Jake & Leon #645> Spaceballed

I’m wary, but I want to be hopeful for something.

We’re about to find out if modern Hollywood has ruined Mel Brooks and this scares me. We’ve lost too many heroes.

Over at The Clutter Reports this week, I didn’t come up with this comic until late in the week, after the teaser dropped, so I managed to do some minor digital decluttering while getting the above done.

This week we have another chapter of Tom Clancy’s Op-Center: Mirror Image to review, and the Doctor Who BBC Notes & Reports starts getting to the good part with the early concept notes for the show we came to know and used to love. We get to see how this show evolved behind the scenes. I’m not sure if I can do this all in one go, and there’s two more reports to go after this.

Have a great week, everyone!

Saturday Night Showcase> The Storyteller

Jim Henson should be known for more than the Muppets, as much as we love Kermit, Big Bird, and the friends who remain with Jim Henson Productions. The “show Muppets” are now the prisoners of Disney while the Sesame Street Muppets are now owned by Sesame Workshop, the former Children’s Television Workshop.

The show Muppets used to be part of another show on NBC, The Jim Henson Hour. Hosted by Jim Henson and his lion friend, Muppet Television took the Muppet Show concept to a TV show. However, this was only one half of the show. The other half was usually filled by The Storyteller, originally a series of specials on NBC, the show followed the tales told by the titular Storyteller, portrayed by John Hurt in heavy makeup, as he told tales based on lesser known European folklore to his talking dog, simply known as Dog. Originally the Storyteller was going to be a puppet as well, but the makeup apparently looked better. The show had been inspired by Jim’s daughter and his son performed the dog, making this a family affair.

The was less like the Muppets, with the wacky comedy, and more like other works he tried to push the boundaries of puppetry with, like The Dark Crystal and Labyrinth. It’s a shame such productions are rare as he really showed how a well told story would make you forget these aren’t people, but are still operated by people. There was another story that I thought was part of this series, but apparently Monster Maker, a modern day story of a boy inspired by one of the puppets his mentor made, was not part of this series, but a stand-alone tale for The Jim Henson Hour. I’d like to see that again.

While I usually start with the first episode, I’m going to the third, as it gave Hurt a chance to do more than narrate. “A Short Story” is a tale from the Storyteller’s own life…allegedly. A beggar who made a living telling stories, a bit of con artistry gets him in trouble with the chef. Becoming the king’s storyteller for a year was his only chance at salvation…but what to do when you run out of stories on your last day? The Storyteller would also have a cameo appearance in story for the episode “Hans My Hedgehog”, but while that’s the first episode I thought this would be more fun. Enjoy.

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BW’s Saturday Article Link> Bad Superman Choices In Comics

None from me, either.

While this article from The Superman Homepage includes a video with the same wording, the video’s volume is so low that I went with the article. The writer goes over “Superman’s 5 Biggest Comic Book Story Failures (And Why They Matter)”. This includes Jon Kent, giving up his secret identity, and giving up his US citizenship, all things I’ve complained about multiple times. The writer and video host also goes into WHY these and the other two were bad ideas and how they negatively affected Superman’s stories. Prepare to hear “DC eliminated years of potential storytelling” quite a few times. Make it a drinking game.

Doctor Who: 1963 BBC Reports & Notes> The Follow-Up Sci-Fi Report

The examination of the first of the reports that led to the creation of Doctor Who took two articles [PART 1|PART 2] I think we can get this one in one shot.

Following the supposedly incomplete timeline at the TARDIS Fandom wiki, in late May Donald Wilson (Head Of Serials at the BBC in case you forgot) asked Alice Frick to do a follow-up report, this time working with John Brayborn. I have no information on who that is. Eric Maschwitz, Head Of Light Entertainment and the one who pushed for the first report, requested a follow-up. I don’t know if it was Wilson or Maschwitz who asked for a review of potential sci-fi works to adapt but that’s what the report was.

I don’t know that any of the stories in this report ever were adapted for the BBC but after skimming it I found it interesting how many elements made its way into the Doctor Who we know and love, if not at first then certainly as the original show went on and it went from using mild sci-fi horror to get kids interested in history and science to just a way to scare kids like an early Goosebumps. There’s also a comment that’s always been credited to Sydney Newman that makes its debut here. You know, the one that would have killed the show’s biggest villain had they followed it. Let’s start reading, and remember the link to all of these are in the intro article to this series.

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“Yesterday’s” Comic> Mystery Men Comics #5

The Green Mask shoots an arab as he's about to stab a woman.

He is wearing a green mask. So his name is at least accurate.

Mystery Men Comics #5

Fox Publications, Inc (December, 1939)

It’s been awhile since I’ve gotten to read this comic. I started reading this anthology for the Blue Beetle stories, but I didn’t want an anthology, just the Blue Beetle, in sync with his namesake getting his own movie. I just wanted to follow the history of the character pre-DC since I don’t own any of Jaime Reyes’ comics and these were public domain.

And then The Blue Beetle turned out to be another anthology comic. Then he got new owners who made lamer stories. Then he went back to his old owners, who didn’t get writers nearly as good as the first one. Then Charlton totally reimagined him, leading to Ted Kord and the version DC bought and later replaced themselves with Jaime.

So we’re back to the original Blue Beetle and…I can’t really say “his friends” since Golden Age anthologies didn’t have continuity even within the same book. Still will be nice to see proper Blue Beetle, and I’m ready to read about all the other characters since I’ve been reviewing Golden Age anthologies now. So this comic is back in rotation!

[Read along with me here]

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BW’s Daily Video> Are We Actually Getting Spaceballs 2?

If it’s not called The Search For More Money somebody messed up. With Mel Brooks involved it should be good…but then I remember the animated series and this is modern Hollywood. My fears rise.

Could A Sony Spiderverse Movie Work Without Spider-Man?

While looking for article topics and Saturday article links, this article on Bleeding Fool caught my attention not from the story itself but one of the comments. Weird things get my brain working sometimes. The article itself is Dakota Johnson blaming committee meddling for the failings of the Madame Web movie because apparently the only good committee in movies was Marvel’s committee charged with keeping the adaptations accurate…and that’s the one Disney fired. She didn’t take the usual approach of blaming the fans for not getting it or being sexist against women as superheroes or the usual comments you hear from actors and actresses when these movies bomb.

The strange thing, the comment that got my mind going is a statement we’ve all heard from critics and even I’ve made. Maybe it was the wording: “Blame whoever said a Spiderverse movie series without Spiderman was a good idea.” Missing hyphen aside, it’s not like that comment hasn’t been made many times by many people, myself included, but for some reason that sentence on that day got me thinking…could a Spiderverse movie without the titular Spider work? Could you use the extended Spider-Man cast and rogues gallery without Spider-Man? I mean, The Penguin has been very well received, and it’s Oswald Cobblepot without Batman. I think someone said he’s only mentioned once and never truly shows up. I don’t have HBO Max (glad they went back to that name) and it’s tied to the Matt Reeves version of Batman I’m not interested in, but you see my point, right?

So why does that succeed and movies following Spider-Man’s extended cast from Sony turn out so bad? The movies ranging from mediocre to hot LA trash probably doesn’t help, and then being bad adaptations on top of it makes it impossible to save on any level. Is that the problem? Were the movies just bad? Could Sony have done something good instead of the movies we got? Maybe there is a way to do a movie with Spider-characters even if Peter or possibly Miles never show up?

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