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He was calling her “pretty lady” a little while earlier. I wonder if Marlena ever told Adam about the movie Star Wars?
We 80s kids know the true origin story of He-Man and She-Ra…well, more She-Ra than He-Man. We never saw how Prince Adam became He-Man but we did see how Adora, lost princess of Eternia, was located on the sister planet Etheria and became its champion, She-Ra. Kidnapped as a baby by Hordak, she almost never gained her legacy…except she stayed on Etheria in the hopes of liberating it from Hordak, at least on the show. In the minicomics and some other media, Hordak returned to Eternia to conquer it because the Evil Horde was intended as a third column, a second threat so dangerous that He-Man and Skeletor would even join forces to oppose him on occasion.
That’s not how it was supposed to happen. At least in the mythology of Eternia. The show and other media did it so the Princess Of Power toyline could exist and Filmation could capitalize on the strong women of He-Man & The Masters Of The Universe with a girl centric show that boys might also enjoy the show the way their sisters did their show. Then they could play together if Mattel was smart enough to make the two toylines compatible. Which they didn’t due to internal struggles between the boys and girls divisions I won’t get into here.
So what would of happened if the bearer of the Sword Of Power and the bearer of the Sword Of Protection had not been separated by the Horde? What if Adora had remained on Eternia, raised alongside her brother, and granted her powers at the same time? She would need another steed (but for sake of following along we’ll still call him Spirit/Swift Wind alongside Cringer/Battlecat), but what else would change about the dynamic of having the most powerful man and woman, siblings, working together to defend Eternia and Castle Grayskull? Well, why should Game Theory and Film Theory have all the fun with fictional theorizing, especially when they probably wouldn’t cover this one. Let’s have some fun today and figure that out.
Archie’s Comic Spectacular, FCBD Edition
Archie Comic Publications (May, 2025)
WRITERS: Goldie Chan, Ian Flynn, Timmy Heague, Dan Parent, Adrian Ropp, & Jamie Lee Rotante
PENCILERS: Steven Butler, Holly G!, Bill Galvan, & Dan Parent
INKERS: Jim Amash, Lily Butler, Ben Galvan, & Bob Smith
COVER ART: Steven Butler, Lily Butler, Holly G!, Bll Galvan, Ben Galvan, Dan Parent, & Rosario “Tito” Peña
COLORIST: Glenn Whitmore
LETTERER: Jack Morelli
EDITORS: Jaime Lee Rotante, Vincent Lovallo, & Stephen Oswald
Nice to see the Archie characters looking like the Archie characters again, though clearly they’re a bit rusty on this art style over at Archie, having done a more realistic style for the re-imagine starting some years ago. I haven’t been following, but I hope this is Archie returning to form rather than a tease before sticking back to the CW look. The various stories in this comic credits which writers and artists worked on that particular story, with Whitmore and Morelli in their roles throughout the book. I just didn’t want to go through the trouble with six stories to review.

The Marvel Cinematic Universe is a mess. We already know that, but it seems Marvel Studios is still struggling to find out why. Of course the Hollywood system keeps insisting it’s “superhero fatigue”, the idea that people are just tired of superheroes. That’s a nice, easy answer…but it’s wrong. You could take all the superhero content that has ever been made, form a 24/7 live stream channel with it, and there’s be a number of people watching it. Some would pick and choose their favorite heroes, keep track of when their show/movie was on, and if they have DVR as an option, record it to watch later. Or just have it on in the background. That would be nice for comic stores to stream. DC tried something like that with DC Universe but it failed because there weren’t enough people to pay for it. Make it free and ad-supported and it might have done better.
That’s not to say that quantity hasn’t been an issue. It takes time to make live-action superhero stories that require superpowers or high-tech gadgets. Even animation takes a while, so since animation is technically required to make a hero fly believably these days trying to also match the lighting of the scene is going to be a time-consuming challenge, and Disney throughout their acquired sub-studios have not been given the necessary time and resources to keep shoving out stuff for Disney+ and putting out a movie every few months. It may not be fatigue as they see it but the creators are certainly ready to take a break even when they care about what they’re doing…which they’ve done less and less and that’s what’s really chasing fans off.
Kevin Feige has apparently bought into the “superhero fatigue” argument, cutting down Marvel Studios output since Disney+ has a enough of a backlog of live-action superheroes (heaven forbid DISNEY do more than lip service when it comes to animation, giving us mediocrity there as well) that he feels he can scale down the content. Bleeding Fool is reporting his schedule is down to three movies and might cut down on the live-action shows as well. However, what does he say is the real problem?
The Wall Street Journal is reporting that head of Marvel Studios, Kevin Feige, believes that the Marvel Cinematic Universe (MCU) has become too overwhelming for audiences. All of the interconnected movies and TV shows have made it difficult for casual viewers to keep up.
He reportedly told colleagues that watching all the new content was starting to feel more like “homework” than entertainment. Part of this is from a previous push for more content to boost streaming subscriptions back when Bob Chapek was in charge of Disney. Feige is now leading an overhaul to simplify the MCU, focusing on fewer TV shows and more stand-alone stories that don’t require extensive knowledge of past films.
The Journal‘s story is behind a paywall, so I’m going with their reporting on the story. So here’s where I disagree with Feige, not that the “homework” hasn’t been too much, but that the mistake wasn’t the quantity of stories but not understanding how the shared universe worked in the comics. Is he accidentally getting it? The part about “stand-alone stories that don’t require extensive knowledge of past films” isn’t a quote from the WSJ interview but the unnamed Bleeding Fool reporter. How far he goes with that will show ups if he understands or not.
Superman For All Seasons #1
Superman Day Special Edition
DC Comics (June, 2025)
Contains at least the first half of the actual comic, cover dated September, 1998. I’m only reviewing the part released free for this year’s Superman Day.
WRITER: Jeph Loeb
ARTIST: Tim Sale
COLORIST: Bjarne Hansen
LETTERER: Richard Starkings
no editor listed in the special. The DC Database Fandom wiki lists Joey Cavalieri and Maureen McTigue
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Jimmy sexting one of Lex’s girls is a new one. I came to Superman as a kid. Now I keep thinking of that headline from Superman 4: Quest For Peace. To paraphrase: James Gunn’s Superman By James Gunn To Kids: Drop Dead.
BW’s Daily Video> Why Hollywood Hates Its Own Fans
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Posted by ShadowWing Tronix on May 7, 2025 in Movie Spotlight, Streaming Spotlight, Television Spotlight and tagged commentary, fans, fans vs creators, Hollywood, Hollywood versus fans.
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