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This might be the first chapter but it’s not our first installment. Last time we went over the prologue. I wasn’t expecting much in the way of changes, but the prologue was a unique scene not shown in the episode being adapted. I wonder what other changes are coming.
Changes are odd to see here. Like I wrote before, novelizations interest me because they’re based on the last available version of the script. Dialog changes, scenes edited in a different order than planned, reshoots that aren’t out of control (rare nowadays), and things cut for time might still show up in the novel, which has to be expanded for the page count. The author has to interpret scenes, giving you a glimpse into their heads the screenwriters probably didn’t think about. For example, when I went over the Total Recall novelization, we “learned” Quaid was a pervert while Hauser really did love Melina and switch sides without any of the doubt in the movie. We also met the race that created the oxygen machine and whye, which was never even a consideration since it was just a MacGuffin for Quaid’s/Hauser’s story. Also, the answer was kind of stupid, kind of like Cohaagen’s plan. “Are you smart enough to fly up here and press a button to terraform a planet? Then you can leave that planet and join us before the end of the universe” versus “I want to know the secret of this machine and get rid of my enemy, so I’m going to have the most convoluted scheme imaginable that shouldn’t work based on all sense of logic.” The former was the book and the latter the movie.
This chapter we get introduced to the Doctor’s replacement teenager and some other dude. Not spoiling him until the book does, even though we watched the episode, but Vicki’s history with the Doctor is pretty well known at this point so I don’t mind bringing it up. Since this is a scene from the episode, I’ll be adding the actual episode writer, David Whitaker, into the tags. If you don’t see him, it’s a scene Marter created himself. Not that we’re just starting “The Powerful Enemy”, the first episode of this arc, back when each individual episode had a title instead of the whole arc. “The Rescue” was also the name episode 7 of the season one arc “The Daleks”, and you can guess who debuted in that serial. So that’s confusing. The arc after the second Dalek appearance shares the name of an episode part of the first arc debuting the Daleks. This could get confusing, so let’s get on with the review.
The Night Man #7
Malibu Comic/Ultraverse (April, 1994)
“Wolf”
WRITER: Steve Englehart
PENCILER: Kyle Holts
INKER: Thomas Florimonte
COLORING: Mickey Rose & Foodhammer!
LETTERER: Dave Lanphear
EDITOR: Roland Mann
Inspired by the video coming up tomorrow.
Over at The Clutter Reports this week, I got my computer files all backed up, some more of the RSS backlog cut down, and cleared out some emails. Not a lot but it’s something.
Not much extra this week. Just continuing the Chapter By Chapter review of Doctor Who: The Rescue the novelisation, more CBS Transformers, and whatever else comes up this week. If I can get all that done I’ll be happy. Have a great week, everyone!

Last week we watched Batman: Return Of The Caped Crusaders. Along with DC Comics’ Batman ’66, it represented a reassessment of the campy 60s…well, they call it “parody” but if you read Silver Age comics it wasn’t TOO far off. Unfortunately, we would lose Adam West in 2017, just before the completed sequel was ready to come out, hence the tribute in Batman Vs. Two-Face.
Harvey Dent debuted in Detective Comics #66 in 1942, so Two-Face was available to the 1960s show for use. Actually, that’s not accurate. Harvey KENT debuted in that comic. Harvey DENT made his debut as Two-Face in Batman #81. Long story, kids. I guess a district attorney who went nuts after acid hit half his face was something they couldn’t translate back in the 1960s. Leave it to 2017 and animation to work it out, and in true Batman fashion, they got a celebrity to play Harvey: William Shatner!
With a different origin, Batman and Robin have successfully stopped Two-Face’s numerous crimes off-screen. Finally they’re able to cure him…or were they? With other villains to fight, the Dynamic Duo are not ready for the return of their double nemesis, while Batman is also distracted with his growing relationship with Catwoman, which seems closer to modern comics than anything else, but it’s not like the attraction wasn’t there before Return Of The Caped Crusaders. We also get appearances from Hugo Strange and Harleen Quinzel, making me think that if more were to be produced (Adam West is one of the actors you can’t replace, and all we have left are Burt Ward and Julie Newmar) they would have given all of Batman’s rogues the ’66 makeover even if they weren’t available back then. That actually would have been interesting.
So can our heroes rescue Gotham City and Harvey Dent from his evil duplicity? Enjoy.

“Seriously, what did you step in!”
I considered doing an article on this last week, but I’m just tired of talking about how Bob Iger clearly doesn’t care about Walt Disney’s legacy, and outright rejects it. I’m also not sure what I could add to this article from That Park Place about Iger’s recent comments about how the man who created the company you work for shouldn’t be “revered” because it holds them back or something. That’s an insult to the animator whose goal was to make families happy. “Let’s respect our past and not revere it.” he says. He’s not doing either by rejecting the form of media Walt created the company for and allowing the parks to turn into everything Walt was trying to push back against in the amusement park industry. Both of those things worked very well for the company and its reputation until Iger came along.
BW’s Daily Video> A Damsel Defending The Damsel In Distress
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Posted by ShadowWing Tronix on November 24, 2025 in Animation Spotlight, Movie Spotlight and tagged commentary, damsel in distress, Trope.
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