BW Reviews Action Comics #1000

Due to various shenanigans at DC over the years when the big two decided they didn’t like big numbers for some reason, we almost didn’t get Action Comics #1000. Luckily someone gained an IQ and realized big numbers means the comic and character has longevity and hopefully for a reason. Plus it’s Superman, and they’ve already rebooted continuity so many times, both hard and soft, that big numbers aren’t what’s chasing away potential readers. It’s not caring about your history so why should we get invested?

Also, we get the return of the red trunks. While I still say writing it off as a red part of the pants because they ran out of blue fabric is the better way to go, no other suit has looked right. It just looks so bland with nothing but a belt offsetting the blue. Plus it hides the super-bulge, which is why the circus strongmen and other athletes his outfit is based on had that feature. Nice to see them back. The cool kids hate you, but they don’t read Superman anyway, so why should we care? Not everything has to play to the “everything for meeeeeeeeeeeeeeee” crowd, no matter what they think.

No, I didn’t get the cover that’s been in all the press (you can click on to see it full-size). I chose the Steve Rude 50s inspired cover from the five they had because it looked like a cover that teases the story inside. It actually doesn’t, but I’m particular about my covers, as longtime readers know.

But I had to pick up something for Free Comic Book Day since the store pays out-of-pocket for all those comics you don’t pay for, and they lose money. I also got bags and borders for those comics since they do sell them individually and I couldn’t afford a full back of both separately. And since Superman is my favorite superhero my choice was obvious. The comic contains 10 stories and a pinup by John Romita Jr. (with Danny Miki inking and Peter Steigerwald coloring, plus another by Walter Simonson colored by Brennan Wagner, and a third by Jorge Jimenez. The assistant editor for all but the Brian Michael Bendis preview is Andrea Shea and Paul Kaminski as regular editor for all but the preview. So let’s check out the individual stories and see if they’re any good.

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“Yesterday’s” Comic> Transformers: All Hail Megatron #6

“Every time we have a picnic…”

Transformers: All Hail Megatron #6

IDW Publishing (December, 2008)

WRITER: Shane McCarthy

ARTIST: Guido Guidi

COLORIST: Josh Burcham

SELECTED COVER ART: Trevor Hutchison

LETTERER: Chris Mowry

EDITOR: Denton J. Tipton

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BW’s Morning Article Link: Humanizing The Inhuman

Only Inhuman

Only Inhuman (Photo credit: Wikipedia)

Author James Harrington was asked about how to take a non-human character and make them relatable to a human reading audience. He and the comments have some good tips that other writers should think about.

Finally Watched…Big Hero 6

I’m usually the first to complain when Hollywood takes a name and slaps it on something that is totally unrelated to the property the name comes from. For example I’m sure the remake of Battlestar Galactica is good, but I call it Battlestar Namesake for a reason. And I could make a huge list of examples, some of which don’t qualify as “not-stalgia ” but I’m trying to avoid as many multi-article commentaries as possible after the whole Seduction Of The Innocent review. The point is I know the pain of anybody who sees something they like slapped into something that has no connection to it.

That said, I never really paid attention to Marvel’s Big Hero 6, a superhero team from Japan that seems more in line with the rest of the Marvel universe than some sentai or Kamen Rider style team. I’d have to double-check but I bet they don’t even have a Ultraman style hero in their ranks. I think this makes it easier for me to accept Man Of Action’s Big Hero 6 movie despite Disney grabbing a name from one property and improperly using it in another. But when I saw the trailers and ads it looked like something I really wanted to check out. Bing also brought up a good quote from The New York Times critic Manohla Dargis.

Big Hero 6 is good enough to transcend its blah ending and to make the case that every superhero story should be entirely animated

I kind of agree with that part I emphasized. Except for “should” because that word is a creativity killer more often than not. I do think many superhero types do better in animation than in live-action for the ability to suspend disbelief better since this is so different a world by nature of design. But how well did Big Hero 6 achieve this and was it worth the time I had to take to finally see it on Disney XD (which sat on my DVR for a while as well)?

RELEASE DATE: 2014

RELEASED BY: Walt Disney Pictures

RUNTIME: 1 hr. 42 minutes

RATING: PG

STARRING: Ryan Potter, Scott Adsit, Daniel Henney, T. J. Miller, Jamie Chung, Damon Wayans, Jr., Genesis Rodriguez, Alan Tudyk, James Cromwell, and Maya Rudolph

SCREENWRITERS: Jordan Roberts, Robert L. Baird, & Daniel Gerson

DIRECTOR: Don Hall & Chris Williams

GROSS REVENUE: $657,827,828 ($222,527,828 domestic) from an estimated budget of $165,000,000

IMDB SCORE: 7.8 out of 10

ROTTEN TOMATOES SCORE: 89% (Audience Score: 91%)

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“Yesterday’s” Comic> Gargoyles #7 (SLG)

Actually these are their stunt doubles.

Gargoyles #7

SLG Publishing (December, 2007)

WRITER/CREATOR: Greg Weisman

ARTIST/LETTERER: David Hedgecock (They actually credited a letterer? About time!)

ART DIRECTOR/COVER ARTIST: Greg Guler

COLORIST: Robby Bevard

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BW Filler Video: Stan Lee No More

Stan Lee Meets Superheroes

Stan Lee Meets Superheroes (Photo credit: Wikipedia)

 

There are certain clichés that come up when it comes to Spider-Man. “With great power comes great responsibility”, Aunt May in the hospital, and Peter Parker quitting Spider-Man for one reason or another. These all showed up quite a bit in the comics, but Scott Niswander of NerdSync thinks the most famous example, Amazing Spider-Man #50 (the story “Spider-Man No More”), may actually be an allegory when it was almost Stan Lee No More.

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“Yesterday’s” Comic> Iron Man: The Iron Age #1

“Okay, who thought painting my helmet was funny?”

Iron Man: The Iron Age #1

Marvel Comics (August, 1998)

“Challenges”

WRITER: Kurt Busiek

PENCILER: Patrick Zircher

INKER: Bob McLeod

COLORIST: Glynis Oliver

DESIGN/LETTERING: Comicraft (John Marasigan credited for design, no individual lettering credit)

ASSISTANT EDITOR: Polly Watson

EDITOR: Bobbie Chase

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