Chapter By Chapter: Tom Clancy’s Op-Center chapters 5-8

Chapter by Chapter features me reading one chapter of the selected book at the time and reviewing it as if I were reviewing an episode of a TV show or an issue of a comic. There will be spoilers if you haven’t read to the point I have, and if you’ve read further I ask that you don’t spoil anything further into the book. Think of it as read-along book club.

Last time we were introduced to the unfolding problem of setting up a terror bombing in South Korea and the concept of Op-Center. Or rather, that Op-Center exists and has a director. Within the story itself we still don’t know what Op-Center is outside of a relatively new global watch group from the US Government. We met some of the important characters in Seoul that we need to know and I was already sure of at least one of the subplots this story may give us. So it’s time to head into the next four chapters. And here’s your chapter/page count for this part of the book.

  • Chapter 5: Tuesday, 6:01 PM, Seoul: four pages
  • Chapter 6: Tuesday, 4:04 AM, The White House: two pages
  • Chapter 7: Thursday, 6:05 PM, Seoul: ONE LOUSY PAGE! Seriously, author, are you that obsessed with this timestamp routine that you had to put this on one page? Not even a full page. We’re talking THREE PARAGRAPHS! The chapter system in this book is just odd and I have a feeling this will continue into the other Tom Clancy Universe novels I’ll be looking into in the future.
  • Chapter 8: Tuesday, 4:08 AM, Chevy Chase, Maryland: five pages
  • GRAND TOTAL: 12 pages!

It takes eight chapters to get close to a normal chapter, and that’s with Chapter 7 being the shortest chapter I think I’ve ever had in this series. In comparison, The Black Stallion’s Ghost and The First Phase Shifters And The Omega Capsule, both young or young adult books where I had to combine chapters or at least consider it more than once in those reviews, never had a chapter as short as this political thriller for grown-ups. I don’t think somebody understands how chapters work. I know the greatest reward is to create a book the reader doesn’t want to put down, but now you’re just making it difficult. Anyway, on with the review.

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“Yesterday’s” Comic> Green Lantern #100

There’s a cover right under this one with Hal in a similar pose. So this is a comic with two covers but no variants.

Green Lantern #100

DC Comics (July, 1998)

“In Brightest Days Past”

WRITER: Ron Marz

PENCILER: Darryl Banks

INKER: Terry Austin

COLORIST: Rob Schwager (I had to get that from comics.org because the way the page is put in the comic the coloring credits are covered up…I don’t even know who did the separations)

LETTERER: Chris Eliopoulos

ASSOCIATE EDITOR: Dana Kurtin

EDITOR: Kevin Dooley

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Jake & Leon #385: BW’s 10th Anniversary “Special”

In fact I almost forgot to make it.

Okay, I’m done talking about the 10th anniversary. Of course I’ll still be talking about stuff I’ve talked about over the past 10 years and referring to older articles. Plus I made a banner.

I’ve done this far longer than I thought and I enjoy it. I hope to keep doing it. And that includes this week. Over at The Clutter Reports I took up a project for my Dad to turn his records into CDs he could take in the car. I’ve got more Op-Center tomorrow, more Art Soundoffs this week, and I’ll be finishing the first live-action Transformers movie adaptation. At least until the novelization comes up for Chapter By Chapter some day in the future. This week I want to get another He-Man newspaper strip review in, a commentary about the latest move out of the EU that will hurt online creators, and I’m juggling a few possible other ideas. We’re almost close to the end of the Star Trek: The Next Generation writer’s guide just in time for the Christmas season. Then I’m not sure what’s coming next. Maybe I’ll just keep it a “free day”. Big week ahead.

Saturday Night Showcase: The New Adventures Of Gigantor

So…I did last week’s installment so I could do this week’s.

With the success of Iron Man 28 (which must have confused Japan when Madhouse made that Iron Man anime based on the MCU interpretation), giant robots were big in Japan, pun intended. The “super robot” genre was huge (not intended this time) in the 1970s. Soon teen were actually piloting the robot from inside, they gained all these weapons, and even could be made up of smaller robots or vehicles. They had a huge impact still felt by the nostalgic today. A lot of these shows also spread through Europe but until the “Japanimation” craze in the 1980s that calmed down during the 1990s only a select few were popular. Voltron (aka GoLion) was the only one to achieve any real popularity in the West. My area got a show called Tranzor Z, a redub of Mazinger Z. (And no, Sean, I can’t find full episodes of Tranzor Z, just the intro. Sorry, folks, but I know my friends.) The live action Johnny Sokko And His Flying Robot was taken from Giant Robo. Force Five was an anthology made up of five different giant robot cartoons but I never saw the show in my area.

America would try their hand but I only know of four actual series not a Voltron continuation, and two of those (Megas XLR and Titan Maximum) were parodies. If you didn’t know Mighty Orbots, which also followed the Voltron formula with an American twist, was one I was talking about you either missed the 1980s or you’re new around here. Welcome. I hope you enjoy the site. Further back in time you had Frankenstein Jr., which was clearly inspired by Gigantor but also given a Western twist. In both cases the robots are independent thinking robots and not human-piloted mecha. In the same vein The Iron Giant was loosely based on a UK novel and may or may not also fit into this since he doesn’t really control the robot in either version. If you like your robots unthinking piloted machines there was also the Shogun Warriors toyline and Marvel Comic, the latter also creating Red Ronin and decades later the Mega Morphs.

With the success of the super robots it was probably only a matter of time before the OGR (original giant robot) made his return to remind the young punks that you didn’t need a giant sword or missiles in your nipples to defeat your enemies. New Iron Man 28 would bring the space age robot into the world of color to fight a new legion of criminals with crazy evil machines. There would be two more returns for the character but this is the only one to have gotten a US appearance under his classic US name. Fred Ladd and TMS teamed up to create The New Adventures Of Gigantor, as they built a new Gigantor to keep up with changing technology. But no rocket punches or other weapons. Gigantor is a boxer and that’s how he still operated. The show doesn’t have an official release (at least in this form) but it did air on the old Sci-Fi Channel so we still get to see this series in action thanks to other people uploading and nobody claiming it. Yet.

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“Yesterday’s” Comic> Batman Beyond #4 (DCAU)

I’ll spare you the card puns.

Batman Beyond vol. 2 #4

DC Comics (February, 2000)

“Two Of A Kind”

WRITER: Hilary J. Bader

PENCILER: Craig Rosseau

INKER: Rob Leigh

COLORIST: Lee Loughridge

LETTERER: Tim Harkins

ASSISTANT EDITOR: Frank Berrios

EDITOR: Darren Vincenzo

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Best Of BW: Year 9 (AKA BW Is 10 Years Old)

November 16th, 2008. While recovering from medical problems earlier in the year I had read a bunch of blogs, like the original Comic Coverage, Siskoid’s Blog Of Geekery, Slay Monstrobot Of The Deep, and Comics Should Be Fun, It was all I could do really. I also started replying to articles on the blog, but the longer my paragraphs became the more I realized that if I had this much to say–not just about comics but other media–I should just go ahead and make my own blog. And so on that November 16th BW Media Spotlight released its first commentary, pointing out good things about a show I really don’t like, HBO’s Spawn cartoon. I may not like the violence, the gore, or the subject matter but it’s well animated, well-written (the two episodes I watched anyway), and Keith David is great in virtually everything he’s been in. The point was that you can hate something well-made and you can like something poorly made. It isn’t crap simply because you don’t like it.

This was a year of losses. YouTube demonetized my channel because now you must have 1,000 subscribers and 4,000 views to be considered cool enough to make money. This was also a year that saw an end to the other reason I started the site, taking part in the now defunct Friday Night Fights. You’ll have to hunt for those and the multi-article posting of my favorite entries.

If you’ve been watching the Art Soundoff videos this week you know where BW came from, why I make comics, and where the videos came in, although I didn’t get to do a lot of videos this year. You also know that this is my 10th anniversary producing this site. It’s amazing the things I’ve learned about just from doing this site, either on purpose or by accident, by looking for potential discussion topics or just to satisfy a bit of curiosity and make sure I have some idea what I’m rambling about. But before we can begin the 10th year it’s time for the usual looking back at the previous year to see if anything I wrote is something I’d recommend to others. So here are my favorite articles I made during year nine:

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“Yesterday’s” Comic> Robotech: Return To Macross #27

“Psst. Your fly is open and here comes the admiral.”

Robotech: Return To Macross #27

Academy Comics, Ltd (December, 1995)

“To Be The Pirate King”

WRITER: Bill Spangler

ARTIST: Michelle Birchfield

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