Finally Watched…Westworld (1973 movie)

Science Fiction and Westerns have gone together for a long time now. It makes sense when you think about it. Exploring outer space is a journey to unknown territory filled with unknown dangers. The same thing happened when the pioneers started moving westward, only in sci-fi you don’t have to be a pest to the locals. Both adult and kids stories have used this connection as it’s a great source of action and drama. I grew up with Adventures Of The Galaxy Rangers, Saber Rider & The Star Sheriffs, Bravestarr, and The Wild West C.O.W.boys of Moo Mesa (though that last one was “sci-fi” in concept and weapons only). Even Japan has made that connection with works like Trigun. You can have fun with it, like Cowboys And Aliens or get serious with shows like Westworld, which brings us to tonight’s review.

Before it was a television series on HBO Westworld was a 1973 movie by Michael Crichton. While he’s known for having movies made from his books, most notably The Andromeda Strain and the original Jurassic Park (the sequel made just to make a sequel movie…that ignored the majority of the book so what was the point of making him do it?), this was an original-to-movies story that Crichton himself made his directorial debut on. The movie would go on to have a sequel called Futureworld (which I’m now adding to the Finally Watched list) and a TV series…not the HBO series that came later but Beyond Westworld, in which a mad scientist decides to use the robots in his world domination scheme…so little if any ties to the movie. I saw maybe one episode of HBO’s series during a preview week and by then the story had past me…also it was during a night of insomnia, so either way I didn’t get the best look at that show. I do know enough to feel confident in answering one question though. If you’re a fan of HBO’s series should you watch Crichton’s original movie?

On the one hand this trailer almost does the plot summary for me. On the other hand it also gives away like half the film. 1970s trailers.

RELEASE DATE: 1973 (my birth year)

RELEASED BY: Metro-Goldwyn-Mayer (MGM)

RUNTIME: 1 hour 28 minutes (closer to 2 hours TV time–I saw it on the Movies! channel)

RATING: PG (TV-14)

STARRING: James Brolin, Richard Benjamin, Yul Brynner, and Alan Oppenheimer

SCREENWRITER/DIRECTOR: Michael Crichton (Less than five names? No wonder movies are so expensive today.)

GROSS REVENUE: unfortunately IMDB doesn’t have that info; Wikipedia claims it hit $4 million in the original release and more in re-release

ESTIMATED BUDGET: $1,250,000

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“Yesterday’s” Comic> Scooby-Doo #45 (DC)

In which our gang visit a “boo-tique”. No, I’m not apologizing.

Scooby-Doo #45

DC Comics (April, 2001; posted to comiXology September, 2014)

I don’t know if this is the case for the print version but the digital version is lacking a title and credits as far as I can tell, so I got that information from the Grand Comics Database.

COLORIST: Paul Becton

ASSISTANT EDITOR: Harvey Richards

EDITOR: Joan Hilty

“Diamond Dog”

WRITER: Bob Fingerman

PENCILER: Joe Staton

INKER: Stephan Destefano

LETTERER: Jenna Garcia

“Rest In Pizza”

WRITER: John Rozum

PENCILER: Karen Matchette

INKER: Dave Hunt

LETTERER: Ryan Cline

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BW’s Daily Video: Crazy Atari Collection

Warning: A bit of swearing in this one.

See more gaming content on Cinemassacre’s YouTube channel.

I only have a few Atari 800 games but that’s a lot of 2600 games and I didn’t even know about alternate 2600 consoles outside of the Sears version. I still need to find a way to make Video Game Clutter happen.

By the way here’s a link to Mike’s Atari 2600 collecting Facebook page if you want to see his library.

BW Filler Video: Comic Drake Explains DC Reboots

So I’m not only running late tonight thanks to shopping but WordPress puts up a brand new editor (I was hoping the admin editor wouldn’t be changed but sucks to be me…I’m not a fan of the new block system) and I have to figure it out and make the article even later. Joy.

So in order to give you guys something today let’s discuss DC’s obsession with reboots. Comic Drake just released a video about DC’s history of using them, but he’s a lot nicer about it than I’d be. (Also for some reason he reversed the images of Superman in the thumbnail and it looks like they drew Bizarro wrong. Of course I’m in a sour mood today so no offense intended to Drake.) So I’ll let him explain the history of reboots and add a few caveats of my own.

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“Yesterday’s” Comic> Robotech: Mechangel #2

How about “I wish you’d stop pointing that gun in my face”?

Robotech: Mechangel #2

Academy Comics, Ltd (February, 1996)

“Labyrinth”

CREATOR/WRITER: Bill Spangler

ARTIST/LETTERER: William Jang

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BW’s Daily Video: Behind The Scenes Of Kaiju Masterclass

Check out the official site.

YouTube: https://www.youtube.com/channel/UCxgWJLIqDFbY4eCxCudSZkw

Twitter: @Kaiju_MC

Instagram: @kaiju_masterclass/

Facebook: facebook.com/KaijuMasterclass/

KAIJU TRANSMISSIONS kaijutransmissions.podbean.com/

Facebook: facebook.com/kaijutransmissionspodcast/

Twitter: @KT_Podcast Erik Homenick akiraifukube.org

Twitter: @AKIRAIFUKUBE.ORG

PATRICK GALVAN: tohokingdom.com/blog/author/patrick-galvan/

syfy.com/author/patrick-galvan

Superman, Deku, And The Relevancy Of Heroism

Modern writers in the superhero genre seem to have abandoned the idea of superheroes. Some prefer to darken heroes, make them more into anti-heroes while others have outright stated they’d rather write villains. They tell us the villains are more complex and the traditional “tried and true crusader of justice” is “cookie-cutter” and outdated. Bullcrap! You want to watch the news right now and tell me that the heroic hero is no longer in style, but I say that’s part of the problem. The traditional superhero has been abandoned by the writers but has it been abandoned by the fans? Is Superman, the embodiment of what modern writers tell us is everything outmoded about superheroes, relevant today? He darn well better be.

This is a long video from YouTube essayist Literature Devil but it’s well worth watching. So grab a seat, put your phone or tablet on a stand if you aren’t using a computer, and let him explain why superheroes like Superman and My Hero Academia‘s Izuku “Deku” Midoriya are exactly the heroes modern mythology and the superhero genre need as they not only define what a superhero is, but show how complex they really are as they follow the hero’s journey. It’s not the superpowers that make them superheroes. Remember, villains can has superpowers as well. That’s why they’re called supervillains. So what makes a superhero the hero? Get ready to get philosophical.

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