BW’s Daily Video> Why Are Western “Adult” Cartoons So Childish?

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The Blockbuster Buster’s Retrospective On The Best Ninja Turtle Show

Admittedly that’s out of personal bias. It’s more accurate to say that the 2003 Teenage Mutant Ninja Turtles is my favorite version. I’m only now getting familiar with the comics thanks to the “Yesterday’s” Comic reviews but this is probably the most faithful version in tone and characters. The live-action movie may have used a more accurate origin and Casey but was still filled with the changes from the show, like April O’Neil being a reporter instead of a scientist. However, with limited exposure to the Mirage comics at this point what really drew me to this show was that it was less about the comedy and more about the action. CBS may have adjusted the original cartoon back to what we saw in the original miniseries, with less emphasis on fourth-wall breaks having just the right level of camp to take it seriously while still feeling like the same show, but they overcorrected during the “red sky” years.

This series made me feel like I was watching a bunch of ninja crimefighters. It had some great uses of science fiction, as well as plots and sometimes full stories lifted from Kevin Eastman and Peter Laird’s comics. This even included the Donatello special that was a tribute to Jack Kirby. I’m not the guy who champions something just because it’s darker. Darker doesn’t make it better, but it was a benefit to this show. It also introduced more superheroes than just Bug-Man, who looks like the Symbion patent zero, including Silver Sentry, the RIGHT way to do “black Superman”, and “Nobody”, a superhero with ties to Casey Jones, who gets to be more a part of the story than the occasional Dirty Harry impersonator of the original show. I could go on about this show for quite a while, but I don’t have time for that so I’m taking the easy way out.

Before discussing the intros from the Fox Box period I present to you the following retrospective by ERod, the Blockbuster Buster, into the history of the show, followed by my own thoughts on the shows. Enjoy.

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“Yesterday’s” Comic> Star Trek Alien Spotlight: Borg

“Resisting our volleyball team is future. Prepare for humiliation.”

Star Trek Alien Spotlight: Borg

IDW Publishing (January, 2008)

WRITER: Andrew Steven Harris

ARTIST: Sean Murphy

VARIANT COVERS CO-ARTIST: Zach Howard

COLORIST: Leonard O’Grady

LETTERER: Chris Mowry

EDITOR: Chris Ryall

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BW’s Daily Video> The Sad History Of Tyroc

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Free Comic Inside> Sectaurs Bought A Farm

So I found out about a new set of minicomics I need to add to the rotation and usually that’s where I start. However, this trip back to Symbion has been delayed often enough I think. For those of you late to the party, Sectaurs: Warriors Of Symbion was a 1980s toyline from Coleco, taking place on the planet Symbion where there are warriors called Sectaurs. The planet faced an apocalypse after scientists in a lab pull a 2020 with a virus that mutates people into bug men and the bugs into their friends and rides (the rides were actually hand puppets in the toyline). The two factions fight for control of The Hive, the last vestigate of technology and other advanced sciences but when they screw up on Symbion, they go all out.

In our last visit we looked at the evil Skulk and his puppet bug ride. This time we’re focused on Pinsor and his Battle Beetle. This was one of the puppets, as you see in the ad above (if it’s still up because YouTube is making me miserable these past few weeks). The idea is that each Sectaur is telepathically bonded to one of the “Insectoid” partners, be they ridable or just hanging out alongside them. With that all explained let’s see what our heroes are up to this time.

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“Yesterday’s” Comic> Sonic The Hedgehog #48

“Hey, I had nothing to do with that first movie design!”

Sonic The Hedgehog #48

Archie Comics Publications (July, 1997)

“Sonic The Fugitive” (I think. Like on the cover the red lettering covering the “Hedgehog” is so light it’s hard to read over the regular logo.)

WRITERS: Kent Taylor & Ken Penders

PENCILER: Manny Galan

INKER: Pam Eklund

COLORIST: Karl Bollers

LETTERER: Jeff Powell

EDITOR: J. Freddy Gabrie

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BW’s Daily Video & Article LInk> The Witcher Showrunners Keep Digging That Hole

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When it comes to the current crop of shows doing everything it can to tick off their fans, The Witcher seems to be near the top of the list. I’m not even a fan of the franchise and I can see everything going wrong. First they chased off Henry Cavill for wanting to be accurate to the books, then tried to say he was hard to work with (which failed) and now the producer insists it had to be dumbed down for those stupid Americans.

You know, nobody’s putting a gun to your head and making you work on this show. It’s clearly not where you want to be. The sad thing is one of the people part of this weak attempt to defend the show is writer Javier Grillo-Marxuach, the creator of the awesome Middleman franchise. The comics and TV show were great and at least close to each other, so you’d think he would know better when it comes to treating source material properly and not ticking off the fans. Then again, the article linked to there says he worked on Netflix’s demake of Cowboy Bebop. Welcome to modern Hollywood, folks.