Batman: The Animated Bible #1 — Concept And Style

Batman The Animated Bible logo

When I first considered doing this article I though it would be an amusing one-shot deal, a brief overview of the changes between the show bible for Batman: The Animated Series and the final product, plus where the show evolved with The Adventures Of Batman & Robin and The New Batman/Superman Adventures. As I looked over the pdf file (which was probably linked to in an article by Comics Alliance‘s resident Batmanologist Chris Sims), however, I saw enough data for a short article series. And for the next few Mondays that’s what you’ll be getting (barring some big news I want to comment on), a review of the show bible for the show many claim is the best adaptation, if not interpretation, of the Dark Knight and denizens of Gotham City.

But what is a “show bible” some of you are asking? In television and other media, the bible (small “b” and insert dirty Hollywood heathen joke here) is a set of instructions for writers and other creators (depending on animation versus live-action) for how the series is intended to work. In the case of B:TAS, there were some changes and some things that held true. For example, Renee Montoya’s history has one major difference from the DC Comics/Gotham version, while the Mr. Freeze origin we all know came from this series would have actually followed the original. I’m getting ahead of myself, though.

For this first installment we’ll be looking at how Bruce Timm, Paul Dini, and Mitch Brian, who worked on the writer’s bible for the show, planned to approach the series, namely the tone and basic premise, which mostly held true during the two Fox Kids shows. It should be interesting.

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“Yesterday’s” Comic> The Batman Adventures #35

The Batman Adventures #35

“This is how we handle ticket scalping in Gotham!”

The Batman Adventures #35

DC Comics (September, 1996)

“The Book Of Memory”
WRITERS: Ty Templeton & Kelley Puckett
ARTIST: Mike Parobeck & Rick Burchett
COLORIST: Rick Taylor
LETTERER: Tim Harkins
ASSOCIATE EDITOR: Darren Vincenzo
EDITOR: Scott Peterson

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Morning Article Link: X-Files Comic Writer Respects The Source

Topps Comics The X-Files #5 (May 1995), cover ...

Topps Comics The X-Files #5 (May 1995), cover art by Miriam Kim. (Photo credit: Wikipedia)

I never got into The X-Files. It’s just too dark and conspiracy-laden for me. However, in an interview with Previews, Joe Harris (who currently writes the comic version for IDW) mentions the importance of respecting the source while still trying to make your mark on the series. If only all writers, including shared universe writers, would understand that. The main focus of the article, though, is the discussion of the upcoming “Season 11” comics, so prepare for potential partial spoilers.

“Yesterday’s” Comic> Firestorm #5

Firestorm #5

(obvious The Room pun here)

Firestorm #5

FINAL ISSUE

DC Comics (October/November 1978)

“Again: Multiplex!”
WRITER/CO-CREATOR: Gerry Conway
PENCILER/CO-CREATOR: Allen Milgrom
INKER: Bob McLeod
COLORIST: Jerry Serpe
LETTERER: Clem Robins
EDITOR: Jack C. Harris

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Jake & Leon #250: Bruised Alter Ego

Remember when we all wanted to be Superman? Now we just want his powers to be supervillains.

Remember when we all wanted to be Superman? Now we just want his powers to be supervillains.

I’ve already written about my problems with both Superman losing his secret identity and who is responsible. Then I came to the realization that this scenario (although I’m sure it will be different circumstances…or at least hope so) already happened in Boom Comics’ Irredeemable as one of the events that sent the Plutonian over the edge. This MIGHT be a good Elseworlds story to see how Clark would handle it versus one of his analogs but as a change to the status quo it’s just wrong.

I’m hoping to resume work on The Clutter Reports soon, now that (hopefully) I’m done with funerals for awhile. I’m still trying to find work and convention season is coming (and with no way to afford a hotel it’s three days of driving…if I can come up with gas money) so I’m only getting a reprieve before the next crazy period. I also want to get back into video production as I have many ideas for that. Time will tell I guess. In the meantime there are some interesting articles coming this week, including a show bible review tomorrow. I like having new avenues to explore.

“Yesterday’s” Trade: Moon Freight 3 (webcomic) Vol. 1

Moon Freight 3 V1

Larry wants to literally punch the clock.

Moon Freight 3 Volume 1: Clockpunchers In Space

collecting Moon Freight 3 strips from August 19, 2008–Aug. 14, 2009

WRITER/ARTIST: Luke Foster
COVER COLORIST: Tom Chu
LOGO DESIGN: Brian Cross

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Friday Night Fights: Mini Payback

Choosing which of the old comics had the best fight isn’t always easy. Some weeks they all had great fights, some weeks none of them did, and some one stands out among the rest. This was one of those other weeks, where one just barely stands out among the not-very-interesting. And it’s only the parties involved that makes it work. It was neat seeing a Mini-Con fight back.

Friday Night Fights clean logo

“Wildcat” round 6

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