Saturday Night Showcase: Sherlock Hound

There are many different interpretations of Sir Arthur Conan Doyle’s Sherlock Holmes book series. Some more resemble the source material than others, but few feature animals in the role. Sherlock Hound takes place in a world of anthropomorphic canines in Victorian England, though Jules Verne style steam tech is apparently a normal occurrence. A co-production between Tokyo Movie Shinsha and Italian broadcaster RAI, the show is meant for kids and thus has a lighter take on Holmes and friends. Although the director had originally planned something darker and including the drug use of the books (from a time before the full negative effects were used, a chink in Holmes armor of brilliance as he deals with the stress of his life).

That director was Hayao Miyazaki…at least for half the series, including tonight’s sample. During production the Doyle estate had some issues that needed to be worked out. By the time that was sorted Miyazaki was off on the project he would be most known for. This would be the last TV series he worked on.

For some reason many online posting orders start with episode three as their episode one, I guess because “A Small Client” features all of the cast, including their take on Moriarty, who in typical adaptation fashion shows up more often than he does in the books. However the real first episode, “Four Signatures” (an odd dub rename of “His Name, Detective Of Rumor” given that no signatures are involved really), features the first meeting of Sherlock Hound and Doctor John Watson. (Holmes is the only one to get a dog-pun name.) It’s a rather important meeting as they work together to protect a cruise ship from pirates out for revenge against one of the passengers. And just to make them happy I’ll include what TMS’s YouTube channel thinks is a better first episode, in which Moriarty starts a counterfeit money racket while Hound is hired by a little girl to find her cat…and the two cases end up related. Enjoy tonight’s double feature.

Continue reading →

“Yesterday’s” Comic> The Redeemer

“Has anyone seen my sunglasses?”

The Redeemer

Images & Realities (1995)

WRITER/ARTIST: Dale McNeal

Continue reading →

Paw Patrol Movie Trailer Drops

If you were paying attention yesterday, or saw my overview of the series, you shouldn’t be surprised this is here. While I haven’t been able to keep up with the show I know that since my initial review the Paw Patrol have gained occasional superpowers, a bunch of new occasional assistants like Everest from the initial review (including their first cat, only the second cat seen talking in this series), tons of extra specialty vehicles (including ones that put the whole team into one of the regular members’ specialties when they need all paws helping them), and even more problems–like actual supervillains–than Mayor Humdinger, supposed mayor of a place called Foggy Bottom, and his kitty counterparts to the main Patrol known as the Kitty Catastrophe Crew. if you want a true expert check with a child but I probably know more about this show than any childless adult should. Ask me if I care. (Spoilers: no.)

While the formulaic issues continue on, even when moving operations to the beach or a hidden dinosaur valley (because Adventure Bay seems to have all the geographic ecosystems in a short drive, except for not-London, where they still have to fly), the show continues to be a fun show loved by many, many children. Live stage shows, made-for-TV specials, and for some reason no comic book I’m aware of but plenty of other media like books and video games as well as the toys (given that the series is co-produced by Spinmaster that’s a given) are out there. So of course it has to follow other kids show/tolines like Transformers and My Little Pony and getting a movie.

The trailer dropped yesterday for Paw Patrol: The Movie, which is getting a huge visual upgrade being a theatrical movie and thank God it’s not some animation/live-action hybrid garbage! It’s not afraid to be a cartoon property, which I haven’t seen since Peabody & Sherman out of Hollywood these days. So let’s take a look.

Continue reading →

“Yesterday’s” Comic> Scooby-Doo Team-Up #20

Finally, a ghost even Shaggy and Scooby like.

Scooby-Doo Team-Up #20

DC Comics (January, 2017; as featured in the digital version of the vol. 4 trade at comiXology)

“Space Case”

WRITER: Sholly Fisch

ARTIST: Dario Brizuella

COLORIST: Franco Riesco

LETTERER: Saida Temofonte

EDITOR: Brittany Holzherr

SPECIAL THANKS: Kristy Quinn

Continue reading →

BW’s Daily Video: One Fan’s Who Journey

No, I’m not trashing New Who again. I think the last video I posted from someone took five hours to say it all about what’s wrong with Chibnall’s run. I agree with most of what was said but it’s the early part about how different it was for fans of shows like classic Doctor Who to connect with other fans in the pre-internet days versus the internet today and all points in-between that I found the most fascinating.

Catch more from The Equilibrium Reviews on his YouTube channel.

It was actually a 360 video of the original Hartnell TARDIS made in Blender that I first saw from this guy. He also forgot to mention the Chibnall TARDIS (New Who seems to change console rooms with the director…except for Moffat, who gave Matt Smith two console rooms, the second being in my opinion the best New Who TARDIS and I’m glad Capaldi’s Doctor got to furnish it up a bit and improve what was already amazing) is the ugliest console ever, beating that mess Davies had. Yeah, I hate the coral room too.

It was tough though to talk to fellow fans, especially of a kids-focused property like Doctor Who or Transformers. Frankly, Power Rangers fans got lucky as they came in just before the internet introduced chat rooms, Usenet, and forums. Now you have social media, Facebook groups, and videos by people who also enjoy that stuff. You punk kids have it lucky…if your shows weren’t increasingly pale imitations of what came before. Looking at you too, Star Trek.

On Adults Reviewing Kids Stuff

Never try to tell me what’s “made for me” unless you know me personally. My philosophy has always been (when I thought about such stuff anyway) a good story is where you find it. If that means reading or watching something meant for a different age group, gender, or whatever else we use to further divide ourselves like we’re less than human nowadays I’m going to do it and will not apologize for it. Something meant for my supposed demographic may actually annoy, bore, or insult me while something made for someone who hasn’t even entered kindergarten yet is exciting and fun. I know what I like and I’ll take it from whatever marketed group offers it. If you don’t like it, you can go appropriate yourself.

That’s why I get annoyed with someone belittles kids entertainment by responding to comments of quality that “it’s for kids”, as if kids get to have crap. I get equally annoyed when something marked as for kids clearly isn’t, or it wasn’t the intended audience but still gets treated like you can get away with anything. I watched Rubik The Amazing Cube as a kid and enjoyed it just fine, but kids can tell when they’re being talked down to or pandered to, only they aren’t able to express it the way adults can. They take what they can get but even as a kid they know their tastes. They know what they like. We adults can tell when they’re getting crap and those of us who are still in touch with our inner child can make that distinction as well.

The following video from animation reviewer CellSpex questions the notion that adults take kids media too seriously. Kids are more accepting than grown-ups but bad stories are still bad stories, and if you don’t think kids deserve good stories (which don’t necessarily have to cater to adults to be “good”) then you’re insulting a lot of people.

Continue reading →

“Yesterday’s” Comic> Robotech Masters #21

This is what happens when you don’t get the weeds out of your garden.

Robotech Masters #21

Comico The Comic Company (January, 1986)

“Final Nightmare”

WRITER: Mike Baron

PENCILER: Harrison Fong

INKER: Bill Anderson

COLORIST: Tom Vincent

LETTERER: Bob Pinaha

EDITOR: Maggie Brenner

Continue reading →