
Why not? I seem to be in a theme this week.
Star Wars Droids: The Adventures Of R2-D2 And C-3PO was a Saturday morning cartoon following the adventures of the real stars of the prequel. I don’t have to say who because it’s in the darn title! Airing the 1985/1986 season on ABC, the show takes place before the events of the original Star Wars movie (or episode four or A New Hope or whatever makes you happy and gets us back on topic). This is obvious by the occasional appearance of the Empire and a not-eaten Boba Fett. In hindsight this would take place past the prequels and their recent appearance on Star Wars Rebels although neither of those existed. Return Of The Jedi had ended and the parties involved wanted to keep the franchise in people’s minds, especially the toy-seeking younglings.
The series was produced by Nelvana, who had done the animated (aka the only watchable) segment of the ill-fated and ill-conceived Star Wars Holiday Special, otherwise known as “what were they thinking” over and over again. The same character models were used although thankfully the fleshy ones were less rubbery. It also aired alongside an Ewoks cartoon but I was never interested in that. (Although I did like the first live-action TV movie. The second one…not so much.) There was a prime-time animated special called The Great Heap, which has our heroes fighting a giant droid that for some reason was powered by draining R2 units, and R2 gets a girlfriend. It’s an odd show at time, but really quite good.
The series plot is that R2 and 3PO need to find work, and end up with a series of masters. Three-episode story arcs have the Droids dealing with mobsters and claim jumpers, saving princes and racers, and of course the usual bickering. Anthony Daniels returns as the voice of C-3PO and would do so again for both animated Clone Wars and the aforementioned Rebels appearance. The theme song, which finally gets us to the topic of this article, was co-written by Steward Copeland (of the band The Police, where Sting is also from), who sings the song, and Derek Holt. As I’ve stated before there is more to an intro than a song. Otherwise there would be more live-action pieces in this series than there are. So what helps make this work without John Williams involved?
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