The Future Of Cartoon Network In 2022?

David Zaslav continues to overall the Warner Brothers side of Warner Brothers Discovery, and when the small TV network franchise has less issues that the multimedia juggernaut something is horribly wrong. The latest victim appears to be Cartoon Network Studios, the animation studio tied to Cartoon Network. At least if you listen to the internet. According to Variety 82 existing staff members at Warner Brothers’ Television division were let go and the 43 already open positions eliminated or at least won’t be filled. This plus a bunch of animated shows disappearing from HBO Max (some of which doesn’t make sense to me but I’m not in the offices of Warner Brothers Discovery or Cartoon Network) has somehow led to “CARTOON NETWORK IS GOING TO DIE IN FLAMES OHMAYGHAD ANIMATION IS DEAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAD!” or something to that effect. The internet was already declaring the death of Cartoon Network, not just the studio. Folks, if it survived CN Live and “let’s make them all short comedies like on YouTube because we don’t understand what a budget is” now is not the time to panic.

Yes, there have been cutbacks, but there have been cutbacks all over the new company. The Batgirl movie was apparently so bad that it was canceled before it saw the light of day. Someone tried to tell me that the movie’s test screening wasn’t any worse than Shazam, which actually makes me less interested in seeing either movie or The Violent Emancipation Of Black Adam. Even the supposed merger of Cartoon Network Studios and Warner Brother’s regular animation department isn’t happening, and they’ll be running as separate brands. So what is the future of former home of the greatest cartoon stars, as the promos used to say? Let’s speculate, because that’s all we can do and least I know I’m not an oracle. Continue reading →

“Yesterday’s” Comic> Star Blazers: The Magazine Of Space Battleship Yamato #2

That’s a terrible parking job.

Star Blazers: The Magazine Of Space Battleship Yamato #2

Argo Press (October, 1995)

“The New Voyage” part 1

ADAPTATION/ARTIST: Tim Eldred

COLORISTS: John Ott & Tim Eldred

PUBLICATION DESIGN/FEATURES EDITOR: Bruce Lewis

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BW’s Daily Video> How To Create Better Cartoon Titles

Catch more from The Mysterious Mr. Enter on YouTube

 

The Many, MANY Intros Of Scooby-Doo: And Along Came Scrappy

 

Alternate title: Scrappy-Doo and Guess Who.

ABC had Scooby-Doo only a few years and was already considering ending the show. It would have been the end for the show over two networks if they didn’t come up with some idea to freshen the show up. So they came up with Scrappy-Doo. Mark Evanier discusses how they came up with Scrappy, promoted it to Hanna and Barbera as well as ABC, and the various stages of Scrappy’s life he was involved in. Scrappy doesn’t deserve the hate he gets, as we’ve gone over before, but there’s still a trope (wrongfully) named for the character that arguably saved the Scooby franchise.

As a matter of fact Season One of Scooby-Doo And Scrappy-Doo, if you were to watch both, feels like a continuation of The Scooby-Doo Show. The art is the same, the mysteries on display outside of the final episode before the format change would have been a good fit with the previous show, and the only real change was Scrappy being added to the chase scenes with his Scrappy traps (imagine Fred’s traps but without the victory–it’s not like all of Fred’s traps worked as intended) and “PUPPY POWER!” It did also change the way Scooby’s relatives had been named in the previous show, from “Scooby-(X)” to the more familiar and better suiting “(X)-Doo”, so Scrappy has that going for him. It even got packaged with other shows and featured other family members like the previous show. And of course it had its own intro.

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“Yesterday’s” Comic> Sonic & Knuckles

He’s not aiming for Sonic, Knuckles just really hates graffiti.

Sonic & Knuckles special

Archie Comics (August, 1995)

WRITER: Ken Penders

COVER ART: Patrick Spaziante & Harvey Mercadoocasio

COVER COLORING: Heroic Age

EDITOR: Scott Fullop

“Panic In The Sky!”

CO-WRITER: Mike Kanterovich

PENCILERS: Art Mawhinney (chapter 1) and Dave Manak (chapter 2)

INKER: Rich Koslowski

COLORIST: barry Grossman

LETTERER: Mindy Eisman

“Fire Drill”

INKER: John D’agostino

COLORIST: Freddy Mendez

LETTERER: Bill Yoshida

“Lord Of The Floating Island”

ARTIST: Harvey Mercadoocasio

COLORIST: Freddy Mendez

LETTERER: Bill Yoshida

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BW’s Daily Video> Data & Picard

Catch more of Pogo on YouTube

I’ve heard a few of his mixes and frankly this one I’m near obsessed with. I’ve listened to it numerous times. Also, it inspired someone to make this:

Catch more from Deep Homage on YouTube

 

The Many, MANY Intros Of Scooby-Doo: A Brand New Show (or shows, really)

Even though I only remember seeing them in syndication as I was still really young, today I reach my favorite incarnation of Scooby-Doo, and while it’s not all downhill from here (granted there are highs and lows) it’s the version that I wish had more attention. The Scrappy period is a target, everyone seems to think there were only two Scooby shows beforehand, but there’s actually an interesting history here because we actually get to talk about three shows. (It could be four but I’ll get to why it isn’t.)

First off is The Scooby-Doo Show, the incarnation in question. However, when the show moved to ABC in 1976 there was an improvement in the art quality, which may say more about advancements in art because the animation was about the same, and this is coming off the heels of The New Scooby-Doo Movies, where all the budget seemed to go into the guest stars. ABC also put Scooby together with two other ones, one in which he actually cameoed and the other where he was a big part of the show. But before we get into the superheroes and athletics, let’s talk about the main attraction for our series first.

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