
If you’ve been with this site long enough you know that I love the classic movie serials, those multi-part stories that used to play in movie theaters. In the days before television the only way you could see anything was at the movies. You had shorts and cartoons, but to me serials were the closest predecessor of television, and we still see serialized stories today, but not in the same way. I’ll get to those in a future article. We’re just sticking with the classics.
Here at BW Media Spotlight, and over at The Clutter Reports, I’ve discussed a few of my series, The Adventures Of Captain Marvel, the first Batman, and the sequel Batman And Robin (not to be confused with the 90s debacle). I do have a few others I plan to look at in the future but my collection is shorter than I’d like. I used to watch the classic serials on a PBS show called Matinee At The Bijou and on our local cable access channel. Four TV shows I grew up with also followed the classic formula. Three of them are from Filmation, Jason Of Star Command, Flash Gordon, and the “Great Space Chase” segments of The New Adventures Of Mighty Mouse. The other was a Canadian series that PBS aired called Read All About It, that taught reading comprehension via a sci-fi mystery. (I hope at least one of those articles has a video that still works.) It’s a form of storytelling you really don’t see anymore outside of two-parters. The last one I ever saw was a tribute serial in 2005 called The Mercury Men. But what goes into making a good serial and why is it a semi-lost art?
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