Cartoon Network’s Action Drought

Logo to the AKA Cartoon Network evening slot

Logo to the AKA Cartoon Network evening slot (Photo credit: Wikipedia)

It’s been awhile since we’ve discussed the state of affairs at Cartoon Network. I think the last time was when they tried to institute live-action programming because the same guy who disabled American Movie Classics continued his war on specialty channels. Now Cartoon Network faces a whole different problem and one I haven’t seen addressed by cartoon commentary shows on YouTube.

From my fellow Reviewers Unknown contributors I got interested in The Mysterious Mr. Enter and I stumbled upon Saberspark on my own, but I’ve seen others, including RUer The Cartoon Hero, who is more of a reviewer and hasn’t really covered Cartoon Network’s decline. However, everyone seems to agree that what’s killing CN is Teen Titans Go, or at least the overplaying of the show. At least in the US; the UK schedule has a better balance of shows from what I’ve heard. Frankly that’s my only real problem with it since I can otherwise ignore it and outside of not following up from the beloved Teen Titans cartoon (not the first because Filmation had a Teen Titans segment on The Superman/Aquaman Hour Of Adventure) while still using assets from the show in a different art style and taking pop shots at critics I really don’t care. I liked the Teen Titans cartoon as well but I’m still disappointed they weren’t in the DCAU as was teased in an episode of Static Shock. But that’s all I’ll say on the matter because that’s not what I’m here to talk about.

When these commentators discuss the lack of variety of Cartoon Network and their treatment of recent shows like the finale of Regular Show or the debut of OK KO: Let’s Be Heroes they usually bring up the Cartoon Cartoons lineup or some of the other comedic shows like Uncle Grandpa or Steven Universe that air in the few spaces not owned by TTG. However, two shows in particular are never mentioned and for different reasons the ignoring of both shows speaks to one problem about CN’s lineup that they’ve botched completely: any action shows not airing on Toonami, which is now just for dubbed anime edited for television, are given the shaft. Why is CN’s action drought not being brought up?

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“Yesterday’s” Comic> Transformers: Devastation #4

Forget the Transformer battle; I want to know what’s with that woman’s jaw.

Transformers: Devastation #4

IDW Publishing (December, 2007)

WRITER: Simon Furman

ARTIST: Robby Musso

COLORISTS: Zac Atkinson & Liam Shalloo

SELECTED COVER ART: E. J. Su

LETTERER: Amauri Osorio

EDITOR: Andrew Steven Harris

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BW’s Morning Article Link: Tarantino’s Star Trek

Quentin Tarantino at the 82nd Academy Awards, ...

Quentin Tarantino at the 82nd Academy Awards, March 7, in Hollywood, Calif. Tarantino was nominated for his directorial efforts. (Photo credit: Wikipedia)

I know asking is Hollywood is losing its collective mind is a silly question because that happened a long time ago, but this is a new flavor of bad. I’ve noted many times in the past that being good doesn’t make you perfect for a particular genre or franchise. (My go-to is usually a romance novel by Stephen King.) But now we have directors going into areas they don’t belong. I may not like Michael Bay’s Transformers movies but at least in theory he might fit. But we’ve had Martin Scorsese wanting to do a Joker origin (a character who by his own admission prefers to make his origin multiple choice) and now Quentin Tarantino is pitching a Star Trek movie to producer J.J. Abrams. Even if the movies hadn’t moved away from the tone and themes of Star Trek (at least Discovery is trying for the latter…with questionable results and still lacking the proper tone) Tarantino isn’t my first choice to direct Star Trek. He’s a good director, but this isn’t his area of expertise nor does it match his particular style.

I have to wonder why non-sci-fi directors now want to play with science fiction or with superheroes when there’s supposed to be superhero fatigue depending on who you ask? Again, being good in your wheelhouse doesn’t always mean being good outside of it.

A New Scooby-Doo/Batman Team-Up

One of the comics I miss getting to read is Scooby-Doo Team-Up, where Scooby and the gang join forces with DC heroes and other Hanna-Barbera stars. One of the best team-ups are with Batman. During The New Scooby-Doo Movies Batman and Robin appeared twice, going after the Joker and Penguin. Now there’s a new team-up coming, but instead of Batman showing up on Scooby-Doo (despite what the title is), Scooby’s showing up on Batman. Batman: The Brave & The Bold to be exact.

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“Yesterday’s” Comic> Voltron: A Legend Forged #3

The Smurf armor.

Voltron: A Legend Forged #3

Devil’s Due (August, 2008)

WRITER: Josh Blaylock

PENCILER: Julia Bax

COLOR ARTIST: Wes Dzioba

SELECTED COVER ART: Tim Seelyey & Jose Aviles

LETTERER: Crank!

DESIGN: Sean K. Dove

EDITOR: Mike O’Sullivan

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BW’s Morning Article Link: The Perfection Of Imperfection

While I think too many stories give too many flaws or think flaws themselves make for a good character, there has to be at least something to challenge the hero. No matter how powerful Superman is, he still has to deal with Kryptonite, magic, and the weaknesses of his own personality at times. I also hear that about Optimus Prime, but I can refute that rather easily just in the original cartoon. Nobody is perfect, but while there is nothing wrong with making a character really good at dealing with a given situation you can also make your heroes too flawless as to be unrelatable. (And no, I don’t see Superman as unrelatable. Optimus maybe but I can still connect with him. He’s just not Bumblebee.) James Harrington makes the case as to why at least one flaw the hero has to overcome, even if he or she still has it at the end, is important.

Finally Watched Star Wars: The Force Awakens

Inspired by the classic sci-fi serials and Akira Kurosawa movies, George Lucas created Star Wars. Nobody thought it would be as big as it became, but now it’s part of pop and geek culture if not culture in general. It’s responsible for launching the blockbuster and creating a merchandising sensation. And it nearly destroyed the man who created it. You really should check out SF Debris’s various videos on the backstage history of the movies. As of this writing we have the original movie, the sequels, and he’s just starting the prequels (or at least the first one).

Ahh, the prequels, which somehow gets LESS praise than the Star Wars Holiday Special. It led fans to demand the franchise be “rescued” from the very man who created it. I protested that line of thinking then and I stand by that, especially now that I know what Lucas went through and sacrificed for these movies. Although I am curious to see when SF Debris gets to how Lucas felt about that. Personally, having my biggest creation pulled from my hands would make me miserable. But we have what we have, the new sequels directed by J.J. Abrams, expanded tales like Rogue One, and another set of sequels already being created before this one is finished. I worry it’s a bit too much, that Disney is pushing quantity over quality.

My friends and I didn’t get to see The Force Awakens, the first of Abrams’ trilogy, in theaters. One friend was dealing with his mother’s passing, the other was sick, and I ended up in the first of four hospital stays. It wasn’t a priority for any of us, but with The Last Jedi hitting theaters we decided to check it out, so one of my friends borrowed the movie from his local library and we got to finally see it on DVD. Was it worth the wait?

RELEASE DATE: 2015

RELEASED BY: Disney-owned Lucasfilm

RUNTIME: 136 minutes

STARRING: Daisy Ridley, John Boyega, Adam Driver, and BB-8, plus guest appearances from Harrison Ford, Peter Mayhew, Carrie Fisher, Anthony Daniels, and Mark Hamill

SCREENWRITERS:  Lawrence Kasdan, J.J. Abrams, & Michael Arndt

DIRECTOR: J.J. Abrams

GROSS REVENUE: $936,627,416 from an estimated budget of $245,000,000

IMDB SCORE: 8.1 out of 10

ROTTEN TOMATOES SCORE: 93% (Audience Score: 89%)

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