“Yesterday’s” Comic> Robotech #10 (Antarctic Press)

You just wanted to draw Minmei befor the comic ended and chose the covers even though she’s not in the comic, right?

Robotech #10

Antarctic Press (September, 1998)

Prototype 001: “Variants” part 3

WRITER/ARTIST: Ted Nomura

COLORISTS: Ben & Joe Dunn

LETTERER: Joe Wolfe

EDITOR: Doug Dlin

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BW’s Art Soundoff 2021 #17: The Inking Stage

Defending Milo Murphy’s Law

Milo Murphy’s Law is a show I wish got more love than it deserved. I went in for the same reason I’m sure others did, the novelty of “Weird Al” Yanovic voicing the character, but that only goes so far. I had heard of Phineas And Ferb, the previous and highly popular show by the same creators, Dan Povenmire and Jeff “Swampy” Marsh, but I never really got into it. The adventures of Milo and his friends however I could very much get into.

The show follows Milo Murphy, the ancestor of the first victim of Murphy’s Law, anything that can go wrong will go wrong and usually spectacularly. While the curse seems to only affect the men (Milo and his dad are hit with it while Milo’s sister doesn’t and his mom only married into the family, plus we see one of his cousins denying he deals with it) the curse is rather hilarious to watch in action. Additionally, Milo ends up crossing paths with a pair of time travelers (voiced by the creators), secrets are learned about his friends, and running gags play the long game. The “llama incident” gets brought up numerous times in season one before being revealed halfway through and the yacht the school bought plays a part in season 2…by of course being destroyed.

Why didn’t the show do better. I thought the jokes hit well, the lore was silly but easy to follow, rare for anything involving time travel, the songs were good whether done by the usual team or Yanovic himself, and even when you know the characters would be fine the interest comes into HOW they deal with Murphy’s Law. There’s a video YouTube keeps wanting me to watch about “Why Milo Murphy’s Law Couldn’t Find An Audience” and partway through I decided this would be a good topic.

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“Yesterday’s” Comic> Star Trek: Starfleet Academy #10

Heck of a time for a nap.

Star Trek: Starfleet Academy #10

Marvel/Paramount Comics (September, 1997)

“Return To The Forbidden Planet” part 2: “…A Prelude To War”

WRITER: Chris Cooper

PENCILER: Chris Renaud

INKER: Andy Lanning

COLORIST: Kevin Somers

LETTERER: Jim Novak

EDITOR: Bobbie Chase

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BW’s Art Soundoff 2021 #16: The Penciling Stage

Why He-Man Is Needed according to Shadiversity

He-Man is a big part of my childhood. While I didn’t collect as many of the action figures (I do feel I missed out on Castle Grayskull though) as I did for other toyline–Transformers and Star Wars tended to be my biggest collections–I did read the daylights out of the minicomics I had and of course I very much enjoyed He-Man & The Masters Of The Universe and She-Ra: Princess Of Power. I do have ties to this franchise.

Since I need to adjust my workload a bit today for the sake of the schedule I present this filler video from YouTube creator Shadiversity. Author Shad M Brooks usually discusses medieval life and weapons (a big fan of swords) and on occasion relates them to modern and classic fiction. In this video he goes over why the most powerful man in the universe and the original Filmation series were so iconic and so important to kids, while the classic series gets mistreated by Netflix and frankly other modern media sources.

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“Yesterday’s” Comic> Spider-Girl #0

I know this will mean nothing in the archives, but for those reading this present day, due to life stuff today’s Art Soundoff will post when I get the chance to record it. So I’m putting today’s “Yesterday’s” Comic in the morning slot.

“Annie who?”

Spider-Girl #0

Marvel Comics (October, 1998)

reprinted from What If #105 (February, 1998); uses the same cover art but a different header

“Legacy In Black And White”

WRITERS/PENCILERS: Tom DeFalco & Ron Frenz

FINISHED ART: Bill Sienkewicz

COLORIST: Matt Webb

LETTERER: Chris Eliopoulos

EDITOR: Kelly Corvese

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