Free Comic Inside: Starriors #1

I know this isn’t the comic I said I’d do but I’ve had this article in my toolbar waiting for me to finally review a Starriors minicomic so I gave in. What are the Starriors?

Created by Tomy, the Starriors takes place in one of may post-apocalyptic Earths, back when they still had utopias to balance things out. By now dystopia is all sci-fi wants to do to our planet and I’m long since tired of it. I used to be able to enjoy a story set in Earth gone to heck on occasion but now I’m long past over it. I wasn’t into the toys because by that point if it wasn’t tied to Star Wars I wasn’t into robots that didn’t transform into something.

The gimmick of the toys were that parts were interchangeable. The story of the line is that a cosmic event forced the remnants of man underground, leaving the Starriors to protect and restore the planet. For reasons explained in the Marvel miniseries (which will get reviewed in the daily comic reviews once I get there, though I’m missing an issue or two) to groups form. The Destructors are out to wipe out the Protectors for basically going against the cultural norm…most of them unaware that the Protectors are actually trying to find and reawaken man after finding proof he did exist. The Destructors’ leader, Slaughter Steelgrave, is convinced man’s return will mean the end of the Starriors and in his paranoia is manipulating everyone until the Protectors’ leader, Hotshot, learns man is alive and leads a group of other believers to find them. It helps that Hotshot’s group are mostly collectors and builders while Slaughter keeps all the nasty psychos in his party. And thus a toyline was born.

Marvel also produced six minicomics, released with the Starriors figures. In Marvel’s take, unlike what you saw in the commercial, the Starriors are the giant robots, like the Transformers and Robotix so someone was in a rut. For years I was hoping to find scans of the miniseries and got lucky recently when I found a site hosting all six issues. So let’s see if the minicomics were any good.

“Man, what did you have for breakfast?”

Starriors minicomic #1

Marvel/Tomy (1984)

“Deadeye”

scanned by Virtuanaut.net, link earlier in this article

Sadly this is another minicomic where nobody is credited for working on it outside of Marvel producing it. It’s always a shame to see that happen.

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“Yesterday’s” Comic> Robotech II: The Sentinels book 3 #16

“Wait, where were we going again?”

Robotech II: The Sentinels book 3 #16

Academy Comics, Ltd (April, 1995)

“Where Humans Dare!’

WRITER/ARTIST: Jason Waltrip

LETTERER: Mike DeLepine/Alphabet Soup studios

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BW’s Daily Article Link: Disney + Censoring Their Own Productions

The people behind Disney + are censoring their back catalog of Disney productions and even movies owned by Disney’s offshoots. The latest example is the movie Splash, originally released by Touchstone Pictures for older audiences, in which Darryl Hanna’s naked behind is seen for a few seconds. However, this is not the first time and odds are it won’t be the last. Another listed in the article is a change to Lilo & Stitch that seems unnecessary and yet more tinkering with the Han Solo/Greedo scene from Star Wars. When will it end? Is it right to keep altering things?

Daisy Ridley’s Defense Of The Sequel Trilogy Highlights The Perspective Difference

I don’t know why I’m doing so much Star Wars related stuff this week either, for the record. Let’s see if the rest of the week surprises us. Or subverts something. With this franchise right now that’s possible too.

Let’s start by saying for the record that I have no problems whatsoever with Daisy Ridley. Well, maybe that hip hop song she did on The Tonight Show that MechaRandom42 keeps digging out because it’s kind of lame, like everything the dance game from Star Wars Kinect wasn’t. Those parodies rocked, man! My favorite is “I’m Han Solo” and I’m so happy there’s a clear version out there now.

Sorry, had to. I’m not even a Jason Derulo fan.

Anyway, I don’t even have a problem with Rey as a character on her own. Granted I’m still waiting for the quarantine is over so my friends and I can finally watch The Rise Of Skywalker so maybe that will change my opinion, but what bothers me is how the character had little if any challenge and learned her Force powers so easily compared to every other male AND FEMALE Jedi character in the franchise. That’s on the writers and directors though. Rey had good potential but we live in a culture that we’re afraid to have women shown struggling except against the patriarchy. Some of the best woman protagonist struggled just like their male counterparts, and while sexism was part of it back then it wasn’t the only thing they fought against.

In the past we looked at the actors from the DC Universe Titans show and highlighted one key point about their defense: it didn’t come from a connection to the source material but that they loved making the series and portraying those characters. They didn’t care if they were inaccurate, they just really enjoyed it. It’s a disconnect because they couldn’t understand why fans were annoyed with a show they thought was well done because they didn’t care about the universe or its characters.

Now as far as I know Ridley is not a huge Star Wars fan or at least I haven’t heard her say she was prior to getting the role of Rey in The Force Awakens, so I’m not surprised she shares this disconnect when it comes to the sequels and this franchise. In a recent DragCast podcast (yes, hosted by a drag queen–really the only other choice was a drag racer though for all I know the drag queen could also drag race, RuPaul competitions aside) Ridley appeared during her birthday to discuss her career and her Star Wars character–and the reaction to her character. I wasn’t going to listen to the whole hour long podcast because the important details for our discussion was posted to other website, the most substantial of the newssites I follow being this article by Bounding Into Comics, and I’ll pull the quotes from there. I understand Ridley’s position but only because I know where it’s coming from while she doesn’t understand where the opposition is coming from. Let me help with that.

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“Yesterday’s” Comic> Star Trek: The Next Generation–The Modala Imperative #3

Star Trek fans show their response to CBS All-Access’s Picard series.

Star Trek: The Next Generation–The Modala Imperative #3

DC Comics (August, 1991)

“Prior Claim”

WRITER: Peter David

ARTIST: Pablo Marcos

COLORIST: Tom McCraw

LETTERER: Bob Pinaha

EDITOR: Robert Greenberger

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BW’s Morning Article Link: DiDio Won’t Go Away

When have the heroes NOT been in crisis since DiDio took over?

Dan DiDio is no longer editor-in-chief of DC Comics, and this is a good thing. With DC and every other comic company currently offlined by the current crisis they have a good chance of course correcting and fixing what was wrong with the DC Universe under his reign (of terror). However, DiDio recently gave an interview defending his New 52 and the things he did. Ari Green of Four Color Media Monitor rightly skewers DiDio’s view of things because DiDio’s idea of changes and growth were not good changes or growth.

Remaking The Final Fantasy VII Intro

When a remake of the cinematic intro to Final Fantasy VII was made as a tech demo for the latest version of Sony’s Playstation fans of the game went crazy with hope that a full remake with modern graphics were coming. From what I can tell it’s still the most beloved game in the franchise, with fans still discussing their love of the story, and the main hero and villain, Cloud Strife and Sepheroth respectively, never leaving gaming consciousness. They show up in conventions and even the Kingdom Hearts franchise more than once. It also have a sequel movie, Advent’s Children. The popularity of this game is hard to avoid if you follow gaming at all.

Having never owned any generation of Playstation I’ve never played the game. I saw a few episodes of Team Four Star’s “Machinabridge” series and had planned to finish it but never did. However, I have a “better offer” in the form of Dan Floyd from Play Frame playing through the remade game, focusing on both the story and the update in animation as he plays through the remake. Dan is an animator, having worked on movies for Pixar as well as a few video games, and has a second channel, New Frame Plus, dedicated to animation in games. In preparation for his FFVII playthrough Dan did a video going over the original opening to the game as well as the changes made to the remake beyond the graphics and how they add to the storybuilding.

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