The Many Failures Of DiDio’s DC

This was the logo DiDio promoted. I don’t know for sure he was a fan of it, but it’s as lame as his tenure.

Based on current goings on I had considered naming this article “Dan DiDio (Or The Fabulous Emancipation Of One DC Universe)” but that both seemed in poor taste and date the article even more than the topic.

Yes, you heard right. Apparently Dan DiDio is no longer going to be the co-publisher at DC Comics. Whether he was fired, left on his own, or had a mutual parting of ways, most of us don’t really care. We’re just glad he’s gone. DiDio showed little understanding or interest in the DC Universe that fans of the comics loved so much, drove off creators, and didn’t seem to care what the readership thought. It led to the loss of longstanding imprints, the creation of new ones, and decisions that ran more people off than it brought in. He’s done a lot of damage but with luck a replacement might fix those problems.

However, there’s the problem and why we don’t really have an opening to celebrate. DiDio is gone, but that doesn’t mean DC fans are immediately in the clear. He left a lot of damage behind and while we don’t have a replacement announced, or even know if Jim Lee is or isn’t going to work alone, this leaves the future of DC Comics and the DC Universe in question.

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“Yesterday’s” Comic> Justice League Unlimited #6

In a different comic Aquaman still doesn’t fly.

Justice League Unlimited #6

DC Comics (April, 2005)

“In The Dimming Light”

WRITER: Adam Beecham

PENCILER: Carlo Barberi

INKER: Walden Wong

COLORING: Heroic Age

COVER ART: Ben Caldwell

LETTERER: Pat Brosseau

ASSISTANT EDITOR: Jeanine Schaefer

EDITOR: Tom Palmer, Jr

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BW’s Morning Article Link: The School Comic Book Club

There were some fun school activities when I went to school, like model building, creative writing, computers, photography, picking on Troy…wait, that one wasn’t so fun because I was the Troy in that situation. Anyway I would have loved to have seen a comic book club so congratulations to one Kansas school who gets to live a fantasy I didn’t even know was possible. Of course, if they were MAKING comics it would be even cooler. We’ve seen comic stores trying to create a new generation of comic creators and with all the writing and art clubs we had in school it would be a nice bonus.

Jake & Leon #444: DiDio Departs DC

Or maybe Jim Lee remains sole publisher. Do we know he would change anything?

I’ll get more into this in a commentary tomorrow (because it fits with the Monday DC Comics review, so expect Chapter By Chapter on Tuesday this week), but I’m not ready to celebrate simply because Dan DiDio is now leaving DC Comics, whether he was fired or left on his own. The problems are still there, 5G is still happening, and the future of the DC Universe is not necessarily brighter. Marvel wasn’t better when Quesada was kicked upstairs, or when Axel Alonzo was replaced by CB Cebulski. I’ll celebrate when the DC Universe is back to being the DC Universe.

Over at The Clutter Reports this week I organized a box full of junk. Exciting.

In addition to the above listed schedule alteration we have another installment of Art Of Storytelling, where we’ll talk a bit about stage plays. It’s not a topic I get to discuss and I expect I’ll get into why, but it is a form of storytelling. There will be another commentary or two, and it all depends on what else breaks this week. Hope you enjoy the ride!

Saturday Night Showcase: Dragon Ball R&R

Since I talked about audio dramas last night I though tonight I could actually bring you one. Instead of going to another one from the old radio days I opted for something new and fan-created. This one is rather imaginative but it started as something else.

Lawrence Simpson, better known by his screen name MasakoX, is famous online for his role as Goku and Gohan on the now ended Dragon Ball Z Abridged, but that’s not his only connection to Dragon Ball fandom. On his own channel he has produced numerous videos talking about the series and both examining characters and themes as well as going over the history of the franchise both in an out of universe. Every now and then he has also created a series of “what if” scenarios, some of them going from multiple chapters, in which an event is altered and a new timeline is formed, one wildly different from the official stories by Akira Toriyama. Minor changes like Goku not learning his signature Kamehameha Wave technique or never meeting a minor character has on occasion created an entire new series of events which has on occasion lead to worse or even better scenarios for your favorite characters.

One of those scenarios is “What If Raditz Turned Good?“, where Goku and Gohan somehow manage to reform Raditz instead of sending him to…another dimension. Or HFIL or whatever explanation you prefer. He’s dead either way in those scenarios but in this one Raditz works alongside his brother Goku, marries forgotten character Launch and has a daughter named Ranch who ends up having adventures of her own with cousin Goten and family friend Trunks. Instead of using the DBZA actors of Team Four Star, Masako opted to bring in new actors who just wanted to play both the famous characters and the ones that formed in his alternate reality, though he still plays Goku and Gohan. The show became known as Dragon Ball R&R, and tonight I bring you the first episode from this alternate reality. The video contains an animated intro with images depicting the scene acted, but it’s an audio drama so you don’t have to watch it to enjoy it, but in some of the fights it does admittedly help. Join the kids and their fathers (minus Vegeta, who doesn’t care for Raditz) as they play a game of musical fusions to see who has the strongest fusion.

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“Yesterday’s” Comic> Catalyst Prime: The Event (FCBD)

“Hurry up. I have to pee and these suits don’t come off easy.

Catalyst Prime: The Event

Lion Forge (2017)

WRITERS: Priest & Joseph Philip Illidge

ARTISTS: Marco Turini & Will Rosado

COLORIST: Jessica Kholinne

LETTERING: Andworld Design

EDITORIAL ASSISTANT: Desiree Rodriguez

SENIOR EDITOR: Joseph Illidge

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Art of Storytelling: Audio Drama

Technology has allowed us to advance in many ways, including in storytelling. With broadcast and recording equipment we can bring stories to a wider audience. Silent movies allowed us to take the world of theater and bring it to everybody with the same performers, then they invented a way to record audio and create the “talkies”, the way we watch movies today, although processing color would come later. Until then you had someone near an organ playing music that went along with the film, although I don’t know for sure if that was true everywhere.

Meanwhile another medium was being born, the radio. Sitting in a studio you could broadcast your show to everyone within range of the transmitter, later enhanced by stations that could capture the signal from farther distance or be given recordings and playing them within their own circle, serving as a relay to get broadcasts around the country or even around the world with a strong enough transmitter. You didn’t come here for the science or history of broadcast and I’m just trying to fill in the intro so that’s probably not an exact description. The point is this was used to bring music and news to the masses but it also brought the precursor to the TV show, the radio show.

Sometimes done in front of an audience and sometimes just in a recording or broadcast booth, you had comedies, soap operas (in fact General Hospital started as a radio drama and you can find those old shows on the Internet Archive), science fiction, horror, crime dramas, and shows for kids, adults, and families. It’s where the Shadow, the Lone Ranger and Tonto, and the Green Hornet got their debut. Most of Superman’s iconography came from comics but the old audio dramas deserve a lot of credit. This form of storytelling fell with the invention of television but never really went away. It just evolved into things like book and records, audiobooks, and on occasion original stories. As the way we share recordings changed, eventually the audio drama made a comeback. While not nearly as widespread as it used to be, with most radio stations only playing music, hosting talk radio, or carrying sports, it has still managed to remain an important method of storytelling, because like every other format audio dramas (and audio comedies, but I’m just going to stick with the one term) has it’s advantages for both the tellers and the tellees.

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