Jake & Leon #573> Strike Backfire

I’ve even heard theories that the studios let the strike happen just to have a reason to kill some projects.

Look, I’m a writer, so you’d assume I’d be on their side, but I’m actually not. One time I asked for a raise at work at my mom’s urging. Surprisingly they gave me one, but then took an hour of work away from my schedule. And they were good bosses. Imagine what these supposedly evil studios would pull. The writers wanted residuals, meaning they would get money every time the show airs, so despite not investing in the money they wanted to write once and get money forever. I’m not even talking about creating a new character and getting residual whenever he/she was used in a story. Just when the episode aired on TV or streaming they get paid, as if they own the story rather than being hired to write one. That works for novels and self published work but in TV and movies that’s less money for the investors and thus makes them less willing to support the making of the movie. This isn’t crowdfunding where you support something for the love of it and take a t-shirt as a reward. They expect to make their money back.

That hasn’t been happening because the stories have been so dull or filled with social preaching instead of a good story, and the studios only get partial blame for that, the end results haven’t been making money because nobody wants to see them. All it has to do is air on a new platform and the writers don’t care if it’s good so long as it makes money for them. So of course the studios, streaming services, and networks are reportedly cutting back and canceling projects to offset the new additional costs.

Now the AI thing I’d be with them on if AI writing was any good…though some of the more cynical reviews have claimed AI is still better at least when it comes to plotting a story. Otherwise I don’t think they have anything to worry about yet. It’s the equivalent of “robots are taking our jobs”, and there’s at least some truth to that. Better safe than sorry.

Finally, before getting to the usual update, everyone is forgetting the real losers here. Not the writers, not the studios who still have enough old material to licence and are still screwing everybody over except the directors and celebrities (and even then they’re trying to), not even the audience…it’s the film crew! The lighting and sound people, the camera operators, the editors, the best boy/girl that nobody knows what they do, the caters, the cleaning staff, the set designers…I could go on but nobody cares about them. What do they get from the strike? Unemployment until the strike is over and that’s it. Their pay isn’t going up and they probably lost money not being able to work. Some of them have families to support but even if they’re single and living alone they’ve been out of work and worried when they’ll get paid again. California didn’t openly bend over backwards to get them on unemployment benefits from the government. They aren’t using YouTube as supplemental income or starting a podcast. They’re sitting home wondering how they’re going to pay bills from the past month when they didn’t get paid. Variety and Entertainment Tonight weren’t doing big feature stories about how they’re being hurt by the strike…and now the video game industry is about to deal with the same thing. So yeah, excuse me if I don’t see anything positive from any of this crap. If the studios are forced to cancel movies, shows, and new games I’m at a point where I don’t care. There is less and less good stuff coming out lately and both the studios and writers each have a share of blame in that. It’s the behind-the-scenes people who are really getting screwed.

Anyway, Clutter Report. Helped my dad change computers. It wasn’t even worth manually promoting on Twitter X, though I hope Twitter and WordPress come to an agreement soon. It’s slowing my work period and I’m making less money than a grip during a strike. As for this week’s offerings: more Chapter By Chapter reviewing of the Batman: Knightfall novelization and the Beast Machines Hunters story treatment plus whatever else I decide to discuss. Have a great week, everyone!

Saturday Night Showcase> Rescue Heroes: The Movie

Ever wonder what the PAW Patrol would be like if they were humans? They already made that long before PAW Patrol.

Rescue Heroes was a Fisher-Price toyline from the early 2000s, recently revived as a Walmart exclusive. The franchise follows a team of first responders with the type of equipment International Rescue (all three versions), the Rescue Bots, the Go-Go-Go-Bots, and PAW Patrol wouldn’t mind having. For that matter real world rescue workers would wish half these things existed.

In 2003 Nelvana, who made the tie-in TV series, produced Rescue Heroes: The Movie, a full-length adventure that is the biggest challenge the Heroes have ever faced. Storms are covering the planet, causing numerous natural and unnatural disasters as they pass. With Earth itself in danger, one team member grounded and another sick, as well as every member of the team on call, can the world be saved and will the youngest member learn what it means to be a Rescue Hero in time? Don’t let the target age group fool you. If you think that a show for kids can’t be a good story because it lacks “mature themes” or a hatred of humanity, here’s proof that it totally can, by showing what it means to be a hero, by having the interracial and multigender cast all working together and treating each other as equals, and that even the best of us make mistakes. Enjoy.

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“Yesterday’s” Comic> The Blue Beetle #27

This was also Dan’s favorite carnival ride as a kid.

The Blue Beetle #27

Holyoke Publishing (November, 1943)

Okay, figure this one out. Two Blue Beetle stories again, but according to Comic Book Plus’ listing (as I write this I haven’t read it yet) the second story is part one, with part two next issue. There were better ways to do this in your anthology comic. An extra length Blue Beetle story, have parts one and two bookend the comic…this just seems out of place for the layout and the Golden Age. I don’t have anything against stories continuing in the next issue ordinarily but in this case it seem an odd choice.

[Read along with me here]

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Beast Machine Hunters> The First Story Bible part 3

Round three in Marv Wolfman’s story treatment for the original idea that evolved into Beast Machines. Last time we got as far as partway through page 3, learning a bit more about character motivations and that he was planning out four seasons. We ended up with two. One if you watched in Canada because YTV was impatient and Fox Kids wanted to schedule the next year early or something.

I don’t know how much influence Hasbro had at this point. We do know that the final toys didn’t matched the teased images for the characters we got in the Fox Kids first look promo print ads, and that the toy changes came so late that there were some discrepancies between the toys and the show models at times. Still, it is interesting to see if the original plans were any better than what we got…which wasn’t that great. Maybe the problem was how rushed the show was? YTV wanted it all at once, and I’m not sure how much time Hasbro and Mainframe had between the last of Beast Wars and the start of Beast Machines. Making a good show, including in CG with mostly new models, takes time…and this show clearly didn’t have enough to make it good. Let’s see what else they had in mind.

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“Yesterday’s” Comic> Star Power #9

This is a cheating way to win a water gun fight.

Star Power #9

(March, 2015)

“The Search For Black Hole Bill” part 4

WRITER: Michael Terracciano

ARTIST: Garth Graham

[Read along with me here]

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BW’s Daily Video> The Economic Illiteracy Of The Comic Book Business

Catch more from YoungRippa59 on YouTube

 

A Missed Chance To Reboot Doctor Who (and why that’s not so bad)

It’s always helpful when someone on YouTube or an article drops something just when I’m looking for an article subject. So, full disclosure (again this week): I have not seen the Chibnall run of Doctor Who when the first few episodes failed to impress. Now that all of New Who is tied to Disney+ (not sure about Classic Who, which Britbox does run on a few ad-sponsored streaming sites) and taken from BBC America so I won’t be able to watch anything new from Doctor Who possibly ever again, I probably won’t be able to get caught up. I’m okay with this as I’m more into the original because I like the charm of the original more and the new show is often hit or miss for me, especially nowadays. I know of the Timeless Child and reject the concept since it feels like the same “we need to keep the Doctor mysterious” nonsense we got with the Cartmel Master Plan and The Question That Can’t Be Answered. The Doctor’s from Gallifrey, left to explore the universe, apparently had a granddaughter which means he was a husband and father at some point, slowly evolved to saving the universe and running with gods like the White and Black Guardians…and nothing else. There’s plenty of mystery left to the character.

I’ve also heard of the Flux, which from what I can tell is basically the non-Covenant threat from the Halo game franchise. I know enough to follow Harbo Wholmes‘ video which just dropped today. In the below video he discusses the idea of the scientist who found the Timeless Child (I don’t know her name and don’t care enough to do so as she’s basically a plot point) trying to talk the Doctor into joining her in an alternate universe and letting the regular Whoniverse die. Not a parallel universe like we’ve seen in the past, but a full on alternate reality with new creatures, new races, new forms of life, and where the Timeless Doctor may come from. In the video, Harbo goes over how not going there missed an opportunity to reboot the franchise and give the audience something completely new yet familiar without the baggage of a show that’s been on the air on and off since 1963. Why isn’t this a Versus post? Because he also goes over why this might not be the best thing for the show…and that part I agree with him on.

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