“Yesterday’s” Comic> Scooby-Doo #10 (Archie)

Cats chasing a dog. I think they got that backwards.

Scooby-Doo #10

Archie Comics (July, 1996)

“The Really Big Show”

WRITER: Mark Evanier

ARTIST: Dan Spiegle

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BW’s Morning Article Link: In The Year 2020

 

The year is 2020, which is only significant for starting the third decade of the 21st century. However, comics have set a bunch of stuff in the year 2020 long before so Bully The Little Stuffed Bull decided to check out the future we never had. Well, we have had an evil Iron Man, they just used Tony Stark instead of Arno. The future is always full of disappointment.

Finally Watched…The Beast From 20,000 Fathoms

As fan of both 50s monster movies and Japanese kaiju films I’m surprised it has taken me this long to watch The Beast From 20,000 Fathoms. Not only was it one of the early giant monster goes on a rampage movies but it inspired Ishiro Honda to create Godzilla, with a Japanese perspective on the atomic bomb. (Obviously their perspective is different from ours in the United States but a lot of monster movies came from a fear of the atomic bomb and misused atomic energy as much as it did worries about communists.) And yet I only saw it today thanks to a recording of MeTV’s Svengoolie. I’ll be sparing you the bad puns but there was some interesting trivia attached as well.

Based on a story Ray Bradbury wrote in the Saturday Evening Post, later re-titled The Fog Horn (where the lighthouse destruction scene comes from), the story was brought to the attention of the producers by another famous Ray, Ray Harryhausen, who ended up doing the effects though originally they wanted Harryhausen’s old mentor Willis O’Brien of King Kong fame. It also features a cameo by Lee Van Clef, who only got billed in the TV guide description because of his more famous later works. All he does is fire a grenade near the end of the film. It’s a 50s monster movie so of course the hero here is the scientist.

RELEASE DATE: 1953

RELEASED BY: Warner Brothers

RUNTIME: 1 hours, 20 minutes (2 hours for the TV Svengoolie version with added trivia and comedy)

STARRING: Paul Hubschmid (as Paul Christian), Paula Raymond, Cecil Kellaway, and Kenneth Tobey

DIRECTOR: Eugène Lourié

WRITERS: Lou Morheim, based on a short story by Ray Bradbury

PRODUCERS: Bernard W. Burton, Hal E. Chester, and Jack Dietz

GROSS INCOME: IMDB doesn’t list it, just the estimated budget of $210,000

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“Yesterday’s” Comic> Robotech II: The Sentinels book 2 #7

Unfortunately the video on YouTube was immediately false claimed.

Robotech II: The Sentinels book 2 #7

Eternity Comics (May, 1991)

“Farewell”

WRITERS: Tom Mason & Chris Ulm

ARTIST: Jason Waltrip

COVER COLORIST: Paul Mounts

LETTERER: Patrick Williams

EDITOR: Dan Danko

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BW’s Morning Article Link: Young Frankenstein Musical On TV

This is not a good week for my image library.

Mel Brooks’ classic parody movie Young Frankenstein found new life as a musical. I haven’t seen it but we’ll all get a chance when it airs on ABC. It’s strange how musicals are making a comeback on TV. What’s next, the variety hour? I could get behind that.

VFX Artists Go Over Lord Of The Rings’ Effects Techniques

Guess what other franchise I don’t have in my image library. Man, I miss Zemanta.

Lord Of The Rings is one of the biggest fantasy movie franchises out there, based on the also popular series of books by J.R.R. Tolkien. The movies took the occasional adaptation change, like how Sauron is now a fiery eyeball on top of a tower instead of…a dude, but fans of the books tend to enjoy the movies. One of the secrets of the movies’ success is how Peter Jackson created the magical and dangerous world of Middle Earth using a combination of practical and digital effects. In the two videos below the Corridor Crew, computer effect experts thanks to many years of creating low-budget VFX action comedy videos for YouTube as well as projects for other people, take a look at just how they created those effects despite 2001-2003 not being as advanced as they are now. Special effects is ever changing.

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“Yesterday’s” Comic> Star Trek #24 (DC 2nd series)

It’s disappointing when the cover doesn’t give me anything to work with. Nice art though.

Star Trek #24

DC Comics (October, 1991)

“Target: Mudd” part 3

WRITER: Howard Weinstein

PENCILER: Gordon PUrcell

INKER: Arnie Starr

COLORIST: Tom McCraw

LETTERER: Bob Pinaha

EDITOR: Robert Greenberger

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