“Yesterday’s” Comic> Tarzan #24 (Marvel)

At least Tarzan doesn’t know about “women driver” jokes.

Tarzan #24

Marvel Comics Group (May, 1979)

Interestingly, this version of the cover (just the diamond is different as it’s a box on the regular cover) is referred to by the Grand Comics Database as the “Witman” cover. I know Witman did reprints of DC Comics but it replaced the DC logo with a Witman logo. (I’ve reviewed a couple comics from those reprints.) There is no indication here so I don’t know where they get their info from.

“Epilogue!” and “Jane’s Story”

WRITER: Bill Mantlo

ARTISTS: Sal Buscema & Bob Hall

COLORIST: Bob Sharen

LETTERER: Clem Robins

EDITOR: Allen Algrom

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BW’s Daily Video> Superman’s Unmade Rebirth Cartoon

Catch more from Hemmas Studios on YouTube

I’m not a fan of the art style (it’s the noses that really throw me off) but I want this to be made. A show where Superman teaches his son how to be Superman, to go over why Superman is who he is and does what he does, would not only be good for kids to learn to be better people, it would be a great way to show Superman haters why some of us love him so much and that there’s more to Clark than his superpowers.

Transformers: Rise Of The Beasts & The Flash Trailers Drop

I’m reviewing two new trailers at the same time. This should tell you how little I have to say about both.

This week the first “big” trailer dropped for Transformers: Rise Of The Beasts, an attempt to bring the Beast Wars into the movieverse, and The Flash, an attempt to use Flashpoint to abandon a failed attempt by DC to rip off the MCU. Trailers are supposed to get us hyped for the actual movie, to get us ready to see it. That’s getting tougher and tougher as Hollywood appears to be trying to bury geek media, science fiction continues to get darker in tone and visually so the sun only exists as a metaphor before going back into the darkness, and directors continue to be outright hostile to the source material because they only want to use the easy marketing of the famous name to push their script and sometimes also their agenda, using the various cultural “shields” to deflect criticism of their bad stories or their terrible adaptations.

Now before anyone, and I’m getting tired of having to add this disclaimer because it should be a given, gets on my case about “well, you don’t know the movie’s going to be bad”, let me ask you what a trailer is for. Hint: I already told you in the previous paragraph. I’m not judging the movie, I’m judging what they think will make us want to see the movie. There’s only so much time in my day, I have movies and shows I have wanted to watch but never got the chance, plus all the comics and books to read and audio dramas to listen to. Additionally I write articles like this, make comics, and if at all possible organize the crap in my house all while trying to get back into video production. I also need to sleep, go to the bathroom, make contact with other human beings so I don’t write the same kind of echo chamber characters we get now, and all the other things people tend to do in a day. My time, and especially my decreasing budget, is limited so the trailer has to convince me to use up some of that valuable time to see these movies. Do they?

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BW’s Daily Video> Superman Is Not Boring

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The Justice League Movie Too “Mortal” To Live

It’s always interesting to hear about adaptations that for whatever reason were never made. It’s not easy adapting from one format to another. Change too much and tick off the fans, change too little and lose the casual audience. Finding a balance everyone can accept isn’t easy, especially with guys like me around, but I do try to be fair and acknowledge the required changes versus the ones they shouldn’t, or as I call it “multiversal continuity”.

Justice League Mortal would have one advantage over the Justice League live-action movies we got from Zac Snyder and the mishmash that Josh Whedon was forced to make. It actually took elements from DC comic stories and was intending to merge them into something similar but unique. It chose the WRONG elements, did it poorly, and ultimately would have still ticked off fans, but not as much. I don’t call that a victory.

In the following video by ERod, the Blockbuster Buster, he takes a look at the history and only completed draft of the script for Justice League Mortal as part of his “Legends Of Fandom” series and shows us what we could have had if not for backstage issues working against them.

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“Yesterday’s” Comic> Sonic Quest: The Death Egg Saga #2

“Okay, who overinflated my beach ball?”

Sonic Quest: The Death Egg Saga #2

Archie Comics Publications, Inc (January, 1997)

“Poached”

WRITER: Mike Gallagher

PENCILER: Manny Galan

INKERS: Jim Amash & Jay Oliveras

COLORIST: Kyle Hunter

LETTERER: Jeff Powell

EDITOR: J. Freddy Gabrie

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BW’s Daily Video> Dell Comics Vs The Comics Code

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