Saturday Night Showcase> Girl Meets World

Deciding something was “made for you” is an exercise in just how much crap you can filled with. Blame it on whatever you want but what characters I relate to isn’t necessarily based on “looks like me” because I’ve related more to characters that don’t over ones that, by current definitions, do. And while I often say I don’t need to relate to the aspirational hero, especially superheroes, when it comes to sitcoms (short for “situation comedies”) I don’t have to relate to them either so far as I can follow and connect to their story. However, comedy is one genre where relating is definitely an asset.

Take for example Boy Meets World, the ABC sitcom that was part of their former “TGIF” sitcom lineup. (If memory serves, this TGIF played on “Thank God It’s Friday” but was more like “Thank God It’s Funny”.) The show follows the life of Cory Matthews as he learns about life and his place in it, growing up next to his history teacher who turned out in my opinion to be a better mentor than his father. I just didn’t connect with Cory. He was more confident than I was and his character growth came from learning humility, honesty, and responsibility. That wasn’t my path growing up so I couldn’t relate to him or most of the cast. I liked the show and did watch a bunch of episodes but I didn’t really feel like Cory was a reflection of my own life, which is something I think the show benefits from.

The sequel series however I had better luck with. Produced for the Disney Channel by the same co-creator, Michael Jacobs, Girl Meets World follows the daughter of Cory and Topanga (wow, spell check totally accepted that) as she does her own learning about life and her place in it. This time Cory is the teacher, combining Mr. Feeny and Cory’s own father into him. Topanga is a loving mother, Cory a loving father, and that’s something there sometimes feels to be less and less of in sitcoms. Daughter Reilly is someone I could relate to. She was shy, trying to figure out who she was, and a bit confused about both. Even her best friend, Maya, was an artist, which as a cartoonist (no matter what the art world tells you) I can relate to and I had friends like her. I think her brother Auggie even got more to do than Cory’s sister in the original. Even the theme song is cooler.

In this pilot episode, Reilly and Maya are about to start the new year. Reilly is trying to be more like Maya by riding the subway to school and joining in her protest of homework, but everybody has a little to learn here. We also seem Farkle Minkus, son of Cory and Topanga’s old classmate Stuart Minkus, and Reilly’s new love interest. Enjoy.

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“Yesterday’s” Comic> Radioactive Man #1

“That’s right, I left a cake in the oven.”

Radioactive Man #1

Bongo Comics (November, 1952–or sometime in 1993)

“The Origin Of Radioactive Man” and “Dr. Crab’s Commie Comics”

WRITER/LAYOUTS: Steve Vance

FINISHED ART: Bill Morrison

CO-PLOT/COLORIST: Cindy Vance

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5 Other Things That Were “In The Comics”

Do we not remember Jen only got her gamma radiation from a blood transfusion and not a large gamma bomb?

I’m becoming more and more convinced that the comic writers we have now over at the Big Two are just adding things to the comics in the hopes of getting them into their respective movies and television/internet shows. In the past few years we’ve had characters and events that are being used for the MCU for example while stories that became famous and even iconic are ignored or altered. When someone complains about the change made to the character, the defenders, especially but not limited to when social views are included, insists “but it’s in the comic”, probably after looking for the wiki about it because they may not actually read the comics. Otherwise the comics would be doing better. Instead the shows and movies are doing worse. That’s because they’re actually ignoring the iconography beyond surface-viewed symbolism.

What they fail to note is that (A) the ones complaining about it in the movie complained about it in the comics as well and (B) if you really want to go down that rabbit hole there are a lot of things that happened in the comics the defenders ignore when it suits them, like She-Hulk’s actual origin. Though if you really want to get into “this happened in the comics” there’s a lot of stuff that happens in the comics you wouldn’t want to see that they could do as well. Then if you complain, someone can say “but these happened in the comics”. Grab a parachute, Alice, because being sick meant I couldn’t do tonight’s planned story so we’re dropping down the rabbit hole…only instead of Wonderland we’re dropping face first into Blunderland.

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“Yesterday’s” Comic> Star Blazers: The Magazine Of Space Battleship Yamato special edition

We’re off to outer space. We’re leaving Mother Ear…wait, where’s my luggage?

As you can see the formatting is a bit different on this one. That’s because this special edition is less like a comic, unlike the rest of the series. While it does have a comic section to it this is more an introduction to Star Blazers so I’m using it in a similar way.

Star Blazers: The Magazine Of Space Battleship Yamato The Special Edition

Argo Press (October, 1996)

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BW’s Daily Video> Everything Wrong With Close Encounters Of The Third Kind

Catch more of CinemaSins on YouTube

I also wonder why the government guys insist even the people they know were called and came all the way here should not be allowed to see the aliens when they specifically requested their presence by giving them the drive to come here. Are they that determined to keep the aliens’ existence a secret? I mean, I know it’s the government…

By the way, here’s my FInally Watched review of the movie where I actually brought up some of these details as the reason that after all this time the movie just didn’t live up to the hype I’ve heard all these years, at least for me.

The Joker Doesn’t Need A Name

 

He/she who controls the origin has the power.

Apparently Geoff Johns won’t give up the Flashpoint timeline, and now he’s using it (if theories are to be believed) to give the Joker a name. Fully embracing the above statement, Johns has altered the origin for Barry Allen’s Flash, 90s clone Superboy, Billy “he’ll always be Captain Marvel to me, not Shazam” Batson, and even the Green Lantern Corp. Am I the only one realizing Johns is slowly remaking the DC universe backstory his own creation?

So in the Flashpoint timeline it’s Bruce who dies. Thomas Wayne becomes Batman while Martha goes crazy and become that reality’s version of the Joker. In a recent story from Flashpoint Beyond, aka we won’t let this event that rewrote the DC universe for Dan DiDio’s Darker DC die already, Martha meets a guy in Arkham who in the proper course of events would have become the Joker, and he has a name. That name… might as well be Jimmy Crackcorn because I don’t CARE!

Giving the Joker a “real name” is not something new to Johns the origin absorber (if I come off too harsh I’m not feeling good and I’m close to crunch time so my apologies) mind you. Alan Moore in The Killing Joke, Tim Burton in his first Batman movie, and Todd Philips in his anti-comic book “Joker” film all tried to give the clown prince of crime an origin and real name. None of them are the same name mind you but that doesn’t matter because any attempt to give the Joker a name besides The Joker is showing a total lack of understanding of how the Joker works narratively. In short: the Joker shouldn’t have a “real name” at all.

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“Yesterday’s” Comic> Sonic X #27

Are we talking IDW or NBC?

Sonic X #27

Archie Comics (February, 2008)

“Conquest Is Like A Box Of Chocolates”

WRITER: Ian Flynn

PENCILER: Steven Butler

INKER: Terry Austin

COLORIST: Josh Ray

COVER ART: Pat “Spaz” Spaziante

LETTERER: John Workman

EDITOR: Mike Pellerito

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