“Yesterday’s” Comic> Sonic X #16

Oh sure, when Pepe Le Pew does it you call it “toxic”.

Sonic X #16

Archie Comics (March, 2007)

“Valentine’s Fray”

WRITER: Ian Flynn

PENCILER: Todd Wahnish

INKER: Terry Austin

COLORIST: Josh Ray

LETTERER: John Workman

COVER ART: Patrick “Spaz” Spaziante

EDITOR: Mike Pellerito

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BW’s Daily Video: Oversaturation Kills Mythology

Catch more from Professor Geek on YouTube.

 

Scanning My Collection> Robotech: The Threadbare Heart part 2

In the last edition of Scanning My Collection I started looking at the three-part story that started Robotech: Invid War Aftermath‘s transition from Eternity Comics to Academy Comics (where it was just called Robotech: Aftermath). Let me see if I can summarize the crazy.

Aftermath takes place after the end of the Third Robotech War. Scott Bernard returns, having failed to find Admiral Hunter and the only remaining Protoculture Matrix. The group is split between the city of Belmont and a traveling ground train called Megaroad, both pursuing different ideas of what to do next. The first story of the Academy run starts with a three issue story following the “Belmont Chronicles” group. Lancer, Sera, Lunk, and an older Annie have a new former of power, a type of breeder battery that can potentially replace protoculture, despite being around 10 years passing between the end of the “New Generation” and this story. Annie ends up with cancer from protoculture exposure, but it’s just meant to show off some new group with technology way too advanced for this franchise. They’re called the Immuno Heredity Enigma (so a Japanese group given their addiction to weirdly named groups in anime and manga) or “IHE”. They managed to use a shield that protected them from detection and attack during all three Robotech wars…somehow, and have a virus that cures people by destroying and rebuilding their organs. Annie’s cancer was just an excuse to show this off I guess.

Meanwhile Lancer has come across a refugee from the IHE and her clone Vaudell-Sync…and her clone’s clone we’re apparently just going to call “Spleen” because why should we care since Sync just uses to replace her dying organs (or sometimes just for fun because everyone in this group has their own form of crazy) and she doesn’t appear to care about anything else. See what you missed yesterday? Oh it gets stranger. The IHE has their own Super Dimensional Fortress, the Mordecai, and they need antimatter to power it. The organic computer “Mordecai Mind” is a clone of his creator, Gilles Vaudell. Being a clone of his creator, the Mind assumed this gave him the rights to fool around with his creator’s wife, Demont. She disagreed so he used the clone to “prove” there was a problem with her cells, the very short version being that’s a death penalty offense. Yes, this is a lot of exposition to set up the Clone spin-off series. This is where, mostly through issue #8, that I dropped off because the article was getting long, not realizing I was only a few pages away. With that, let’s get back to the married creative team of writer Rosearik Rikki and artist Tavisha Wolfgarth for this sample of what’s to come in our Monday comic reviews for a while.

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“Yesterday’s” Comic> Star Trek: Starfleet Academy #16

“Well, that sorted itself out. Who’s for pizza?”

Star Trek: Starfleet Academy #16

Marvel/Paramount Comics (March, 1998)

“T’Prell Revealed” finale: “The Fall”

WRITER: Chris Cooper

PENCILER: Chris Renaud

INKER: Andy Lanning

COLORIST: Kevin Somers

LETTERER: Jim Novak

EDITOR: Bobbie Chase

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BW’s Daily Article Link: Studio Pierrot’s YouTube Channel

It’s the shortest video Studio Pierrot has on their brand new YouTube channel. Yes, the famous Japanese animation studio is joining others in making an official YouTube channel which is great news…if you understand Japanese. The videos aren’t even subtitled for other languages unlike other official Japanese animation and live-action production companies out there and as of this writing there is no English language version content like TMS Entertainment or Tsuburaya Productions has. There are also some other odd scheduling choices according to this article from Bounding Into Comics, so maybe don’t start celebrating just yet.

Scanning My Collection> Robotech: The Threadbare Heart part one

Yesterday I reviewed the last comic of Comico’s Robotech TV episode adaptations. So that’s it, right? No more Robotech to tell after the last war, right? Well…someone found a way. Before I get into that in the Monday installments of “Yesterday’s” Comic I need to break out a bit of history because Robotech: Aftermath is an odd little footnote in the franchise.

First let’s talk about Eternity Comics, a former imprint of Malibu Comics before Malibu was bought and shredded by Marvel for their advanced computer coloring process. Seems to be a lot of extra work, but I wouldn’t be surprised if they were worried Malibu’s shared superhero universe, the Ultraverse, wasn’t a rival to stop from becoming a threat given the state of Marvel in the 1990s. Notice how they’re still fighting to keep the creators from getting their titles back to reboot on their own. You’d think Jim Shooter was behind the Ultraverse.

During Eternity’s run they had taken on the Robotech license. Comico had lost the license, having only produced the adaptations and one original graphic novel set during the SDF-1‘s first crash-landing on Earth (oddly not the last). Eternity however would produce original stories. Robotech II: The Sentinels was based on Carl Macek’s failed attempt to create a new Robotech show, which I was hoping to have done a video on by now but did review the comics both from Eternity and the company that took on the license after. Robotech: Return To Macross was set during the days before the Zentraedi came about. That same new company, Academy Comics, would continue both series and both companies had specials and miniseries coming off of it.

With past and something resembling the present having anchor titles (Return To Macross would get a spin-off title in the form of Academy Blues, focusing on Lisa and her friends and occasionally crossing over with Roy Fokker’s adventures in the other titles) the future needed to be represented as well. Enter Robotech: Aftermath, starting with Eternity and also traveling along to Academy Comics. Aftermath is a curious little monstrosity (I’m exaggerating) that we’ll be looking over in the next few weeks but this three part story from that series we’re looking at in this article also serves as the introduction of a new spin-off title for this period, Robotech: Clone. Aftermath (full title Invid War: Aftermath) meanwhile is actually two different series under one title, bouncing between “Belmont”, a city where the survivors of humanity struggle to rebuild after the Invid Occupation, and “Megaroad”, a group of travelling survivors. Our heroes are split between the two groups, with various philosophies on what to do next dividing the former allies and friends. It’s here where this three issue story takes place. Rather than review the three stories in their separate issues like I’ve been doing with trades I thought I’d use this to introduce to you all our new titles for the next whatever, Aftermath and Clone. I just told you about Aftermath but this is where Clone (later Robotech: Mordecai) begins so let’s meet this group of….people together. This intro is long enough.

All that hot dancing action you expect from your mecha war show.

Robotech: The Threadbare Heart

(contains issues #7-9, the first three issues of Academy’s run)

Academy Comics, Ltd (April, 1995)

WRITER: Rosearik Rikki

ARTIST: Tavista Wolfgarth

Remember that the Academy comics only had colors on the cover. However, no colorist is credited, though it could be Wolfgarth herself for this cover.

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“Yesterday’s” Comic> Spider-Man: The Manga #16

So you’re trying to sell this issue with surprise reveal from last issue, and a boring shot as well?

Spider-Man: The Manga #16

Marvel Comics (August, 1998)

WRITER/ARTIST: Ryoichi Ikegami

TRANSLATION: Mutsumi Masuda

RETOUCHING/PRODUCTION: Dan Nakrosis & Rob Kuzmiak

COVER DESIGN: Jeffrey Huang

EDITOR: Glenn Greenberg

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