Film Theory: Who Should Win The Game Of Thrones?

I’m not really interested in Game Of Thrones or the book series it comes from, A Song Of Ice And Fire, beyond the mild curiosity of its legion of fans. I’m not into shows where I can’t root for anyone because they’re all basically horrible people who only seem to be happy when they’re killing each other. I’m also not into darker tales, and the franchise is a dark but mild fantasy series where death is the only thing assured. Hope you don’t like character X because he or she will be dead soon enough. I understand that’s one of the appeals, not knowing who is going to die next, but it just feels a bit morose to me. Why should I follow the life of someone I know isn’t going to make it unless it’s a prequel or flashback?

However, I know some of you out there are fans of the series. Some of the people following me thorough WordPress come from fans of fantasy or reading, so I’m harboring a guess that you guys might be interested in this series and if I can do something nice for my readers that still holds a bit of mild interest for me and continues the “examining the art of storytelling to make me a better storyteller” that is the mission statement of this site why not? In this episode of Film Theory MatPat looks at the characters of the tales of Westeros to answer not who WILL win the coveted Iron Throne but who SHOULD win the game of thrones based only on the themes of the story. I’m rather curious what fans think of this theory.

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“Yesterday’s” Comic> Star Trek: Early Voyages #13

Star Trek: Early Voyages #13

Marvel/Paramount Comics (February, 1998)

“Future Tense” part 2

WRITERS: Ian Edginton & Dan Abnett

PENCILER: Patrick Zircher

INKER: Steve Moncuse

COLORIST: Marie Jarvis

LETTERER: Janice Chiang

EDITOR: Bobbie Chase

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BW Morning Video: Avengers Cats

Catch more from Kaipotainment on YouTube.

Mecha: The Rise & Fall Of Giant Robots [VIDEO]

 

I swear there’s a Chinese knockoff in this design.

I grew up with giant robot shows. Not as many as I would have wanted to as a kid, mind you. Around here we only had three “super robot” shows–the two Voltrons were one show, Tranzor Z, and of course Mighty Orbots–and the war story Robotech. Occasionally you might come across something, and in high school, when the “Japanimation” boom began I picked up shows like Super Beastial Machine God Dancougar, Magic Knights Rayearth (although that was more of a “magical girls” show that eventually got robot-like things added), GaoGaiGar, and a few fandubs of things that aren’t nearly the amount of giant robot shows that existed. I’ve also seen The Big O and a handful of others. America did try their own works, like the aforementioned Orbots, The Iron Giant, a few comics, the anime love letter of fun that is Megas XLR, and the Gundam-inspired Exo-Squad. You can even count the Transformers and GoBots, both having combiner teams ala Voltron. However there is this whole world of super robot mecha shows I have not been properly exposed to, and when you want to create a superhero show with Godzilla-sized piloted robots you bet your giant metal butt I want to at least give it a look.

However, the days of the super robot are pretty much gone, while the war stories have mixed with other genres like it was the Marvel Cinematic Universe. “It’s a coming of age story, but with mecha.” “It’s a slice of life comedy…in the middle of a giant robot battle.” That sort of thing. What happened to the genre? YouTuber Gigguk explores the rise and fall of the mecha genre, as well as its future. Note that there is some occasional cursing.

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“Yesterday’s” Comic> Iron Man vol 3 #31

This is why you don’t dry your cosplay armor in the microwave.

Iron Man volume 3 #31

Marvel Comics (August, 2000)

“The Sons Of Yinsen” part 1: “This Ol’ Heart O’ Mine”

(So is every story going to be a multi-parter? Is this Quesada preparing the “write for the trade” period of comic storytelling?)

WRITERS: Joe Quesada & Frank Tieri

PENCILER: Alitha Martinez

INKER: Rob Hunter

COLORIST: Steve Oliff

LETTERING: Comicraft

EDITOR: Bobbie Chase

At least I’m guessing who did what because we have more of those gag credits that annoys me so as a reviewer.

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BW Morning Video: Setting The Record Straight On Bumblebee 2

Okay, so Bumblebee isn’t a reboot but from fan reaction it probably should be. I still really need to see this movie. No Unicron because the producer hates it but Transformers fans love Unicron and that’s probably a plot thread they should finish up, even if they just somehow separate him from Earth. The producer also wants more Michael Bay style action but if that includes the way too close shots with designs that practically blend together that’s going to tick off fans too. I don’t think this guy cares about Transformers fans, but these are also complaints from non-fans who saw it and aren’t Michael Bay apologists so this is probably a bad move.

As for a shared Hasbro universe, I don’t think that’s necessary. A shared Transformers universe that tells stories with other characters, including classic characters who never had a media appearance before or more recent characters and ideas that could be fit into this universe, might be the better way to go. Sure, seeing the Transformers hanging out with G.I. Joe and Cobra would be neat for cross-series fans who remember those team-ups in the comics or the shared nods in the cartoons but I don’t think we need a shared universe, including one with MASK. Give them their own movie instead and let them shine as their own property like they did in the 1980s before Kenner was bought by Hasbro. Granted I am curious to see how they’d work My Little Pony in there.

Catch more Midnight’s Edge on their YouTube channel.

Chapter by Chapter: Tom Clancy’s Op-Center chapters 65-67

Chapter by Chapter features me reading one chapter of the selected book at the time and reviewing it as if I were reviewing an episode of a TV show or an issue of a comic. There will be spoilers if you haven’t read to the point I have, and if you’ve read further I ask that you don’t spoil anything further into the book. Think of it as read-along book club.

We’re getting closer to the end and only recently has the title location’s part of the story been any good. It’s a race to stop a war versus people who really want to kill someone they don’t like or look really strong by doing something really stupid. Compare to that the woman who wants to sleep with her married boss during a crisis while he’s worried about his son is…still bad but not as bad in comparison. I’m at a point where I take the victories I can with this book. At least I’ve enjoyed the last few chapters for a change. Let’s see if we can keep the streak hot.

  • Chapter 65: Wednesday, 6:30 AM, The DMZ: Two pages and roughly a paragraph
  • Chapter 66: Wednesday, 7:00 AM, the Diamond Mountains: I’m rounding up to six pages
  • Chapter 67: Wednesday, 7:10 AM, Osaka: four full pages…I’m shocked too

The pacing of this book still confuses me. The chapters are really short but even with bundling them there’s a lot here, and half of it has been padding from Op-Center while the interesting stuff happens almost without them in Korea. It still feels like they ran short on the Korean bombing story and tossed this stuff in to sell a new book series. I don’t know if that’s what happened but it’s what it feels like.

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