Kamala Khan Experiences A Case Of The Deaths

Okay, if I’m STARTING a feature article with a Just Some Guy commentary (contains swearing), you know I must have things to say.

Note that was from a gay black liberal who just happens to believe in storytelling over gimmicks. Essentially that’s what Kamala Khan is…a gimmick disguised as a character. Whatever you think about her skin color or her religion that’s basically how she’s been approached. The concept is actually solid. Kamala Khan (and isn’t it strange that modern heroes aren’t known to the audience by their superhero identities but their real names, making me wonder why they bother if they care so little) is a superhero fangirl who also struggles with her more orthodox Muslim family. One day a whiff of the Inhumans’ “Terrigen Mist” does a world tour and traps people in eggs. The ones that survive or something get turned into Inhumans. This was DisneyMarvel trying to distance themselves from mutants because they didn’t have the rights to the X-Men franchise as 20th Century Fox had those rights before Disney absorbed Marvel. Now that they’ve also absorbed Fox the mutants are back and the Inhumans are back to near-obscurity after their post-comic productions bombed like the town drunk carrying high explosives and upset at his failed stand-up comedy career. Yes, that was overkill. From what I hear it may not be overkill enough.

Anyway, Kamala Khan was really created to teach readers (I almost wrote kids but when’s the last time any of the mainstream writers cared about kids–IDW puts out more kids-related Marvel comics and they just lost the licence) about Muslim life after the alleged hate after the 9/11 bombing of the World Trade Center, Pentagon, and failed attack on the White House. Ignore the fact that the terrorists were extremists, there are people who don’t know the difference between culture and religion but now I’m getting off topic. The point is Kamala was never created to be just a superhero character. She’s a promotional tool for understanding Muslims first and that’s where the problem started.

And now apparently she’s about to be dead, thanks to events in Amazing Spider-Man, and there’s the usual response. Like her, or just like the idea of the second if you count Dusk totally first ever Muslim girl hero but don’t actually buy the comics, or if you actually like her comic, the response has been loud and obvious. However, I come not to praise nor bury Kamala Khan because she does have some merit…and death is like the flu in superhero comics.

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“Yesterday’s” Comic> Tron (2.0) #3

Cover rabbit is judging you.

Tron 2.0 #3

SLG Publishing (January, 2007)

WRITERS: Landry Walker & Eric Jones

ARTIST: Michael Shoyket (with Guru-eFX)

LETTERER/SFX: Eleanor Lawson

EDITOR: Dan Vado

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BW’s Daily Video> Dungeons And Dragons Reviews…Dungeons And Dragons

Yeah, it’s a cheap promo for the Honor Among Thieves movie but questionable impersonations aside it’s nice to see the 80s Saturday morning kids show get acknowledged and NOT trashed. Still not as good as this.

It’s an old car ad but I’m sure someone would have mentioned it eventually.

Recreating The T-1000 In 2021

Apparently I need more Terminator images in my library.

It’s almost post time and today’s been a time drain. So let’s thrown something up so you at least get something fun out of the day and hopefully I haven’t forgotten posting this in the past. Sometimes I forget to take a video out of my filler playlist.

Terminator and Terminator 2: Judgement Day are the only movies in the franchise really worth watching. The others have issues ranging from being unnecessary to being weak to being a source of sociopolitical pandering. Maybe somebody liked the TV series because the teen Terminator girl was cute or maybe the story got better after I stopped watching it. I stand by my claim though I do want to see Salvation out of curiosity.

One of the things that makes the movies amazing are the practical effects used for the Terminators in the post-Skynet future and the way liquid mercury was used to help create the liquid metal effects of the T-1000 (that scene where the 1000 reforms itself after being blasted apart) in a time when computers were still a new thing and needed that kind of help. It’s a testament to the advances in special effects and how necessity is the mother of invention. However, in this video from 2021 the gang at Corridor Digital tried to recreate the effect using modern computer animation. How well did they do? Let’s find out.

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“Yesterday’s” Comic> Planetary #1

“None of us are named ‘Terry’ and what’s ‘Star Comics’?”

Planetary #1

WildStorm (April, 1999)

WRITER/CO-CREATOR: Warren Ellis

ARTIST/CO-CREATOR: John Cassaday

COLORIST: Laura Depuy

LETTERER: Bill O’Neil

EDITOR: John Layman

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BW’s Daily Video> Why The DCEU Failed

No, this isn’t piling on Zack Snyder. This video brings up his mistakes but it’s more about Warner Brothers’ role in screwing the DCEU up. I just came across yesterday’s video and today’s around the same time.

Catch more from Shayne, Please Shut Up on YouTube

 

Why The “Electric Superman” Was A Dumb Idea

It’s hard to think about DC changing the status quo when they never let the old one settle. Eventitis in small and large doses, trade writing, and just general changes for shock value or personal writer goals has made the status quo the enemy in stories, rather than trying to find a story within those characters. It’s worse for Superman given how more and more writers reject the very concepts that have grown to be iconic about Superman, including his powers. Sure, his power set is practically the standard for powered superheroes now but somehow it’s hard for them to understand it’s not the powers that make us Superman fans become attached to the character. Syndrome was right: when everyone’s super, nobody will be.

The 1990s loved taking the status quo behind the wood shed, beating it to a bloody pulp, and Superman was no different. You had the death of Superman event, then the TV producers allowed him to get married because they were finally ready, and then you had the “Electric Superman” period, where for no particular reason Superman gets electric powers and a matching new look and logo. I can’t speak for anyone else during the period but I thought this was kind of dumb and unnecessary. In the following video by Owen Likes Comics, we get the full history of Superman’s electric period, the whole Superman Blue/Superman Red deal, and then I’ll go over why no matter how good the stories were or weren’t the overall concept was a mistake.

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