“Yesterday’s” Comic> Metal Guardian Faust #1

First, an apology. I know I should have mentioned in the Sunday comic/update post that I was doing another series for Fridays alongside I-Bots but I didn’t decide on it until a few moments ago as I write this. Every other day except Saturday I do two different version of the same group: DC & DCAU, Marvel and the show tie-ins, two forms of Star Wars and Transformers. So it didn’t feel right just continuing through two issues of the same series when I have so many other comics to go over. Metal Guardian Faust is a manga but I own it in separate issues rather than a collected trade, like Magic Knight Rayearth so this will work in the afternoon slot.

Metal Guardian Faust #1

“What does RoboCop have that I don’t?”

Metal Guardian Faust #1

Viz Comics (1997)

originally published by Shogakukan, Inc.

“Clash Of The Steel Warriors”
WRITER/ARTIST: Tetsuro Ueyama
ADAPTATION: Matt Thorn
COVER DESIGN: Viz Graphics
TOUCH-UP ART/LETTERER: Mary Kelleher
EDITOR: Annette Roman

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“Yesterday’s” Comic> Isaac Asimov’s I-Bots Vol. 2 #1

Isaac Asimov's I-Bots Vol 2 #1

“Honey, can I take the blindfold off now? Honey?”

Isaac Asimov’s I-Bots Vol.2 #1

Big Entertainment (June, 1996)

“Lost Causes”
WRITER: Steven Grant
PENCILER: Pat Broderick
INKER: Josef Rubinstein
COLORING: Prismacolor
LETTERING: Richard Starkings & Comicraft
EDITOR: James Chambers
CONCEPT: Isaac Asimov
DEVELOPER: Howard Chaykin
“LADY JUSTICE” CREATOR: Neil Gaiman

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Animated Star-Lord Origin

English: XD

English: X D (Photo credit: Wikipedia)

To promote Disney X D’s (I have to put in a space to avoid WordPress from turning it into an emoticon) animated version of Guardians Of The Galaxy Marvel’s YouTube page has a two-part backstory for how Peter Quill became Star Lord. It’s a bit short for requiring two videos but it still gives you an idea about the tone of the upcoming show.

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“Yesterday’s” Comic> Transformers Armada #12

Transformers Armada #12

Never insult Cyclonus’s favorite music group.

Transformers Armada #12

Dreamwave (June, 2003)

WRITER: Simon Furman
PENCILER: Guido Guidi
INKER: Elaine To
COLORIST: David Cheung
LETTERER: Paul Villafuerte
GRAPHIC DESIGN: Heli Bartman

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Morning Article Link: Local Comic Shop Day

English: no original description

English: no original description (Photo credit: Wikipedia)

Free Comic Book Day and its Halloween cousin, Halloween ComicFest, run by Diamond Publishing (who has a monopoly on comic store distribution) exists to draw people to comics and comic stores. American Express, the credit card company, pushes “Small Business Saturday” to get people into smaller businesses, which keeps getting squeezed out by bigger companies and governmental policies that claim to be helping the little guy but hurts small businesses who can’t keep up with the new policies allegedly targeting big business. ComicPRO, a trade organization that is suppose to help comic stores, is combining the two ideas to create Local Comic Shop Day. ICv2’s Nicole Bunge brings us the details.

“Yesterday’s” Comic> Transformers: The War Within – The Dark Ages #6

Transformers War Within - The Dark Ages #6

“This will help me save billions on my electric bill!”

Transformers: The War Within – The Dark Ages #6

FINAL ISSUE

Dreamwave (April, 2004)

WRITER: Simon Furman
PENCILER: Andrew Wildman
INKERS: Erik Sander & Rob Ruffolo
COLORIST: Alan Wang
LETTERER: Ben Lee

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Breaking The Comics Code: What Went Wrong?

Breaking The Comics Code logo

“For The Children.”

These three words have ruined industries, restricted advancements, and until recently restricted entertainment. Although that last one is debatable. I’ll get to that. Over the past few installments I looked at the individual tenants of the Comic Code and which rules were rather silly and which kind of worked…had the Code been about kid-friendly comics. But it wasn’t.

There should be multiple kinds of comics for every genre taste and age group, just like every other media type. While comics were forced to adopt standards that were good for kids comics, other forces pressured distributors to not sell comics without the Code. Thus comics for older readers, people who would buy horror or romance comics, were left behind. It’s this insistence that comics were only for kids that older readers of yesterday, who have become creators today, have fought back, so that titles that used to be kid-friendly aren’t today.

I didn’t start this article series to condone or condemn the Comics Code. There is something in between overly restrictive and protecting the children. In the previous installments I have gone over the Code itself, going over things that make sense from their point of view…that comics are for kids only and nothing there should be bad for kids because adults only read novels and magazines. It’s like they thought comics were a form of illustrated storybook. This may explain what went wrong with the Authority and with the Code itself.

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