Recreating The T-1000 In 2021

Apparently I need more Terminator images in my library.

It’s almost post time and today’s been a time drain. So let’s thrown something up so you at least get something fun out of the day and hopefully I haven’t forgotten posting this in the past. Sometimes I forget to take a video out of my filler playlist.

Terminator and Terminator 2: Judgement Day are the only movies in the franchise really worth watching. The others have issues ranging from being unnecessary to being weak to being a source of sociopolitical pandering. Maybe somebody liked the TV series because the teen Terminator girl was cute or maybe the story got better after I stopped watching it. I stand by my claim though I do want to see Salvation out of curiosity.

One of the things that makes the movies amazing are the practical effects used for the Terminators in the post-Skynet future and the way liquid mercury was used to help create the liquid metal effects of the T-1000 (that scene where the 1000 reforms itself after being blasted apart) in a time when computers were still a new thing and needed that kind of help. It’s a testament to the advances in special effects and how necessity is the mother of invention. However, in this video from 2021 the gang at Corridor Digital tried to recreate the effect using modern computer animation. How well did they do? Let’s find out.

Continue reading

“Yesterday’s” Comic> Planetary #1

“None of us are named ‘Terry’ and what’s ‘Star Comics’?”

Planetary #1

WildStorm (April, 1999)

WRITER/CO-CREATOR: Warren Ellis

ARTIST/CO-CREATOR: John Cassaday

COLORIST: Laura Depuy

LETTERER: Bill O’Neil

EDITOR: John Layman

Continue reading

BW’s Daily Video> Why The DCEU Failed

No, this isn’t piling on Zack Snyder. This video brings up his mistakes but it’s more about Warner Brothers’ role in screwing the DCEU up. I just came across yesterday’s video and today’s around the same time.

Catch more from Shayne, Please Shut Up on YouTube

 

Why The “Electric Superman” Was A Dumb Idea

It’s hard to think about DC changing the status quo when they never let the old one settle. Eventitis in small and large doses, trade writing, and just general changes for shock value or personal writer goals has made the status quo the enemy in stories, rather than trying to find a story within those characters. It’s worse for Superman given how more and more writers reject the very concepts that have grown to be iconic about Superman, including his powers. Sure, his power set is practically the standard for powered superheroes now but somehow it’s hard for them to understand it’s not the powers that make us Superman fans become attached to the character. Syndrome was right: when everyone’s super, nobody will be.

The 1990s loved taking the status quo behind the wood shed, beating it to a bloody pulp, and Superman was no different. You had the death of Superman event, then the TV producers allowed him to get married because they were finally ready, and then you had the “Electric Superman” period, where for no particular reason Superman gets electric powers and a matching new look and logo. I can’t speak for anyone else during the period but I thought this was kind of dumb and unnecessary. In the following video by Owen Likes Comics, we get the full history of Superman’s electric period, the whole Superman Blue/Superman Red deal, and then I’ll go over why no matter how good the stories were or weren’t the overall concept was a mistake.

Continue reading

“Yesterday’s” Comic> Sonic Live!

I’m reviewing a comic called Sonic LIVE when the current buzz is around a visual novel called “Murder Of Sonic”. Irony is not lost on me.

Sonic Live! Special

Archie Comics Publications (1997)

EDITOR: J. Freddy Gabrie

“The Last Game Cartridge Hero”

WRITER/ARTIST: Ken Penders

COLORIST: Karl Bollers

LETTERER: Vickie Williams

“The Substitute Freedom Fighters”

WRITER/INKER: Rick Koslowski

PENCILER: Art Mawhinney

COLORIST: Karl Bollers

LETTERER: Mindy Eisman

“Knuckles Quest” part 2

WRITERS/PENCILS: Kent Taylor & Pat Spaziante

INKERS: Andrew Peopy

COLORING: Spaz

LETTERER: Jeff Powell

Continue reading

BW’s Daily Video> Snyder’s Worst Defense Yet

Catch more from Just Some Guy on YouTube

Look, Zack, you aren’t convincing anyone except your fanbase who is already on your side. Just do what I already suggested and create your own superhero universe and let DC go. I’ll even help you come up with characters just to keep you out of the DC Universe. (Yes, I do sound like Mad Hatter in that one episode of Batman: The Animated Series but I’m trying to do good by everybody, not just me.) Instead of #RestoreTheSnyderverse how about #GiveSnyderHisOwnSuperverse?

The Sad Story Of Balto…And The Balto Trilogy

Rewriting history isn’t something new to the activist era of Hollywood. Before culturally appropriating Egyptian history (which according to this video bombed hard) or depicting actual slave traders as the heroes against the slave trade Hollywood would alter historical facts simply because they thought it would make a more interesting movie. The life story of Patch Adams for example wasn’t about damning the man and the female love interest in the movie who’s story arc of “learning to trust men” was totally undone by her being killed by a man the moment her guard was let down…that was actually Patch’s platonic guy friend. This can also be harmful to people’s reputations. I don’t recall the name and typing “movie about a woman trying to prove the child the police brought back wasn’t her actual son” brought up nothing useful but I do remember reading that the police and judge were turned into the villains of the story out of the belief the story needed one. There’s a whole website devoted to debunking the Hollywood version of “true to life events”. (No, typing that phrase in didn’t help.)

Then again, the story of Balto and the famous “serum run” was already horribly inaccurate before Amblin Entertainment got their hands on it. Balto is a very well told story about a half-wolf dog who must overcome doggy prejudice and the elements to get an important serum back to their Alaskan village to save a little girl’s life. It’s based on a true story that shows even the news media will gladly take the easy way out and insist the story needs a “face” to rally around and only cares who makes the last part of the journey. The true story is more amazing, and yet more sad, than the talking dog movie that was incredibly well done but also incredibly inaccurate.

Then there are the sequels. Forgetting that Balto was an actual dog the sequels are an insult to the first movie even when you factor in the lack of Don Bluth (who was also done a bit dirty) and the home video budget Universal gave them to work with. It’s a long video by Saberspark, about an hour and a half, but that’s how long he needs to get the point across that Balto was a great movie but everything around it was basically terrible. Saberspark, aided at one point by his friend Rishi, goes over the history of the serum run, including parts the movie skipped over, the terrible treatment of the sled dogs involved, the TRUE history of Balto…and then pours salt in the wounds by going over the terrible sequels that showed no effort was put into it, unlike the amazing theatrical movie.

Continue reading