Hollywood Versus Masked Heroes

I’m not a fan of the Halo franchise. I tried playing a demo of the PC port of the first game and I might be willing to play it in the future but I wasn’t able to get into it because I never had an X-Box. So I can’t really speak to the significance of the game’s hero, Master Chief, keeping his mask on, either for the narrative or on a meta level. The discussion around it, where fans are less than thrilled the new show from Paramount (I don’t know if it’s on their TV channel or the latest “plus”, which frankly is a discussion all it’s own) decided to have the main Spartan remove his helmet, revealing his face for the first time. I’m sure someone at the studio thought this was a big deal, not realizing that it was actually a bad deal.

This is another example of Hollywood types not connecting to stories the way other people do. We’ve seen actors defend their versions of character who bear little to no resemblance to the source material, and we’ve seen that comics and video games are on the low rungs of the media snob’s ladder and Hollywood is full of media snobs who fully support the pecking order that benefits them. This really isn’t anything new though. Why do you think so many superhero stories now have these helmets that collapse behind the hero? Why do they embrace the maskless hero as often as possible and some studios even fight for no mask altogether? It’s all marketing combined with their belief that the movie-going and TV-watching public are stupid. Movie makers have their own problem with masks because of how they were taught to movie make. As for the actors there’s a reason they go along with it: ego.

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“Yesterday’s” Comic> Space: Above And Beyond #3

“I don’t care if you got blown up, you still owe me $40!”

Space: Above And Beyond #3

FINAL ISSUE

Topps Comics (March, 1996)

“Whatever It Takes”

ADAPTATION: Roy Thomas

PENCILER: Yanick Paquette

INKER: Armando Gil

COLORING: Digital Chameleon

COVER ART: Ken Steacy

LETTERER: John Costanza

EDITOR: Len Brown

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BW’s Daily Article Link: In Defense Of Families In Stories

There seems to be a growing trend of stories in which the cast of friends think of themselves as a family, as if being close friends isn’t good enough or something. The traditional family unit gets treated as a joke or something broken that isn’t nearly as good as the surrogate family of unrelated characters. And yet you can still do a lot with stories about families, either as who the hero associates with outside of heroing, or a family of heroes. Author Caroline Furlong goes over families in fiction and how settling down may actually be the beginning of the adventure.

Art Of Storytelling: Stop-Motion Puppetry

Let’s write a real article at least once this week, what do you say?

In the previous installment of this series, which I had to go back to remember because it’s been far too long since I’ve done one, we talked about puppets. I said I would talk about stop-motion next time and surprisingly I remembered! Like before I’m not going to go into the history of stop-motion, nor will there be a huge focus on stop-motion as a special effect, like early Star Wars movies or the works of the late great Ray Harryhausen. I’m more interested in fully stop-motion animated production, though the reason the former died out completely and the latter seemingly on the decline are pretty similar. And yet stop-motion refuses to really go away. Stop-motion productions can be found on YouTube rather easily, from shorts to short films thanks to modern toy articulation or just not having another option available.

So where does stop-motion shine? Is there really a type of story that stop-motion could work for like no other?

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“Yesterday’s” Comic> Sonic X #6

“And I thought the ball pit was bad. I’m actually missing the pool!”

Sonic X #6

Archie Comics Publications (May, 2006)

“I Never Promised You A Chao Garden” part 2

WRITER/LETTERER: Joe Edkin

PENCILER: Tracy Yardley

INKER: Andrew Pepoy

COLORIST: Ben Hunzeker

COVER ART: Pat “Spaz” Spaziante

EDITOR: Mike Pellerito

MANAGING EDITOR: Victor Gorlick

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BW’s Daily Article Link: Tom King Strikes Again (on Guy Gardner)

Hey, a Guy Gardner moment I actually like. That’s rare.

As the caption gag notes, I’m not a huge Guy Gardner fan. He’s like the embodiment of everything more liberal writers get wrong about conservatives, can be a bully at times, and only gets to be cheered on through the few redeeming qualities he does have. Well, screw that the underworld as Tom King has decided yet again to make a superhero (loosely as Guy matches that description) into a psycho before killing him offBounding Into Comics contributor Spencer Baculi reports that King decided to have Guy be a crazy stalker to his ex-girlfriend Ice before she and Christopher Chance, the Human Target, are forced to kill him in King’s latest chapter of his The Human Target series. I have a few questions I’m betting King didn’t think about:

  1. What are the Guardians Of Oa, not to mention other Green Lanterns, going to think when his ring comes back, the usual result of a dead Lantern so it can find a new owner? Are they going to go after a woman who can freeze people and a guy who makes himself look like anyone else?
  2. Did we really need an Ice/Human Target romance?
  3. What does any of this have to do with a story in which Christopher was poisoned while disguised as Lex and now need to find the cure while Ice tries to prove that Fire wasn’t the guilty party?
  4. If this is canon, does that mean now Guy is dead in-universe (since being shattered and the pieces left to melt usually means your dead, even in comics where that’s not tied to your powers) and now nobody can use him? In the same vein, how does that affect the Green Lantern comics King isn’t working on and are those writers okay with it?

This is just a bad idea all around. What is it with Tom King ruining superheroes? No wonder it doesn’t feel like Dan DiDio hasn’t left when all his acolytes are still working on stuff for DC Comics.

Why Are Batman Movies Afraid Of Robin?

I wasn’t going to do this twice in one week, especially in a row, but it’s still that kind of weak and when YouTube suggested this video to me I knew being the daily quickpost wasn’t going to be enough.

Batman and Robin. To many generations you can’t have one without the other. Whether he’s Dick Grayson, Jason Todd, Tim Drake, Stephanie Brown (which would be a she but that’s not important right now), Damian Wayne, Carrie Kelly (also a she), or Bobbie Chang, Robin exists for a number of reasons both as a storytelling element and within Batman’s life personally. And I don’t just mean the gag from Tiny Toon Adventures about drawing all the fire. If anything Robin might have to pull Batman out of the line of fire, or at least pull him back from the edge. That was one of the reasons he was created early in Detective Comics, to pull Batman away from the same level of darkness as one of his pulp hero inspirations, the Shadow.

While animated series, even ones that start early in Batman’s career, like Kids WB’s The Batman which oddly introduced Batgirl first, live-action movies haven’t used the Boy Wonder very well. In total only five live-action productions have used Dick as Batman’s sidekick, and we’ll get into Titans later. Even the animated theatrical Batman movie many claim to be the BEST Bat-film, Mask Of The Phantasm, takes place during a period in the DCAU and Batman: The Animated Series where Dick is at college. Why is Warner Brothers seemingly scared to use the Boy Wonder in their stories? YouTube video essayist Patrick (H) Willems decided to take a look after the movie also called The Batman continued the tradition of a Grayson-less Bat-Cave. Note that there’s somewhat more swearing than you’re used to from something in a BW article.

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