On Narration, Thought Balloons, And Caption Boxes

“Next time leave the exposition to the narration.”

The way we read comics is important. It’s one of the ways comics can tell a story versus other formats. The thought balloon, for example, is an evolution from the word balloon, a way for the reader to know what’s inside someone’s head without them speaking it out loud for some reason. That makes them look silly. Reading a character’s thoughts is a benefit to the audience, but some reason the caption box has taken over going over the character’s thoughts.

The problem is that the caption used to be the place for narration, whether someone was narrating to another character during a flashback or the third person narrator was filling in information for the reader, once comic creators realized that this wasn’t prose or an audio drama script and you could just show what the characters are doing, that would be clunky if the characters said it. Thus it reduces the “as you know” trope because whatever the reader needs the narrator can fill in.

Instead now the “first person” caption box is where you read the thoughts of the character, under the belief that this is better. However, whatever trade-offs it has I don’t feel is worth it. To set this discussion up I have a video from NerdSync Productions and Scott Niswander, with help from Strip Panel Naked host and comic letterer Hassan Otsmane-Elhaou that goes over the history of the thought balloon and why the switch to captions was made. Then I have my own thoughts because it wouldn’t be a feature article if I didn’t.

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“Yesterday’s” Comic> Star Trek Unlimited #10

When you have to tell the audience this isn’t another holodeck malfunction story, maybe you’ve overused the gimmick?

Star Trek Unlimited #10

Marvel/Paramount Comics (July, 1998)

“A Piece Of Reaction”

WRITERS: Michael A. Martin & Andy Mangels

PENCILER: Ron Randall

INKER: Art Nichols

COLORIST: Kevin Tinsley

LETTERER: Phil Felix

EDITOR: Tim Tuohy

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BW’s Daily Article Link> Legacy Media’s Decaying Grip On Attitude

Why do we hate the prequels? Yeah, the dialog is a bit clunky but there was a time that Jar Jar Binks wasn’t the most hated thing in Star Wars until Rey showed up. When The Phantom Menace hit people were excited…until the Jar Jar hate and spitting on young Anakin to the point that the kid playing him rather violently lost his love for the franchise for a long time due his being bullied by his schoolmates changed everything. It seems the mainstream entertainment media likes to make our decisions for us, or thus is the theory by Bounding Into Comics contributor A.C. Graves makes, but could they be losing their hold with the advances of the internet? If the internet existed in 1999 the way it does today could the Jar Jar defenders have had a stronger voice? Should they even be trying to tell us what to think about a particular story? I’ve never tried to. I just tell you what I think.

I also recommend listening to the video in that article by the Critical Drinker. (Not the ad videos. Seriously, BIC, you’re overdoing it.) And maybe check out his videos on YouTube. He’s quite interesting and often quite funny as well.

Sing Me A Story> Centerfold

logo for the Sing Me A Story article series

A lot of praise is given to song that speak to some experience you’ve had to the point that songs have been made about such songs. Kind of circular, really. Not everything has to speak to pain and suffering though. It can be about having a good time or just some silly moment, something we can relate to indirectly but not directly.

Almost all of us have had some high school crush, a girl or boy who we were drawn to but didn’t have the guts to talk to. I know I did and that’s all I’ll say on that. To my best knowledge however she never posed for Playboy and I can imagine that would be a punch to the face…in part because of this song.

“Centerfold” was written by Seth Justman, keyboardist for the J. Geils Band, a music group formed by guitarist John Geils. It’s a single from their 1981 album “Freeze Frame”, which also is the name of a song off of that album. “Centerfold” was the first single and hit #1 in the US, Belgium, and Canada, was at least in the top five overseas. I don’t know if Justman himself had this experience but I imagine it might have been something like this:

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“Yesterday’s” Comic> Spider-Man: The Manga #25

Still a scary image to some in 2022.

Spider-Man: The Manga #25

Marvel Comics (January, 1999)

WRITER: Ryoichi Ikegami

TRANSLATING: Mutsumi Masuda

RETOUCH/PRODUCTION: Dano Ink Studios

COVER COLORIST: Bill Anderson

EDITOR: Dan Nakrosis

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BW’s Daily Video: Superman Inspires People In OUR World

Catch more from The Lucky Pearl on YouTube

Watch the video and you’ll see why I used that title. Especially pay attention about 8 minutes in to the story of a woman saved from suicide by reading All-Star Superman! Don’t waste time telling me we don’t need the traditional Superman. If anything we need him more than ever.

Chapter By Chapter> TekWar chapters 6 and 7

Chapter By Chapter features me reading one chapter of the selected book at a time and reviewing it as if I were reviewing an episode of a TV show or an issue of a comic. There will be spoilers if you haven’t read to the point I have, and if you’ve read further I ask that you don’t spoil anything further into the book. Think of it as read-along book club.

In our last chapter we saw Jake go home to find his wife left him and his friends are in jail or dead while he was asleep. Not an easy return home for our hero. I think this shows off the problem with being frozen for four years, nevermind the fifteen he was intended. This is the kind of stuff that turns people BACK to a life of crime. Nice to see the justice system gets worse in the future.

I couldn’t tell you at this point whether or not that was intentional by Shatner and Goulart at this point but that’s the reading I’m getting from it. We’ve learned little about Jake in the past five chapters as the emphasis has been on building out the future world and so far I’m not a fan of this world. Narratively it’s fine and has the makings for good storytelling, but it sure isn’t one I’d want to live in regardless of the cool gadgets (some of which we have without the more science fictiony names–“smart home” aside). However, I’m hoping we eventually start focusing more on our hero and less on where he hangs his hat. Let’s see where chapter six brings us.

Actually, as I read chapter six I just naturally flowed into chapter seven, but managed to stop before chapter eight despite the scene essentially continuing. It’s another example of the odd pacing issue of this book. So, let’s read TWO chapters.

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