Somebody Get Dwayne Johnson A Comic Book!

They’re using the Geoff Johns reimagining as the core of their Shazam movies and even he got that right.

Yes, I know this is was last week’s Jake & Leon but a recent interview by Johnson in Vanity Fair just came to my attention that made it even more fitting now. Dwayne “The Rock” Johnson seems to hate Billy Batson after reading this interview. It’s not about accuracy, it’s about ego and fighting the “big name”. I suppose that shouldn’t be a big surprise seeing as he comes from the world of professional wrestling, where fighting the top name in the organization gets you the most attention by fans and by the bookers looking to see who should be the current champion.

Then again, I doubt he knows who Billy Batson is, since I’d be surprised if he read a comic book. He certainly didn’t read Shazam! or any of the previous Fawcett comics. He wants Superman, he wants to be an antihero if not outright evil, and he doesn’t care what the comics are doing. This is another example of how celebrities see storytelling versus the fans who want to see the characters they love continue on in a different media format to see what that format can do with him. Art Of Storytelling, the article series here at BW, has gone over what each type of media can do that others can’t. (I’ve run out of those so the series will be shifting focus next time I do one.) It’s why I also enjoy Star Trek comics, audio dramas, games, and novels. I want to see what they can do but I want to feel like it’s the same franchise. As we see in the interview with Johnson it’s all about ego…like most Hollywood celebs.

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“Yesterday’s” Comic> Sonic X #22

Not sure who’s more better off here.

Sonic X #22

Archie Comics (September, 2007)

“Decoe and Bocoe’s Not-So-Excellent Misadventure”

WRITER: Joe Edkin

PENCILER: James Fry, assisted by Ian Thompson

INKER: Terry Austin

COLORIST: Josh Ray

COVER ART: Patrick “Spaz” Spaziante

LETTERER: John Workman

EDITOR: Mike Pellerito

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BW’s Daily Article Link> NASA’s Moon Manikin: The Comic

Hey, NASA’s finally going back to the moon after a few decades. But they’re sending a mannequin named after a recently deceased member of the space program. For our purposes he and the other “moonikins” are getting their own online comic. Sure, why not?

Was It Really That Bad? (An Experiment)

Forgive the clickbait-style title. I’m in a bit of a hurry today.

There are times I wonder if a good or at least decent production is thrown off due to one detail that gives the wrong impression. Obviously a bad adaptation can ruin a good story for fans of the source material that should have just been an original idea, but that’s something I admit too. Let me give you an example, Robert Townsend’s The Meteor Man was the first actual all-black cast superhero movie. It’s actually a pretty good movie. So why didn’t it do any better?

My theory is that Townsend around this time was known for his movie Hollywood Shuffle, which is still a praised movie, and a series of HBO comedy specials. Both were known for social commentary, mostly the treatment of black actors and characters forced to play their stereotypes, as well as rather raunchy humor. The Meteor Man has neither of these. Instead he wanted to give black kids a superhero they could look up to in a story that bypassed those stereotypes in order to raise inner city black kids up. This caused Townsend’s usual supporters to give the movie a pass and in my opinion this unwillingness to let Townsend do something other than raunchy commentary may be why the film never got a decent chance. It’s like when Seth MacFarlane created The Orville without the humor he uses in The Family Guy. the difference is MacFarlane got a better chance as Star Trek fans looked for something closer to the franchise they loved and weren’t finding it in CBS’s offerings.

So I want to try something with a certain Saturday morning cartoon that also is only known for one thing, this time being something it added that is the only thing mentioned. The actual story seems ignored by most internet critics, but I’m not going to say what it is just yet. I’m not going to list the character until I talk about the premise first. Then decide if my theory in something like The Meteor Man has some merit and we can be biased over silly things. (And no, screwing up the source material isn’t silly. There are reasons this material was popular enough to get an adaptation in the first place.) As a friend of mine used to say: “let me pitch it to you”.

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“Yesterday’s” Comic> Star Trek: Voyager–Splashdown #2

“I told Neelix to clean this pool!”

Star Trek: Voyager–Splashdown #2

Marvel/Paramount Comics (May, 1998)

WRITER: Laurie S. Sutton

PENCILER: Terry Pallot

INKER: Al Milgrom

COLORIST: Matt Webb

LETTERER: Chris Eliopoulos

EDITOR: Tim Tuohy

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BW’s Daily Video> Can Aspirational Heroes Kill?

Catch more of Professor Geek on YouTube

“Batman needs to learn…”

What did you think Bruce was doing all those years traveling the world? Learning how to punch? Why is so hard to believe that in searching for new ways of stealth combat and otherwise useless information about the world he wasn’t learning about people, too? For I think the reason he gives ex-cons a job so they won’t go back to being Penguin’s henchmen or something is that when studying criminals he realize that not every criminal commits crimes because they’re evil but because they’re fighting to survive. That’s why some ex-cons go back into crime, because they can’t adjust to a society that won’t give them a second chance. So he gives them that chance.

Sing Me A Story> Coward Of The County

logo for the Sing Me A Story article series

In a previous Sing Me A Story I looked at Kenny Rogers’ “The Gambler“, a short story about a man who meets a gambler and gets some advice before he cashes in his last chip. This is not the only example of a good musical narrative, and it may not even be the best. Rivaling “The Gambler” is “Coward Of The County”, a single off his 1979 album Kenny. This was his second album and one of his crossover hits outside of country music.

As I’ve noted in quite a few previous Sing Me A Story articles covering country music there’s just something about this style that allows for a full on traditional narrative. Rather than just scenes from an incident or a series of incidents with a common theme this is a story on it’s own, which may be why, along with “The Gambler”, “Coward Of The County” had a movie. In both song and movie, Rogers portrays the uncle of a boy named Tommy, whose father dies in prison. Wanting his son to avoid his mistakes he makes the boy promise not to follow in his footsteps, but that promise is challenged when…well, let’s let the song tell the story.

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