Morning Article Link: Comics + Pop Culture = What Now?

Sonic Universe #55

Let’s see. Sonic’s friends keep dying, the first Star Trek comics featured genocide, Beaver builds a morning star (remember when they took Michelangelo’s nunchucks away in the cartoon?), gay Transformers (when we keep being told gender is unnecessary when robots don’t reproduce sexually), Mickey works for Exxon, Danny Partridge visits a porn shoot in the same studio a family-friendly film is being shot…what’s going on here? Cracked contributor JM McNab explains (or tries to) what happens when licensed comics get weird. Actually, he exaggerates Ronald McDonald. Flying hamburgers and hanging out with kids are practically normal things for him.

“Yesterday’s” Comic> Transformers: Generation One #2

Transformers Generation One #2

“Is that Michael Bay? Get him!”

Transformers: Generation One #2

Dreamwave (May, 2002)

WRITER: Chris Sarracini
PENCILER: Pat Lee
INKER: Rob Armstrong
BACKGROUNDS: Edwin Garcia
COLORISTS: Ramil Sunga, Gary Yeung, & Alan Wang
FLATS: Kenny Li
LETTERING: Dreamer Design

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Breaking The Comics Code FINALE: A Replacement For The Code

Breaking The Comics Code logo

It isn’t just the medical issues I’ve had the past couple of months that delayed this final installment. It’s not easy coming up with a code by yourself that isn’t about screwing over your publishing rival under the guise of “protecting the children”. It would be like if Sony used the ESRB rating system to mess with Nintendo. I wanted to do this right.

The biggest problem with the Comics Code is that it was an all-or-nothing system, in large part due to the pressure put on newsstands to not sell comics that didn’t have the CCA logo on it. While the music industry would later get away with it using the advisory sticker and then releasing the rest of it, comics weren’t so lucky as the do-gooders insisted that all comics were for kids so selling a comic that kids shouldn’t read was evil. You know, the usual garbage. When independent publishers starting rising in the 1980s and the do-gooders found a new media to demand was only for kids and you had to protect the kids by keeping the teens and adults away, the Comics Code was on its way to becoming obsolete, the rise of comic stores and book stores while comics disappeared from newsstands at the stores (save for a spinner rack at Stop & Shop and a rack at Toys R Us I haven’t seen a comic book outside of the comic store and book stores only have trade collections now) being a huge factor.

So I’ve been trying to figure out a new system, like video games, television shows, and movies have…which is when the most obvious solution possible hit me…and even then it was slow going.

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“Yesterday’s” Comic> Masters Of The Universe #2 (Star)

Masters Of The Universe #2 (Star)

“Quick, Orko, make an umbrella!”

Masters Of The Universe #2

Marvel/Star Comics (July, 1986(

“Falling Stars”
WRITER: Mike Carlin
PENCILER: Ron Wilson
INKER: Dennis Janke
COLORIST: Bob Sharen
LETTERER: John Morelli
EDITOR: Ralph Macchio
EXECUTIVE EDITOR: Tom DeFalco

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Morning Article Link: Superpowers We Kind Of Already Invented Sort Of

Superman Vs Amazing Spider-Man collector's ed

In the continuing quest to question the demand for “reality” in superhero stories, I (or rather Pauli Poisuo of Cracked) bring you the powers of five superheroes–Superman, Spider-Man, Black Lightning, Captain America, and Nightcrawler–that we either already have or could have in the future. And why we were better off without them.

“Yesterday’s” Comic> Star Trek – Assignment: Earth #4

"Wait, Mr. Seven. What's 'hentai'?"

“Wait, Mr. Seven. What’s ‘hentai’?”

Star Trek – Assignment: Earth #4

IDW (August, 2008)

“We Have Met The Enemy…”
WRITER/ARTIST: John Byrne
COLORIST: Tom Smith
LETTERER: Robbie Robbins
EDITOR: Chris Ryall

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BW Pilot Review: Supergirl

Remember in my review of The Flash were I praised it for being willing to be a comic book series? That goes double for CBS’s Supergirl and I had more fun watching it. Maybe because I’m more interested in Superman lore than Flash lore, or maybe because it’s not as dark as the CW’s take on the DC Universe. It has a lighter quality that I like in my superhero shows. Also, I really like Supergirl in general, or at least the pre-Crisis version that wasn’t a shapeshifting clay thing that was forced to merge with a ritual suicidal girl and somehow gained angel wings. VERY long story! I like your work, Peter David, and I liked meeting and interviewing you at ComiCONN that one time but…seriously with this?

Anyway, I’ve seen reviews that were either down on this show or questioned the future of it. I will tell you right now that I am not one of those people although I do have some negatives of my own. All of them fanboyish in nature, mind you, but I do love this show.

WARNING: SPOILERS TO FOLLOW!!!!

In this version, Kara Zor-El was sent to Earth along with baby Kal-El but for whatever reason in a separate rocket. Her job would be to care for the baby. However, a shockwave from Krypton’s explosion sends Kara, in stasis, to the Phantom Zone (which is now accessible through a black hole because plot device) and when her ship floats out she’s still a teen but Kal-El is now a grown-up Superman. In this version he takes her right to the Danvers family, who are scientists that helped him master his powers. No orphanage for Kara. Also, no “Linda” as a first name but under the circumstances I can overlook that. Poor girl’s suffered the death of her planet, being stuck in the Phantom Zone, and waking up to see her baby cousin is now older than her. Would you tell her she had to change her first name for no good reason?

Now an adult and working for Cat Grant’s television network, Kara tried to live a normal life until her adopted sister is in a crashing plane and Kara save it, revealing her existence to the world. To the show’s credit she doesn’t hop right into the superhero business but struggles between being safe and following her heart as she now wants to do more. However, this also alerts the DEO, run by the xenophobic Hank Henshaw (whom Kara’s sister works for) and a group of Phantom Zone criminals who follower her ship out and now wants to take over the planet and get revenge on Allura through her daughter Kara.

Her only confidants are Win, a co-worker at the station, her sister, and Jimmy…sorry, “James” Olsen, sent by Superman to keep an eye on his cousin to see if she chooses the superhero life on her own. You know me, I like seeing superheroes have non-super allies and these three plus even Henshaw make for a good support team for Kara as she follows her cousin.

Okay, let’s deal with the elephant in the room, as I’m sure it already exists: Jimmy/James Olsen. Yes, he’s played by a bald black man, and when did hair go out of style for black people in action shows? That’s not my problem with James although we’ve had the discussion in the past that wanting the actor to look like the character he’s portraying isn’t a racial issue but a “get the adaptation right” issue. Even the rebooted Star Trek movies worked hard to find actors who looked like and could invoke the spirit of the original performers, and they blew up Vulcan just because Abrams could. However, his backstory is still closer than Henshaw’s, also a race change but for some reason seems closer to General Hardcastle. In fact, if he HAD been Hardcastle I would have accepted him despite the race change because the actor did a great job imitating him.

Supergirl CBS

The TV costume is growing on me but I still don’t like the darker colors.

No live-action Jimmy Olsen, even the white ones, have resembled the Jimmy Olsen from the comics, while every animated version got him spot-on in both looks and personality. And that’s my problem; Win ACTS more like Jimmy than James does. Laurence Fishburne in Man Of Steel at least tried to look like Perry White but still failed in the personality, which is why I didn’t accept him. James doesn’t have the right look OR personality. And why did Superman expose her identity to James? I know he wanted someone to look after her but she’s an adult. She can take care of herself and when she decided to be open about her powers she found a confidant that she thought would be on her side.

That brings us to Winn. I like him. Yes, he’s the unrequited love interest and it’s not like he’s necessarily closed about that. He admits openly that he likes her but she doesn’t seem to care. I saw one early review that called Winn a “nice guy stalker” because he thought Kara was going to tell him she was a lesbian. Yeah, that eases his ego when she won’t go out with him but doesn’t necessarily shoot him down either. In fact, Winn is the one she goes to when she wants to pursue world-saving as a lifestyle. However he didn’t come off as creepy to me. I think the reviewer is shipping Kara/James, though, because of course the pretty people have to get together. We don’t know anything about Winn right now so it’s too early to tell if he’s a bad character but he works on helping design Kara’s hero costume and he honestly wants to help her. I don’t think we’ve reached “love triangle” yet and I don’t want to see it. That was one of my problems with The Flash as you recall.

Calista Flockhart does a perfect Cat Grant. There’s not much else to say, but I do like her defense of the “girl” in Supergirl, whether it’s PC or not. The sister I don’t want to get into because I’m avoiding the big spoilers, including the big bads for the seasons, although I do wonder if they’ll all have Superman/Supergirl’s powers or if a reason will show up to give them all unique ones. Speaking of powers, this show should get an Emmy for the special effects. The plane rescue looks better than what I’ve seen of Superman Returns and I love the flying effects. It’s so believable that Kara is flying. Beyond that, I love this show and am looking forward to seeing more episodes.