That Part Of The Fantastic Four Owned By DC’s Owners

Everybody knows that the Fantastic Four are Marvel heroes. They’re one of the properties fans have demanded go to the Marvel Cinematic Universe…because we all know how awesome the live-action versions of the Fantastic Four have been. As for the MCU being more accurate to the comics that’s been less and less true with each phase so good luck with that!

Created by Stan Lee and Jack Kirby as Marvel’s first attempt at a superhero team since I believe World War II and the Young Allies in the Timely days, the four have had better showings in animation. Four cartoons and whatever you’d classify Fred & Barney Meet The Thing as of the Baxter Building’s resident paranormal investigators with super powers were produced but one of them is not own by Marvel. Technically two, but again, this:

Yeah. If you haven’t guessed this was a weird crossover show with characters from the Flintstones (that only crossed over in bumper segments) at a strange time in their history I could go over someday as well because that might be fun. Let’s stick with the heroes though because thanks to rights issues this and a different show are in a strange position. We’ve seen the odd rights issues with Star Trek and the Rankin-Bass library scattered to the four winds but this one is a bit different.

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“Yesterday’s” Comic> Sonic X #19

“I wonder if other Sonics have Eggmen this lame?”

Sonic X #19

Archie Comics (June, 2007)

“Muerta! Las Vegas!”

WRITER: Joe Edkin

PENCILER: Tracy Yardley!

INKER: Terry Austin

COLORIST: Josh Ray

COVER ART: Patrick “Spaz” Spaziante

LETTERER: John Workman

EDITOR: Mike Pellerito

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BW’s Daily Article Link> Dead Curse Words That Could Use A Comeback

I feel like being silly for today’s posts. I have something fun for tonight so why not something fun this morning (time may be different in your region). Here’s an article about eleven curse words humanity stopped using but could use again. I bring up Dave The Barbarian because he actually uses one of them. Also we should never forget this show existed.

Lady Author Dissects Black Widow And Captain Marvel

Why did I specify “lady” in the article title? Because any negative review of the MCU version of Carol Danvers is written off as sexist misogynists rather than actual issues with the work itself. Never mind that Natasha Romanoff doesn’t get the same negative response, even from her movie. So let’s look into what a writer who is a girl says about the Marvel Cinematic Universe’s famous movie girls.

In the video below, as part of her “Science Of The Story” series, author Abbie Emmons compares Carol Danvers in the Captain Marvel movie to Natasha’s arc not in Black Widow but the first Avengers movie trying to figure out why the former is hated by the movie fans while the latter is embraced to the point that fans had wanted her to get her own film since her first appearance in Iron Man 2 where she didn’t even have a character arc. So how do I make this a feature article with my own thoughts? Because Emmons is only focused on the movies I thought I’d chime in with the comics…but there are a lot of differences there. We used to like Carol but even comics Carol has failed where comics Black Widow continues to succeed.

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“Yesterday’s” Comic> Star Trek: Starfleet Academy #17

Some roommates can’t get along.

Star Trek: Starfleet Academy #17

Marvel/Paramount Comics (April, 1998)

“Culture Clash”

WRITER: Chris Cooper

PENCILER: John Royle

INKER: Tom Wegrzyn

COLORIST: Kevin Somers

LETTERER: Jim Novak

EDITOR: Bobbie Chase

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BW’s Daily Video> Do Publishers Want Comic Niche

Catch more Comics By Perch on YouTube

 

How The Epic Is Ruining Casual Story Enjoyment

I may have brought this up before. With all the years I’ve been doing this site and all the time I’ve lost for one reason or another I’m not always sure, but it’s one worth bringing up again because it is a problem that’s getting worse here in the Year Of Our Lord 2022. Everybody wants to make huge epic stories now. Games have tons of DLC waiting, TV shows are multi-part multi-season stories, movies are larger than life even by movie standards (and some of them also think they’re TV shows), comics are flooded with events and stories made to pad out for a trade whether it needs to be graphic novel length or not, and the miniseries has enough parts to be a full season. It’s all meant to be flashy and keep you there for the next installment or go “ooh” “ahh” with giddy excitement, and then you move on to the next epic.

There’s a cost for all this though. All this binge watching, event-driven, very pretty stories are great for those who like to be invested in big, long stories…until they’re epically disappointed. Ask Game Of Thrones fans. However, that’s not the cost I mean, nor how hard it all is to digest and keep in your head by discussing it with your friends and fellow forum members, though that is a problem with binge in general. Imagine coming home from work or school or the dentist or something and just wanting to relax with a short story and then getting on with chores or going to bed, or if you have time maybe another or different short story. Well, sucks to be you more and more. Waste time you could spend dusting, taking out that overflowing trash, or feeding that dog you just had to have during the 2020 plague because for the next five hours you need to sit there to get the whole story…and even then you’ll only get a season’s worth unless you also binge season two. Want a quick little adventure to read? It’s continued in the next four issues from the previous three and don’t forget tie-ins and crossovers. Well, let’s try a book with 35 chapters and that’s just book one of four. This is a huge waste of time, but also money, and casual story consumers are being slowly priced out of both.

Now some of this is definitely the audience’s fault not for watching all this but in some cases demanding it, giving in to the Netflix-induced marathon session. “Binge season 3 and realize it could have ended there but season 4 will be ready to binge tomorrow.” Every story doesn’t just get remembered later on but is important to the next story and the previous story was important to this. For a group who wants to kill continuity it seems they’re determined to use up as much as your free time as possible and pay through the nose for it…and there’s no shortage of viewers ready to dive into that. I have nothing against serialized stories, even ones that go this long, but I’m seeing less and less of the done-in-one stories and I feel we’re really losing something special here, especially those who don’t have the time and money to spend.

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