Justice League Unlimited #13
DC Comics (November, 2005)
“Nuts And Bolts”
WRITER: Adam Beechan
PENCILER: Carlo Barberi
INKER: Walden Wong
COLORING: Heroic Age
COVER ART: Ben Caldwell
LETTERER: Travis Lanham
EDITOR: Tom Palmer Jr.
Justice League Unlimited #13
DC Comics (November, 2005)
“Nuts And Bolts”
WRITER: Adam Beechan
PENCILER: Carlo Barberi
INKER: Walden Wong
COLORING: Heroic Age
COVER ART: Ben Caldwell
LETTERER: Travis Lanham
EDITOR: Tom Palmer Jr.

That’s technically social distancing.
Among the businesses being hit by the current social distancing and non-essential business lockdown procedures are movie theaters. It’s all indoors and a potential breeding ground if someone unaware they have the Covid-19 virus inside them because they aren’t sick. However, it is safe to be in your car with the rest of your household and outdoors so one usually indoor movie theater has found a way to safely create a temporary drive-in theater experience in their own parking lot.
This is what we call making the best of a bad situation. Unfortunately I didn’t get to do a Clutter Report this week because I was very tired on Saturday. It’s getting warmer and that means the attic HQ is getting warmer. Hopefully this also spells bad things for the coronavirus as we continue to deny it new hosts by staying home and staying safe as much as we can.
This week will see the last of the Scooby-Doo comics I need to review. I do have a commentary planned but I also have a doctor visit (nothing to worry about) so expect at least one filler video this week. Otherwise just business as usual.

In the 1980s Hasbro decided to revamp their G.I. Joe doll-sized action figures to something closer to what we consider an action figure today. G.I. Joe: A Real American Hero (known in the UK as Action Force–I wonder if they still called out “Yo Joe!”?) featured a group consisting of multiple military organizations specially selected to battle the terrorist organization Cobra. The concept was based off of a failed pitch for a modern day Nick Fury and his Howling Commandos comic as Hasbro had gone to Marvel to help flesh out their story, something they would do again with Transformers. Larry Hama would create the comic based on that failed pitch. Marvel also turned the idea into an animated miniseries by partnering with Sunbow Productions. The weekday miniseries was popular enough that two more were made, and then a full series.
Recently Hasbro posted those first three miniseries to one of their YouTube channels. Whether this is because of our current stay at home safety measures or just coincidence I couldn’t tell you. They and the ongoing series are available on other streaming platforms, including ad-supported Tubi, as well as airing on Discovery Family in the early mornings as of this post. The playlist features all three miniseries in a long playlist, five episodes per story, for a total of fifteen episodes and a few hundred plus hours. To make it a bit easier I tried posting from that playlist but posting the first episode of each miniseries, so you can just watch one miniseries at a time or marathon the whole thing. When that failed I made my own playlists for each miniseries so you can just watch one at a time. However, you can’t do that anymore with kids-related content on YouTube, which is not only unnecessary to meet their mishandling of COPPA but is damn annoying! So all I can do is post the one playlist to watch the whole thing straight through. You bingers out there should like that. If you want to watch an episode at a time here is a direct link to the playlist. Watch as you will. I like options, which YouTube decided to lessen because they don’t know what the #@#$ they’re doing. Enjoy just the same!
Since I can at least link to the right episode in the playlist, the three miniseries are:
Kurt Busiek’s Astro City #1/2
DC Comics (posted to comiXology August 28 2013)
If you’re reading this during the Covid-19 pandemic, comiXology has put a whole bunch of comics on the free side in the hopes of getting some new readers and helping people get through the stay at home period. Give it a check if you have a comiXology or Amazon account.
“The Nearness Of You”
WRITER: Kurt Busiek
PENCILER/COVER ART: Brent Anderson
INKER: Will Blyberg
COLORIST: Alex Sinclair
No credits given for letterer or editor.
“Clash Of Titans: A New York Romance” (prose story)

I’m not going to go into the history of the written word. That’s not what this site or this article series is about. Suffice it to say written languages have been around a long time and then someone decided to make a book and refine the process. Books are everywhere, but that’s not the only way to get a written story. In the old days magazines would have serialized or short stories. You also have the internet these days, with ebooks and fanfic sites. I’m using “book” as an overall term since all prose stories have the same strengths and weaknesses, though short stories, long stories, and serialized stories both have a few differences. I’ll get to the short and serialized methods in the future but when we think of prose we usually think of books and it’s just easier to use. You all understand what I mean.
Books are the most popular delivery system for prose whether in paper or electronic formats. The prose story has been around long enough that we’ve pretty much mastered what it can do, though nobody really plays that much with the layout. The closest you get are books with illustration, which may not get it’s own article but will pop up now and then in the future. While we’re still working on ways to improve comics, movies, TV, and video games as far as presentation books are pretty static in how they tell their story. So how do they do that?
Scooby-Doo #27
DC Comics (October, 1999)
PENCILER: Joe Staton
COLORIST: Paul Becton
LETTERER: John Costanza
ASSISTANT EDITOR: Harvey Richards
EDITOR: Dana Kurtin & Heidi MacDonald
“One Night In Roswell” part 3
WRITER: Rurik Tyler
INKER: Andrew Pepoy
“Cut To The Chase”
WRITER: Chris Duffy
INKER: Dave Hunt