BW’s Daily Article Link: Don Rickles Has Nothing On William Shakespeare

“Hey, you dead? You dead? Don’t move if you’re dead.”

I’m not exactly a fan of William Shakespeare. By this I mean I’m not a fan of the kinds of stories he told, and I haven’t met one with a happy ending or didn’t kill off the characters worth caring about. Granted I haven’t read them all but I know he was a great writer and I will take nothing away from his skill with a pen. This includes making his characters masters of the insult as this article from The Vintage News contributor Steve Palace points out.

Credit to Caroline Furlong, on whose site I learned about this article.

Building A Better Multiverse

Ah, the multiverse. Over the years the concept of parallel realities has flourished in science fiction, especially in the worlds of superheroes. DC and Marvel have their own multiverse, though DC sometimes tries to destroy theirs, then try to work around that with something that might as well be a multiverse. Now it seems like the idea of these alternate timelines are the subject of abuse and I’m here to do something about it.

“But that’s not what happens in the source material.”

“It’s an alternate universe; you can do whatever.”

No, you really can’t. An alternate universe doesn’t exist to promote namesakes or just to tell alternate stories you can’t in the main universe and don’t have the guts to make an original story. There’s a right way and a wrong way to use elseworlds, what ifs, and mirror universes. It however requires a solid foundation to build off of, and that may be the problem for modern writers.

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“Yesterday’s” Comic> Sonic X #21

I guess Amy Rose is a pegwarmer.

Sonic X #21

Archie Comics (August, 2007)

“Sub Sonic”

WRITER: Mike Bullock

PENCILER: David Hutchison

INKER: Terry Austin

COLORIST: John Ray

LETTERER: John Workman

COVER: Patrick “Spaz” Spaziante

EDITOR: Mike Pellito

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BW’s Daily Article Link: Warner Brothers Discovery Not Saving DC Comics?

If you thought dropping certain questionable DC movie and television properties (but not all) was a hint that DC will be in a better spot, you forgot Hollywood doesn’t care about comic books and David Zaslav is part of the Hollywood culture. They just see DC Comics the same way Disney sees Marvel Comics, as an intellectual property generator to create movies and TV shows around, and then sell merchandise. The latest example is that if you try to go to dccomics.com it takes you dc.com, which shoves the comics into one section while dropping “comics” from the site URL and name. Bounding Into Comics has a good article about this change and it only creates less faith that the comic company has a future. People were already worried WarnerMedia was going to sell off or shut down the comics division, and now that carries over to Warner Brothers Discovery, with nothing being done to acknowledge the comics, never mind soothing comic readers’ fears.

Is DC Comics future in jeopardy? Time will tell, but as my favorite comic universe until DiDio and the current generation even I’m losing hope. And the DC Universe used to be a place of hope. Maybe it really is just an “S”.

The Slow De-Casualing Of Modern Storytelling

This one is admittedly a bit more rambly, a set of random thoughts put together, but a good discussion topic just the same. I’m not calling conspiracy or anything like that, so accuse me of anything. This isn’t some planned attack…as far as I know anyway, though given some of the parties involved I wouldn’t be surprised if it turned out to be case either out of elitism or greed. That’s how the division began though.

Back in the old days when books, scripts, and what have you had to be transcribed by hand few people had books. Before every hotel had a Bible in the nightstand (I’m not sure if that still happens but I kind of hope it does) only the church had copies and you had to accept their context if not their actual reading. Otherwise only the rich and the transcribers themselves could afford books. I don’t know for sure how much exaggeration that is because I’m no historian. What I do know is that the invention of the printing press changed all that. And as the technology got less expensive so did the books. Numerous theaters around the world could act out the same play. The peasant could have numerous books in their home from fiction to cookbooks. Rinse and repeat with every form of media since print. Radios were first owned by the rich but as they became cheaper everyone could have one in their home, all but replaced by television.

Now with computers and new software even making prose, videos, and audio is so much easier and so much more of it can be produced. However, with every up in life there is a down and moving everything online is coming with a cost. Printing prices have somehow gone up, and with it books and comics while finding anything is becoming harder in some ways rather than easier. It’s not a crisis yet, but there are some courses to correct or at least trends to keep an eye on, because paywalls are making things harder again and actually limiting choices.

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“Yesterday’s” Comic> Star Trek: Starfleet Academy #18

Thanks, I’ll be sure to have a shotgun ready to welcome you.

Star Trek: Starfleet Academy #18

Marvel/Paramount Comics (May, 1998)

“mangHom qaD” (translates to “Cadet Challenge“; more on that later)

WRITER: Chris Cooper

PENCILER: Chris Renaud

INKER: Andy Lanning

COLORIST: Kevin Somers

LETTERER: Andy Lanning

EDITOR: Bobbie Chase

TRANSLATION COORDINATOR: Dr. Lawrence Schoen

TRANSLATION EDITOR: Chis Carter

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BW’s Daily Video: The Unintentionally Helpful Villain

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