“Yesterday’s” Comic> Robotech: The Macross Saga #5

Still not as big as Unicron or Dodekain.

Robotech: The Macross Saga #5

Comico The Comic Company (August, 1985)

“Transformation”

ADAPTATION: Jack Herman

PENCILER: Dave Johnson

INKER: Jeff Dee

COLORIST: Tom Vincent

LETTERER: L. Lois Buhalis

EDITOR: Diana Schutz

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BW’s Morning Article Links: Hollywood Elite Versus Netflix

While the Motion Picture Association Of America was ready to greet Netflix’s movie studio productions into their community at this year’s CinemaCon, many in Hollywood are not. Steven Spielberg compared it to TV movies (which by the way some have been released in theaters first over the years as far back as the 1970s, inspired movies even if they’re usually not-stalgia or mockstalgia these days, as well as TV shows inspired by movies) while actress Helen Mirren slammed them hard, insisting that the theatrical experience is somehow damaged because Netflix only keeps their movies in theaters a short time compared to other studios before putting them on their service.

Here’s a question I have: where were these two when the movie theater was putting drive-in theaters out of business and killing that experience? To me this is more Hollywood elitist snobbery. For most people the theater experience has been damaged by rude people on their cellphones or acting like they’re making the Rifftrax, high prices for tickets and snacks when they’re already struggling to make ends meet and have a limited entertainment budget if one at all, and really long movies that people have to miss part of to use the restroom. (That happens to me often.) I love the movie theater and wish I could go more often, but I do understand those who would rather sit at home on their widescreen TVs with a DVD or Blu-Ray library they can go into at any moment over and over for a one-time cost, or a streaming service for the price of a movie they can only see once and one of. Someone in the comments of that second link also noted that theaters are not fun for people who don’t live near one or suffer from hearing loss (if not full-on deafness) and can’t find a theater with captions or get their wheelchairs into a seat. The theatrical experience isn’t the same for them as it is for Spielberg and Mirren, who may have their own theaters at home (especially Spielberg) or at least access to one that is in better shape and with a crowd who caters to their way of thinking. They want to protect that old status symbol of theatrical movies (as long as they aren’t animated) but the general public is tired of it.

Maybe the theaters will become like the drive-ins, a niche experience continued by those who remember the glory days and want to relive them or check them out but otherwise get their entertainment elsewhere. It’s not as easy to go out these days as it used to be when people are struggling to feed their families. The entertainment budget is smaller than it is for the Hollywood elitists who seem more worried about losing their status symbol experience rather than entertain.

Another “Zack Snyder Doesn’t Get Batman” Post

Counting the Bat FAMILY, he on like three different teams right now.

Not understanding Batman is becoming a trend. It didn’t start with Zack Snyder, but he’s sure trying to rival Tom King in mastering it.

At a recent event Snyder showed off three of his movies, including Batman Versus Superman: Dawn Of Justice as well as Watchmen, Snyder was asked about Batman’s no-kill policy versus the machine guns he’s breaking out in that movie. He basically said, and the video below will go more into it, that Batman would totally kill people in the real world and if you don’t think so you’re living in a “fantasy world”. And considering this is still around Batman’s 80th anniversary (a coincidence I’m sure) I guess we have to give one article to discussing what people don’t understand about Batman.

Ignoring the fact that a work of fiction IS a fantasy world, since somehow the man who made Sucker Punch doesn’t seem to know the difference, it’s a statement that says more about Snyder’ view of the world than it does Batman. Ewan Paterson of WhatCulture breaks down most of what Snyder got wrong. I will throw a few things in myself.

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“Yesterday’s” Comic> Star Trek: Early Voyages #11

Starring Cynthia Rothrock as Nurse Carlotti.

Star Trek: Early Voyages #11

Marvel/Paramount Comics (December, 1997)

“The Fallen” part 2

WRITERS: Ian Edginton & Dan Abnett

PENCILER: Michael Collins

INKER: Greg Adams

COLORIST: Marie Javins

LETTERER: Janice Chiang

EDITOR: Bobbie Chase

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BW’s Morning Trailer: Godzilla: King Of The Monsters final trailer

Still lacking in the color department but man does it look cool!

Chapter By Chapter: Tom Clancy’s Op-Center chapters 59-61

Chapter by Chapter features me reading one chapter of the selected book at the time and reviewing it as if I were reviewing an episode of a TV show or an issue of a comic. There will be spoilers if you haven’t read to the point I have, and if you’ve read further I ask that you don’t spoil anything further into the book. Think of it as read-along book club.

So things have been getting slightly better over at Op-Center. While most of what I’m assuming will be the recurring cast are unlikable their story seems to be moving along finally. It doesn’t connect well with the important story and feels shoved in there, like you could drop Op-Center entirely and focus on Korea and it wouldn’t be missed while you couldn’t have most of the Op-Center parts without Korea. Sorry, but that’s not a good way to introduce your new novel series.

  • Chapter 59: Wednesday, 3:30 AM, Sariwon: 4 pages
  • Chapter 60: Wednesday, 3:45 AM, KCIA Headquarters: 3 pages
  • Chapter 61: Tuesday, 2:00 PM, Op-Center: 6 pages

For a moment there I thought we go without the unnecessary story this set. Okay, here we go.

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“Yesterday’s” Comic> The New Warriors vol. 2 #9

The evil AI running the Iron Man armor is sick of hearing Iron Man 2 was a bad movie.

New Warriors volume 2 #9

Marvel Comics (June, 2000)

“No Good Deed…”

WRITER: Jay Faeber

PENCILER: Jamal Igle

INKER: Walden Wong

COLORIST: Kevin Somers

LETTERING: Shapefont

EDITOR: Bobbie Chase

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