouldn’t be the last. Now on to the review.

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BW’s Morning Article Link: It’s Scooby-Doo Without The Talking Dog

Scooby-Doo (soundtrack)

Scooby-Doo (soundtrack) (Photo credit: Wikipedia)

Don’t get me wrong, folks. I like Daphne Blake. I like Velma Dinkley. I’m not much of a mystery fan but a movie in which two teenage girls solve a bizarre crime in their school sounds good. The two concepts however don’t sound that good together, and yet that’s what we’re getting, a live-action Scooby-Doo movie without boys that is yet another origin for the Scooby Universe. Seriously, how many different stories are out there about how the group met in official media alone? Did this have to be Daphne and Velma to be a good mystery starring teen girls of different walks of life? Oh, and in this they were already besties thanks to the internet. I’m off two minds on that one but both agree this might have been better if it wasn’t a questionable adaptation and be allowed to do it’s own thing. Or have it feature the adult versions separated from the others. It sounds more like an episode where the girls have to fend for themselves rather than a full movie. Even an animated movie where the guys are looking for them…wait, that’s it. They want to do a live-action Scooby movie without going through the trouble of a live-action/CG dog.

Maybe Gotham and Krypton are worrying me, or the other times they split the gang up (it’s always more interesting to have all five together) in the past getting to me. The best we can hope for now is that it’s better than Shaggy & Scooby-Doo Get A Clue and they don’t blame sexism for criticism.

In Defense Of The Goliath Chronicles

Until I decide on a banner for “In Defense Of” articles (if I make it a recurring series…and this isn’t the first one I’ve done) you get intro.

Gargoyles: The Goliath Chronicles was the third season of the popular Gargoyles cartoon. The series follows the adventures of a clan of gargoyles who through a very long story find themselves in Manhattan dealing with numerous science fiction and fantasy menaces. It took elements from Scottish and other myths (the Gargoyles come from Scotland, although only Ed Asner’s Hudson had a Scottish accent) and even Shakespeare’s more fantasy-based tales. The show aired for two seasons as part of the Disney Afternoon lineup. Unlike other shows in the programing block it was darker and often edgy, but only to serve the story, and it was intended for older audiences than the rest of the lineup. It was barely acknowledged by the rest of the block though if memory serves. Disney wasn’t even comfortable putting their name on it like they did for Ducktales, Tailspin, Darkwing Duck, or the rest of their shows.

Then Disney began their takeover of all media by purchasing Capital Cities, which included the ABC network. Thus they decided to move Gargoyles to their Saturday morning block, naming that season The Goliath Chronicles, mostly because they added Goliath opening each episode with some comment that setup the episode. For whatever reason Greg Weisman, the show’s creator left the show and I have no idea who took his place. Finding info on this show is harder than the other two seasons because fans don’t seem to care. Weisman only wrote the first episode and a few lines in another episode. He doesn’t consider it canon and neither does the large, passionate fanbase. And don’t get me wrong, I do understand why. However, I don’t quite agree because while it wasn’t as good at the first two seasons I grant you…I still like what they did.

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“Yesterday’s” Comic> Gargoyles #1 (SLG)

You know, I’ve always wondered what they do with all that stone that flakes off them every night?

Gargoyles #1

SLG Publishing (June, 2006)

“Clan-Building” ch. 1: Nightwatch

WRITER/CREATOR: Greg Weisman

PENCILER: David Hedgecock

COLORIST: Will Terrell

ART DIRECTOR/COVER PENCILER: Greg Guler

COVER COLORIST: Stephanie Lostimoto

No inker or letter listed and another series without an editor mentioned. So who did the lettering? Did the colorist have to ink too?

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BW’s Morning Article Link: How Luke’s Life Was Supposed To Go

A portrait of George Lucas, Pasadena, Californ...

A portrait of George Lucas, Pasadena, California, USA (Photo credit: Wikipedia)

This one may have a spoiler for Star Wars: The Last Jedi. I don’t know. I haven’t seen it thanks to snow on the worst days possible and other events. However, if you want to know what George Lucas had planned, and Mark Hamill’s complaint with how Disney is doing this, here is the answer.

Rise Of The Teenage Mutant Ninja Turtles Teaser Drops

Cover of Cracked #255, Aug 1990

Cover of Cracked #255, Aug 1990 (Photo credit: Wikipedia)

 

I never really got into Nickelodeon’s recent computer-animated version of Teenage Mutant Ninja Turtles. I reviewed the pilot when it came out and while I didn’t get into it I didn’t think it was bad. (My favorite is still the one that aired on Fox in case you’re curious.) From what I’ve heard the show actually does get very good. There are strong stories, good character development, and I guess they smoothed out some of the rougher edges with the animation style, which was my big turn-off. It’s worth checking out, but I tried watching later episodes and it still didn’t click with me. But like I’ve said at the beginning, you’re welcome to not be interested in something simply because it’s good.

 

Now however we have Rise Of The Teenage Mutant Ninja Turtles, Nickelodeon believing that you need to make a new show to create a new audience. And yet Sesame Street has had the same continuity since it began in the 1970s! They’ve just altered the format since HBO wants half-hour episodes instead of the regular hour long format I and many others grew up with. A topic for another time…maybe. And Nickelodeon is changing everything about the new show. Now I have heard about a number of these changes but I didn’t want to make a discussion topic out of it until I saw the actual product. Well, they just put out a teaser and while teasers are not a good way to properly gauge how good a show is, this really hasn’t helped anything.

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