Saturday Night Showcase: Ultra Live Stage 2018

From what I can gather the Ultraman festival is an annual event sponsored by Tsuburaya Productions for fans of the Ultra family. The festival includes a live stage show featuring the various Ultra heroes fighting an army of monsters and interacting with the audience. Just forget everyone is oddly human-sized. This takes place in Japan and to my knowledge they don’t do this elsewhere. It would be like the BBC sponsoring a Doctor Who festival in Japan. It’s probably not happening.

The official Ultraman YouTube channel has a subtitled version of 2018’s stage show. I don’t know why it’s the only one, but I thought I had already posted it here for a Saturday Night Showcase. I was going to link to it in last night’s Art Of Storytelling discussion on plays, so this isn’t going to be a trend of following an AOS article with a sample in SNS. However, since I haven’t posted it and it’s a good fit why not do so tonight? This highlights the use of virtual sets and how they use the video walls to showcase the energy blast powers of the various Ultramen. It also shows how the play manages to get the audience involved, and since kids make up the majority of the audience this is a very good thing.

Ultra Live Stage for 2018 actually features two adventures but they do tie together. The first story has the studio audience visiting the Land Of Light, where they meet some of the latest Ultra Heroes of the time as well as an Ultrawoman scientist who has created a device that can turn cheers into light energy the heroes need. (It makes more sense when she describes it.) It will be put to the test when the visit is interrupted by evil monsters. The second has a group out for revenge against the champions of Nebula M-78, which will also bring in the audience and their magic cheer power. Now the video itself is in Japanese, but there are subtitles if you turn on the closed caption settings on the player, for those of us English-speakers who don’t understand Japanese. The songs are not translated, like in the previous official Ultraman videos, but at least you can follow the story and cheer on our heroes. Enjoy!

Continue reading →

“Yesterday’s” Comic> Comic Book Comics #0

Trust me, every comic artist has done this at least one in their life.

Comic Book Comics #0

Evil Twin Comics (posted to comiXology March, 2010)

“Crime Oh Man Does It Pay”

WRITER: Fred Van Lente

ARTIST: Ryan Dunlavey

Continue reading →

Art Of Storytelling: Theater (or Theatre if you’re one of those)

All the world’s a stage, and all the men and women merely players: they have their exits and their entrances; and one man in his time plays many parts, his acts being seven ages.

-William Shakespeare

PBS.org has a history of theater if you want to check that out. The site needs major updating though. Not in info but in design. I wasn’t around in 4th century BC so I can’t comment on plays from back then. (I was busy not existing; lazy, I know.) The modern stage play I can comment on, though I have seen relatively few in person, and two of those were school field trips. As far as making them I had bit parts in elementary and middle school plus did a little behind the scenes in high school drama class. (Actually I stood around looking for something I could do and was otherwise useless, but that’s besides the point.) So if I’m not expert enough for you I can’t do anything about it. I’m just a person who studies storytelling. I haven’t talked much about theater and I’ll get into why as we go on, so this is a different subject for me to discuss.

As far as musicals go, they deserve their own section and I’ll probably lump in stage musicals with movie and TV musicals because their process has some similarities, with differences better suited for this installment. Just know that a lot of what I say here also works for musicals, and to an extent opera, which I might cover but honestly I know less about opera than I do most of the rest of these topics since I just can’t get into it, except maybe rock opera. For the purposes of this discussion “comedy” and “drama” also work the same way as far as the storytelling method, but comedy will be broken down into smaller sections. This is just an overview of the theatrical experience for both storytellers and the audience.

Continue reading →

“Yesterday’s” Comic> Scooby-Doo #22 (DC)

Well, most guys are.

Scooby-Doo #22

DC Comics (May, 1999)

PENCILER: Joe Staton

INKER: Andrew Pepoy

COLORIST: Paul Becton

LETTERER: John Costanza

ASSISTANT EDITOR: Harvey Richards

EDITOR: Dana Kurtin

“Goop On The Loose”

WRITER: Rurik Tyler

“The Curse Of Wrangler Field!”

WRITER: Joe Edkin

Continue reading →

BW’s Morning Video Link: Want To Join Corridor Digital’s Crew?

Download the raw footage here ► https://app.box.com/s/nap0aueunqcun2s…

Email submissions to ► editor@corridordigital.com (Remember to format your email correctly 😉

No, I’m not going to apply. Video editing is not the path I’ve chosen and I’m on the other side of the country. I’m just helping out anyone out there who wants to take advantage. If you don’t know their work, check out the Corridor Digital and Corridor Crew channels to see if you’d be a fit.

Trope Shark: Take That, Critics!

It’s one thing to be upset with your critics. That’s as old as Shakespeare. Sometimes they may have a point and still be jerks about it. Sometimes they’re jerks without giving any actual constructive criticism. And in current arguments you have the racists and sexists. My problem starts when you lump all angry criticism from critic and fans alike in with the jerks and racists/sexists, but that’s not necessarily what this installment of Trope Shark is going to be about. I’ll rant about that elsewhere. If you want to go on social media or interviews and complain about that, it’s up to you, but be sure you don’t lump legitimately angry fans in with the jerks. I’ve already discussed how this happens, and I may come back to this one more time before I’m done.

However, I don’t care what happens on social media. While critics and fans should be able to make their case nicely so should the creators. Often they do not. Where this trope comes in, however, is when the creators decide to give the middle finger to their naysayers within their own stories. From TV Tropes:

A specific form of Take That!, in which the producers of a show respond to criticism of the show through the show itself, either through subtle in-jokes that obliquely refer to the criticism, putting lines of dialogue into the mouths of the characters, or presenting parodies of their critics. The program may even break the fourth wall to directly address the critics.

Depending on the producer, this can come in many forms; gentle ribbing or parody of the critics and their position, pointed rejoinders, triumphant gloating, and — in extreme cases — over-the-top bile that leads to the strong assumption that the critics may have struck a delicate nerve (either that, or the producer just plain Can’t Take Criticism).

It’s those last two parts, especially the last one, where the problem starts, because that can just ruin your story for everyone else, even the ones that like you.

Continue reading →

“Yesterday’s” Comic> Robotech II: The Sentinels book 3 #11

Looks like the BBQ got out of hand again.

Robotech II: The Sentinels book 3 #11

Academy Comics, Ltd (November, 1994)

“Where The Wild Things Are”

WRITER/ARTIST: John Waltrip

LETTERING: Alphabet Soup

Continue reading →