Jake & Leon #530: Super Emergency

Well, that and who wants to watch someone on the potty?

If you do, please don’t tell me.

Over at The Clutter Reports this week I did a series of smaller projects that needed doing.

We’re getting closer to the end of our Chapter By Chapter review of Robotech: Before The Invid Storm. Also this week I want to explain why I’ve put so much attention into setting up G.I. Joe: The Movie finally hitting theaters, though I’m not sure I can spare the funds to go. We’ll see how I feel come Thursday or Saturday. Otherwise I’ll fill the rest of the week somehow and hopefully it will be something that interests you. Have a good week. everyone, and Happy Father’s Day.

Saturday Night Showcase> G.I. Joe: Arise, Serpentor, Arise!

It’s time for the last leg of the Joefest, celebrating G.I. Joe: The Movie finally making it to the theaters, And it only took the passing of a century to do so. “Arise, Serpentor, Arise!” is a five-part miniseries, continuing the trend of starting a season with a miniseries. And that’s if you count the first three miniseries as separate seasons. It’s also the most important going into the movie as it establishes the official chain of command for G.I. Joe and introduces a new leader for Cobra that will play a big role in the movie, where the full extent of his origin is explained.

Tired of Cobra Commander’s ego-driven failures, the top brass of Cobra decide to create a new Cobra leader, inspired by a dream the top mad scientist (because of course they have a top mad scientist) Doctor Mindbender has. Being a miniseries this of course leads to a fetch quest around the world, this time collecting the DNA of some of the greatest…and most ruthless…leaders in history, though even Cobra’s not touching Hitler. The Joes must stop their thefts but luckily they have some new members, including pro wrestler and drill sergeant Sgt. Slaughter! And yet William “The Refrigerator” Perry never got to play himself in an episode and we never saw an episode where the Street Fighter heroes fought alongside the Joes. Yes, these things actually did happen in the toyline, while Slaughter would not only voice himself in both G.I. Joe cartoons but actually filmed live-action segments for later “rerun” seasons of the original. He even appeared in a comedy video about the Joes and Cobras’ downtime activities. And it all started here. We’ll be watching the episodes combined into movie form, like the other miniseries in our Joefest. Enjoy.

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“Yesterday’s” Comic> Scooby-Doo Team-Up #47

“Like why are you wearing a diving helmet?” “Let’s just say I’m not a very good driver.”

Scooby-Doo Team-Up #47

DC Comics (May, 2019–as featured in the digital version of the trade “It’s Scooby-Time”)

“Don’t Get Mad, Scientist!”

WRITER: Sholly Fisch

PENCILER: Walter Carzon

INKER: Horacio Ottolini

COLORIST: Silvana Brys

EDITOR: Kristy Quinn

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A Better Way To Approach Creators Of Bad Adaptation

Let me preface this by saying there are people out there in Hollywood who absolutely do not care about what the fans of a property want. For them it’s just lazy marketing to get something out or a belief they can “do it better” than the creator. That’s how you get Todd Philips’ Joker or Frank Miller’s The Spirit. Heck, the people I targeting with this approach may not care either, but only the liars will be able to treat fans as “toxic” when the truth is they don’t care and don’t want to be called out on not caring.

The angry Twitter responses are not helping, and in fact may be adding to the dumpster fire that the (anti)social “platform” has become. Basically we have no chance of convincing anyone of anything. So I want to come up with a few things those of us who want Superman to act like Superman, Star Trek to represent what made fans of Star Trek and turned a show cancelled in three seasons into a TV and movie empire, and any other adaptation at least feeling like I’m watching what I’m being told I’m watching can explain to the actors why we don’t like their take. It’s not the actors’ fault, it’s the screenwriters and directors (either part of the “we can do it better than the original” crowd or just wanted to get out their own story and the only way to talk the studio into it was lying about it being an adaptation of something more popular–and probably better) who are screwing this up. Before we start our arguments let’s realize a few things so we can better get them to realize a few things.

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“Yesterday’s” Comic> Action Comics #505

Artist representation of DC’s current treatment of Clark.

Action Comics vol. 43 #505

(it was an odd volume system back then)

DC Comics (March, 1980)

“The Creature That charmed Children!”

WRITER: Cary Bates

PENCILER: Curt Swan

INKER: Fran Chiaramonte

COLORIST: Adrienne Roy

LETTERER: Ben Oda

EDITOR: Julius Schwartz

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BW’s Daily Thought: Iconic Superman IS Subversion

Here’s an idea I’ve been meaning to add to the daily quickpost rotation, a short commentary or thought that isn’t worth a full sized feature article. I have a good one to start on. Think about what people who don’t understand Superman thinks someone with Superman’s power would be like. Heck look at what Lex Luthor, writers like Brian Michael Bendis or editors like Dan DiDio, or the title villain from Kill Bill can’t seem to grasp about him.

  • Nobody with that much power would want to be an ordinary person, so he couldn’t possibly have a secret identity. (While I object to him not wanting to be Superman, him wanting to be Clark is because it connects him back to his humanity and as he’s once said, Superman is what he does, but Clark Kent is who he is.)
  • If “I” had that kind of power I’d totally make people do what I want. (Superman only uses his gifts to help others whether it’s saving lives, lending a helping hand, or being in a unique position to just listen to someone else’s problems for a while.)
  • With that much power he has to be a big, dumb oaf. (Superman has shown he can be smart with or without his powers, and has had problems in the past that punching things couldn’t solve.)
  • Superman is too powerful to write stories about. (And yet the character has existed since the 1930s so clearly a few people managed to figure it out.)
  • Superman is a god. (…who can be felled by a glowing rock or Harry Potter. He sees himself as a human, leading to…)
  • If “I” were that powerful I wouldn’t care about lesser beings. (Superman will rescue a cat from a tree, and that’s not just a line. He literally does it. He also admires people who can save lives without superpowers, risks their lives for others without being invulnerable, and shows the same kind of compassion and helpfulness he does. While we are inspired by Superman, Superman is inspired by us.)

In other words, Superman is the ultimate example of subverting expectations…unless you think that only means being negative and depressing. Superman is not the type of person you’d expect someone with all of his power to be…which is why he’s my favorite superhero. If someone in the real world could have all his powers, despite science saying how impossible that is, you damn well better hope he’s a big “boy scout” or you’re dead.

The Many Intros Of Star Trek: Phase 2

Back when Star Trek: Discovery was previewed on CBS I took a look at the various intros of the Star Trek franchise (not counting movies, fan series, and video games) up to that point. Discovery didn’t hold a candle to those shows and that’s kind of the case for the show. The pilot hit me with a resounding “meh”, and from I hear it’s basically devolved into the Michael Burnham show so I have less reason to care.

Still, I needed a fourth article for this week so I figured with four new shows calling themselves Star Trek sitting on the Paramount Plus servers why not check out their intros in order to keep this all complete? We have two new animated shows and two new live-action shows. I’ve seen the pilots for the animated shows and nothing from the live-action (I’m not even sure one of them is out yet) but we’re here to judge their intros.

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