The Many, MANY Intros Of Scooby-Doo: And Along Came Scrappy

 

Alternate title: Scrappy-Doo and Guess Who.

ABC had Scooby-Doo only a few years and was already considering ending the show. It would have been the end for the show over two networks if they didn’t come up with some idea to freshen the show up. So they came up with Scrappy-Doo. Mark Evanier discusses how they came up with Scrappy, promoted it to Hanna and Barbera as well as ABC, and the various stages of Scrappy’s life he was involved in. Scrappy doesn’t deserve the hate he gets, as we’ve gone over before, but there’s still a trope (wrongfully) named for the character that arguably saved the Scooby franchise.

As a matter of fact Season One of Scooby-Doo And Scrappy-Doo, if you were to watch both, feels like a continuation of The Scooby-Doo Show. The art is the same, the mysteries on display outside of the final episode before the format change would have been a good fit with the previous show, and the only real change was Scrappy being added to the chase scenes with his Scrappy traps (imagine Fred’s traps but without the victory–it’s not like all of Fred’s traps worked as intended) and “PUPPY POWER!” It did also change the way Scooby’s relatives had been named in the previous show, from “Scooby-(X)” to the more familiar and better suiting “(X)-Doo”, so Scrappy has that going for him. It even got packaged with other shows and featured other family members like the previous show. And of course it had its own intro.

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“Yesterday’s” Comic> Sonic & Knuckles

He’s not aiming for Sonic, Knuckles just really hates graffiti.

Sonic & Knuckles special

Archie Comics (August, 1995)

WRITER: Ken Penders

COVER ART: Patrick Spaziante & Harvey Mercadoocasio

COVER COLORING: Heroic Age

EDITOR: Scott Fullop

“Panic In The Sky!”

CO-WRITER: Mike Kanterovich

PENCILERS: Art Mawhinney (chapter 1) and Dave Manak (chapter 2)

INKER: Rich Koslowski

COLORIST: barry Grossman

LETTERER: Mindy Eisman

“Fire Drill”

INKER: John D’agostino

COLORIST: Freddy Mendez

LETTERER: Bill Yoshida

“Lord Of The Floating Island”

ARTIST: Harvey Mercadoocasio

COLORIST: Freddy Mendez

LETTERER: Bill Yoshida

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BW’s Daily Video> Data & Picard

Catch more of Pogo on YouTube

I’ve heard a few of his mixes and frankly this one I’m near obsessed with. I’ve listened to it numerous times. Also, it inspired someone to make this:

Catch more from Deep Homage on YouTube

 

The Many, MANY Intros Of Scooby-Doo: A Brand New Show (or shows, really)

Even though I only remember seeing them in syndication as I was still really young, today I reach my favorite incarnation of Scooby-Doo, and while it’s not all downhill from here (granted there are highs and lows) it’s the version that I wish had more attention. The Scrappy period is a target, everyone seems to think there were only two Scooby shows beforehand, but there’s actually an interesting history here because we actually get to talk about three shows. (It could be four but I’ll get to why it isn’t.)

First off is The Scooby-Doo Show, the incarnation in question. However, when the show moved to ABC in 1976 there was an improvement in the art quality, which may say more about advancements in art because the animation was about the same, and this is coming off the heels of The New Scooby-Doo Movies, where all the budget seemed to go into the guest stars. ABC also put Scooby together with two other ones, one in which he actually cameoed and the other where he was a big part of the show. But before we get into the superheroes and athletics, let’s talk about the main attraction for our series first.

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“Yesterday’s” Comic> Spider-Man: The Manga #30

Given that the Clone Saga was going around the same time as this cover I suspect whomever wasn’t reading the series got the wrong impression.

Spider-Man: The Manga #30

Marvel Comics (June, 1999)

WRITER/ARTIST: Ryoichi Ikegami

TRANSLATION: Mutsumi Masuda

RETOUCH/PRODUCTION: Dano Ink Studios

COVER COLORIST: Frank A. Kadar

EDITOR: Dan Nakrosis

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BW’s Daily Video> The Issues With Velma-In-Name-Only

Catch more from mjtanner on YouTube

It’s just more cheap marketing. As the hosts says, they could have just given Mindy Kaling her own show with her own characters and nobody would have a problem unless the show itself was terrible. Maybe try to make good shows instead of cheap marketing gimmicks, political messages, and calling critics terrible names because they didn’t like your work. If you don’t care about these characters we love, why should be care about the stuff you’re making? Because you’re you? Because you have a “good message” even though you told it so badly you actually ruined your own message? That’s not how this works.

Chapter By Chapter> Tekwar chapter 12

Chapter By Chapter features me reading one chapter of the selected book at a time and reviewing it as if I were reviewing an episode of a TV show or an issue of a comic. There will be spoilers if you haven’t read to the point I have, and if you’ve read further I ask that you don’t spoil anything further into the book. Think of it as read-along book club.

We’re about 1/3rd into the book, the twelfth chapter, and the investigation is only just starting. Last chapter Jake Cardigan finally met his new boss, Walter Bascom, and got the latest information on the man and daughter he’s trying to find, who may have a new weapon in the war against the digital drug Tek. Somehow I don’t think the book is quite ready to stop showing us how in The Future they are but at least the story is finally moving forward past showing off. It’s about time.

The question I have at this stage is what role will the ex-wife and son play in this story or is that set-up for a future story. So much of what we have has been more worldbuilding than plot, and while I’m sure Shatner was hoping for a series of novels (which we do  now have) it made the same mistake as Op Center in that it was more interested in setting up the series (when it wasn’t setting up The Future) than in moving the plot along. And yet Tekwar has still managed to move the story forward more at this stage of the book than Op-Center did. So let’s see what direction the story is going to take…because when we ended things Jake had just been kidnapped by a robo-cabbie

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