The Other 2020 Art Soundoff Participants

Usually I post this on the first Saturday of the annual Art Soundoff podcasting challenge, but the next Saturday Night Showcase may have a time limit so I want to get it up as soon as I can within the usual posting style. So we’re doing this today, but we’re five days into the challenge so I think we have our big participants. If we get anyone new I’ll edit them in and let you know during Jake & Leon or a programming update if I miss a week of the comic. Of course, following me here means you already get to experience my participation in the event, in which a group of comic creators at different levels of fame discuss our art day, our style, or just related things in our heads.

As of this writing only three others are using the #ArtSoundoff hashtag on Twitter to let us know they’re taking part. Of course the two co-founders, Lean Into Artcast co-hosts Jerzy Drozd and Rob Stenzinger, and famed comic colorist Owen Jollands. And here are the new additions if there are any:

So per usual I’ll be posting their first installment of the year and showing you where to follow along. Or just use the link in the previous paragraph. 🙂

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BW’s Art Soundoff 2020 #5: Yesterday’s Fiction, Tomorrow’s Future

 

“Yesterday’s” Comic> Scooby-Doo #50 (DC)

Did this cover inspire the second live-action movie?

Scooby-Doo #50

DC Comics (September, 2001; as posted to comiXology December, 2014)

“Big House Brouhaha”

WRITER: Dan Slott

PENCILER: Joe Staton

INKER: Dave Hunt

COLORIST: Paul Becton

LETTERER: Jenna Garcia

ASSISTANT EDITOR: Harvey Richards

EDITOR: Joan Hilty

First, I looked up the names in the Scooby-Doo fan wiki for this issue because all we get are last names. Second: a full-length story? I wish this was the norm after this issue but I’m betting next issue it’s back to two stories an issue. Enjoy it while you can, folks.

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BW Versus Cracked: No, They’re Still The Villain

When I was part of the Transformers newsgroup there was this small group of people who claimed that the Decepticons were actually the heroes of Cybertron, and made their case. Speaking as a human I found their reasoning a bit wanting but that was all in fun. Or was it given certain stories we see today. Productions like Wicked and Maleficent may try to alter the story to make the villain the hero but some people want to use the evidence itself to prove the heroes were actually the baddies, and admittedly there are poorly made stories where you can make a proper case. However, there have been examples where doing so means missing certain elements of the story to prove their case. Some time ago I challenged a video insisting Syndrome was actually in the right for the original The Incredibles though I have to wonder if this was a think piece or outright trolling by someone not happy with superheroes. Recently SF Debris posted a video showing why contrary to certain beliefs on the internet Walter Peck wasn’t doing his job but was abusing it and Peter Venkman was right to stand up to him. I think we’ve seen movies where the writers wanted so badly to make a villain out of a strawman that they messed up and it became the story of an innocent but bad tempered person being unjustly kept from their goal.

Very longtime readers may remember I linked to a lot of articles from Cracked, the website born of Mad Magazine‘s former rival. Instead of parody comics the site has articles, most notably lists because they’re very popular on the internet. They still try to be humorous, and one can judge the level of humor, but some of their conclusions as of late have become debatable and after they tossed out their video division without proper warning I slowly lost interest. I’m not one of those people addicted to lists. However, in the YouTube posting of the Peck video someone linked to an article from Cracked, “9 Famous Movie Villains Who Were Right All Along“. Now I can’t really judge every entry on this list. For example I’ve never seen The Rock and all I know about Ferris Bueller’s Day Off are Broderick’s antics so I can’t judge the principal or truant officer or whoever Jeffery Jones was playing. However, I have seen evidence that Bueller himself was either a horrible person or a figment of the other male student lead’s imagination but that’s a whole other article. Of the movies I have seen or at least feel I’ve heard enough about to make at least a minor judgement call however, Cracked is not right in their assessment.

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“Yesterday’s” Comic> Robotech II: The Sentinels book 4 #11

I wonder if that eyepatch gives Edwards has an advantage in a staring contest.

Robotech II: The Sentinels book 4 #11

Academy Comics, Ltd (October, 1996)

“Summit”

WRITERS/ARTIST: John & Jason Waltrip

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BW’s Art Soundoff 2020 #5: Critic Rambling

The Evolution Of CG Hulk

People who only know of the Incredible Hulk through the old Bill Bixby/Lou Ferrigno live-action series were probably curious why the more recent theatrical Hulk appearances went with CG instead of a painted actor. I know my cousin did when Ang Lee’s film came out. Anyone who read the comics or even watched the various cartoons could answer that rather easily. The live-action show of 1970s worked with what they could do back then and that was paint Ferrigno green and make it look like he flipped a car. In the source material however Bruce Banner’s alter ego is a huge brute of a monster who gets stronger the angrier he gets until his body reaches a certain limit. With computers it’s easier to properly translate the comic design of the Hulk into the world. It makes me wonder what they have planned for She-Hulk since she actually looks more like a muscular green woman, possibly due to only getting her powers from a blood transfusion with her cousin Bruce.

Although they start off with a couple of other movies (namely an adaptation of Journey To The West and martial arts parody Kung Pow: Enter The Fist) the VFX artists as Corridor Digital–specifically Clint, Wren, and co-founder Nico–also take a look at how the computer model for the Hulk has evolved from the 2003 Lee movie up to the more recent Avengers films.

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