Sing Me A Story> Two Takes On Superman

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I’ve considered doing an article series just for Superman songs. There are so many songs that reference or outright discuss Superman but I’ve had a hard time finding one that I feel really understands the character, nevermind speaking to what I love about my favorite superhero. It doesn’t help that currently Superman’s values are either ignored by writers, editors, and directors, or looked down upon as some archaic thing. And yet if someone challenges the laws of physics and comes up with Superman’s powers you better pray to God whether you believe in Him or not that he or she will carry Clark Kent’s values or you can kiss your future goodbye.

While I’ve got enough troubles and article/video/comic ideas to add that project here’s are two examples of what I’m talking about. In this corner we have “Superman (It’s Not Easy” by John Ondrasik, aka Five For Fighting despite being one dude. On the other we have “Superman’s Song” by Brad Roberts, lead singer of Crash Test Dummies despite being a human being. As far as I know anyway. Maybe John is like Trey from Power Rangers ZEO and Brad just has a really good disguise. These two songs attempt to speak to the downsides of being the standard for powered superheroes and the most important of the DC Universe. Which does it better? Let’s examine.

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“Yesterday’s” Comic> Mirror’s Edge #0

“A bit much for an unpaid parking ticket.”

Mirror’s Edge #0 Convention Exclusive

WildStorm (July, 2008)

WRITER: Rhianna Pratchett

ARTIST: Matthew Dow Smith

COLORIST: Jim Charalampids

LETTERER: Wes Abbott

EDITORS: Ben Abernathy & Hank Kanalz

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BW’s Daily Video> The Ties Between Joel Schumacher’s Batman and the DCAU

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A couple of minor notes. The origin of Two-Face and the Statue Of Freedom came out of the comics, New York being an influence on the design of Gotham City pre-Burton. The art changes in Batman’s show as I heard it was because it was being aired on Kids WB now with Superman: The Animated Series as The New Batman/Superman Adventures, and they wanted to reflect the show they were already airing rather than the one they were taking from another network. The Schumacher connection is not one I’ve heard but considering the lack of thought by executives I wouldn’t be surprised. This is also why the fancy title cards were dropped from Batman: The Animated Series and The Adventures Of Batman & Robin and why Bruce no longer used a different voice as Batman in The New Batman Adventures. (Something else I’ve heard but never confirmed is that Kids WB didn’t want to pay for the extra voice as the actors’ agent demanded even though it was technically the same character, which is also why Tim Daly didn’t use a “Clark Kent” voice like other Superman actors before him like Bud Coyer and Beau Weaver.)

Also, anyone else want to see that Bane DCAU movie get made? And for the record, I like of like the second Robin suit Schumacher had designed, just not on Robin/Nightwing. I used to have the Halloween costume until it fell apart.

The “Superhero Fatigue” Fallacy

Genre’s come and go out of fashion but despite the wishes of the media snobs they never go away. (Sadly, neither do the media snobs.) And the media snobs really hate superhero stories. No matter what else gets said here, let’s understand who is out there ready to dance on the grave of the superhero genre. Auteurs and would-be auteurs who want to turn a spacefaring sci-fi franchise into a gangster picture or turn a comic book supervillain into a nutjob in makeup. Showrunners who just want to snap at fans for not liking a certain movie despite liking another movie that did a better job with the thing they’re upset you didn’t like in their movie. Directors who were already balking at action science fiction because every story ever is only worthy to them when it has a message with depth and meaning. They want you coming out of that theater less happy than when you walked in or they don’t feel successful because introspective and sorrow are the only “feelings” they believe a movie should convey.

Basically, self-important super-biased mega-snobs. You know, morons.

These people already hate superhero stories so when they see a superhero movie fail, pushback against the next movie, and TV shows not making the studio money they’re thrilled…despite being the parties responsible. They want you, or rather the studios, to believe that the general public is done with superheroes and now it’s time to go back to the feeling-inducing, self-reflective, over-hyped, self-indulgent passion projects that the “well done” from their peers.

Now please, don’t misunderstand. I’m not saying those movies are bad. I even liked some of them in the past and others look worthwhile as well. A Man Called Otto is on the Finally Watch list and it just came out. I just needed to get that out of my system not because of the movie but because of the Hollywood mindset that looks down on anything that they don’t consider award worthy or punches sideways up. So they look at superhero movies not doing well and think that’s a good thing because it’s more money spent on the “approved” story genres. Except it’s not that we’re burned out on superhero movies. It’s that they’re currently producing crap by people who don’t want to make superhero movies and will go out of their way in interviews and on social media to let you know it. Although you can tell from the movies themselves.

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“Yesterday’s” Comic> Sonic The Hedgehog #37

“Oh wait, TAILS is the one that flies.”

Sonic The Hedgehog #37

Archie Comics Publications (August, 1996)

EDITOR: Freddy Mendez-Gabrie

MANAGING EDITOR: Victor Gorelick

“The Day Robotropolis Fell”

WRITER: Angelo Decesare

ARTIST: Brian Thomas

COLORIST: Barry Grossman

LETTERER: Luke Merlin

Bunnie Rabbot: “Bunnie’s Worst Nightmare”

WRITER/ARTIST: Rich Koslowski

LETTERER: Mindy Eisman

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BW’s Daily Video> Trashing The Original Doesn’t Defend The New

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How To Make The “Superteam” Idea Work (And How To Mess It Up)

There are three kinds of teams when it comes to superheroes. The first is a group created as a team. The Fantastic Four is a good example. From the start they were meant to be a group of heroes brought together by fate from the start. The second type is the group brought together as a crossover, your Justice Leagues and Avengers. The third is the “family” a group that comes together over time sharing a motif. No, the Fantastic Four calling themselves a family doesn’t count because we aren’t talking the nuclear family or the “we’re such close people we’re a family in the nontraditional sense” type. We’re talking your Batman family or Superman family, where the term is more descriptive than official, a network of heroes with a similar theme rather than the variety seen in most teams. Even the X-Men, despite the shared logo and a matching costume in the early years before getting something more unique to the characters and powers, are only joined by being mutants in a moron world. They could be a family or more like the Spider-Folk where they just get along really well. Especially if you’re Spider-Man and Silk but that’s just a what the hell was the writer thinking ordeal.

This morning (depending on when you’re reading this) we looked at CBR’s list of terrible modern comic trends, as reviewed by Just Some Guy. As he noted this goes all the way back to the Golden Age. The most long-running example is the “Marvel Family”, back before there was a Marvel Comics to take advantage of legal shenanigans by others and deny Billy Batson his proper superhero name because “we’re Marvel Comics so WE should have a character named Captain Marvel” despite none of them ever catching on. Yes, that includes Carol Danvers taking on yet another superhero name to block DC. They weren’t alone, though. Bulletman had Bulletgirl and I think even a dog at some point. Hawkman and Hawkgirl fall into this despite being from the same planet depending on what origin we’re going with that particular Wednesday. Even cartoons got into this, with Hanna-Barbera’s Birdman eventually being joined by a Birdgirl and Birdboy. Not all of these teams share costume designs but they do share a theme.

CBR thinks the existence of the “family” is enough. However I would put it to you that the one big example they brought up is actually the best example of the Family Team concept done right, though the image they used as their example is the one done wrong.

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