That title may sound weird to you until you read today’s link. ScreenCrush’s Matt Singer goes into the big problem with this year’s summer blockbuster, which is basically too many sequels and not enough wow versus TV and cable/satellite television or streaming series on Netflix, Hulu, and Amazon Prime. And he has a point. The only new IP I’ve seen pushed much is another driving movie and Valerian, which could just be Hollywood continuing to find the replacement to Harry Potter that the Hunger Games alone has come even remotely close to.

The He-Man newspaper comic premiered on a Sunday with a quick explanation of the premise: Eternia is a world where both magic and science work together (oooh, imagine a storyline where a sorcerer hates science or a scientist hates magic, or both, and one is trying to expel the other from Eternia), that Adam is He-Man, and who shares that secret. Then writer Jim Shull, in his solo tale for the comic, goes into the first storyline, “Day Of The Comet”. The story took 14 weeks and managed to fit in a whole lot of characters and the “Laserbolts” vehicle.
Since the collection just came out and it was suggested by someone involved in the project that I limit the spoilers (not violently…he didn’t threaten to sick a flock of wolfbats on me or anything and congrats if you got the reference), plus this book being too heavy for me to put on my scanner (if there’s a strip or panel I really need to show you I’ll be using a camera), this will be a short summary, but there will be spoilers as necessary for the review. As this goes on and the book has been out longer I may end up expanding the plot summary as I refine the format. You may want to snag the book and I do recommend it because it’s great artwork. But today we start seeing if the stories follow suit.
I should also note that this storyline also utilizes the Evil Horde even though it’s based on Filmation continuity. Licensing is a curious animal. While Filmation and the rest of us treated He-Man And The Masters Of The Universe and She-Ra: Princess Of Power as the same universe they were considered separate properties, because as I’ve established during Free Comic Inside (and will again when we return to Etheria for FCI this month) Mattel really didn’t know what they were doing with the Princess Of Power toyline as an extension of its boys’ counterpart, to where I’m not sure if it’s supposed to be tied in to Masters Of The Universe from the start or was done so last-minute. So while this is the Horde from the She-Ra cartoon it might as well be the Horde from the Masters toyline considering how little is mentioned of Etheria. But on with the review.
Day Of The Comet
WRITER: Jim Shull | ARTIST/ORIGINAL LETTERING: Gerald Forton | COLORIST: Connie Schurr
Transformers: Infiltration #5
IDW Publishing (May, 2006)
WRITER: Simon Furman
ARTIST: E. J. Su
COLORIST: John Rauch
SELECTED COVER ART: Nick Roche
LETTERER: Tom B. Long
EDITORS: Chris Ryall & Dan Taylor
The animation disc with a Pixar logo. Intended as a free icon to represent Wikipedia’s coverage of Pixar without Disney or Pixar’s copyright violation. (Photo credit: Wikipedia)
Pixar has quickly become a big player in movie animation, with our without their attachment to Disney. What is the secret to their success? ScreenCrush’s Matt Singer thinks he heard the answer during a presentation by Pixar director Dave Mullins.

Sorry folks. Between computer issues and life issues I didn’t get an article done for tonight. At this point I won’t have time to set up tomorrow morning’s posts if I take the time to give you a decent article. Paid or not I want to do the best job possible and give you something worth coming here for. Tomorrow (unless I have more issues) I’ll have the He-Man Newspaper Comic review. Again, sorry for the lack of a feature post.
Thundercats: Hammerhand’s Revenge #5
FINAL ISSUE
WildStorm (April, 2004)
“At Last, Princess”
WRITER: Fiona Avery
ARTIST: Carlos D’Anda
COLORISTS: Wendy Brooke & Carrie Strachan
SELECTED COVER ART: Cully Hamner
LETTERER: Phil Balsman
ASSISTANT EDITOR: Kristy Quinn
EDITOR: Alex Sinclair

I’m not a fan of the painted style in comics but it’s great for covers and posters. And Alex Ross is probably the best at it. In an interview with Graphic NYC, Ross discusses his inspirations, his ups and downs, and why he avoided working on Identity Crisis.







