The Many MANY Intros Of Transformers: Beast Machines

I remember when this trailer first dropped that people on alt.toys.transformers, the Transformers newsgroup I was part of at the time, freaked out. While some were on board with this possibly being the theme song (at the time I think I was one of them but at this point I’ve changed my mind and I’m glad they didn’t) a lot of voices were really hoping it wasn’t. They got their wish, but this was how the show, previously in syndication in the US, was announced as coming to Fox Kids.

The show was really controversial at the time too. You can do a full read-up of the series here, but here’s the short version. Bob Skir took most of the punishment from fans because he had a Q&A series on the fansite BigBot.com, which was itself occasionally controversial, but he and Marty Isenberg, who went on to work on the more well received Transformers Animated, had been told to ignore previous continuity despite being a direct spinoff from Beast Wars which was in the G1 universe. This should not surprise you when I tell you who their boss was…Dan DiDio. It was also a darker take on the series, which I am willing to also blame on DiDio given the horrors he’s unleashed on DC comics and their characters. However, it was Hasbro that wanted a more spiritual element, which led to the Oracle, the concept of technorganic Maximals versus drone Vehicons and Megatron’s generals, Megatron for some reason now hating all organic life while the Maximals were trying to create a balanced world between organic and technological, and was a big source of that same controversy during Optimus Primal’s brief journey into extremism. Also, it gave us Nightscream, the only Transformer who can join Kicker, Fred & Billy, and Miko on the list of I NEVER WANT TO SEE THIS EVER AGAIN! (Miko has her moments but I still find it hard to like her. I like more than Nightscrap or the other losers though.)

All that said, it was a well-told story that built on the idea of what a “spark” is in Transformers, was some of Mainframe’s best CG at the time as they continued to evolve as animators, and in the end is a pretty good show. While “Evolution Revolution” isn’t the song they went with what we got wasn’t too bad.

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“Yesterday’s” Comic> Robotech: Wings Of Gibraltar #2

The new model kits are out.

Robotech: Wings Of Gibraltar #2

FINAL ISSUE

Antarctic Press (September, 1998)

WRITER/ARTIST: Lee Duhig

EDITOR: Herb Mallette

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BW’s Morning Trailer: Star Wars–The Rise Of Skywalker Final Trailer

I’m not convinced but I’m not immediately turned off. It’s sad that this is how I approach Star Wars now but the history under Disney has not been very good.

Why We Need Comic Stores

The above tweet by Comics Explained set off a firestorm. At a time when comic stores are on the decline he’s apparently part of the all digital way of thinking. There’s a group who believes that digital comics aren’t just the future but the only future, and print comics in any form are a waste of time. I disagree with that. Print comics don’t require electricity beyond maybe a light to read by, are harder to accidentally delete, and offer up its own reading experience. I don’t mind digital comics obviously given that I make them and read quite a few but there are advantages to print comics.

There are also advantages to a comic book or any physical store that apparently the tweeter realizes. I’m going to start with a video by Just Some Guy but I have some thoughts of my own I want to add to it, including one disagreement I have with his video response. As soon as you hear it, you’ll probably know what it is if you’ve followed this site long enough. Note that he does drop a few curses, and the N-word but he’s black so he’s fine.

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“Yesterday’s” Comic> Star Trek #11 (DC 1st series)

You could just ask him what he wants for dinner.

Star Trek #11

DC Comics (February, 1985)

“New Frontiers” part 3: “Deadly Reflection!”

WRITER: Mike W. Barr

PENCILER: Tom Sutton

INKER: Ricardo Villagran

COLORIST: Michele Wolfman

LETTERER: John Costanza

ASSOCIATE EDITOR: Robert Greenberger

EDITOR: Marv Wolfman

MANAGING EDITOR: Tom Condon

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BW’s Morning Article Link: Dismissing Superheroes Bad For Cinema?

In hindsight I should have worked some red trunks into that image.

Martin Scorsese’s comments about superhero movies not being cinema has elicited a lot of conversation, or at least I hope it has since most of what I’ve seen is ranting about how wrong he is. Personally I disagree with him and a few other directors who prefer their kind of movie. They aren’t wrong for not liking superhero movies because that’s their preference and that’s fine. It’s when they trash those movies as “not cinema” that I start getting concerned. Movies, Movies, Movies contributor tjnsk makes the case that bashing superhero films while promoting your own (although Todd Philips purposely make Joker as a movie against superhero movies–maybe he should have made a Bizzaro film?) may not be not be good for the future of the movie theater. I would add that in poor taste but these directors strike me as the type that are too snobbish about their craft to care. Included in the post are links to other sites discussing this issue.

And no, linking to my site does not immediately get you a link back. It just happens so rarely and it happened to be tied to the type of storytelling discussions I have around here.

In Defense Of Anime “Hack Dubs”

I was going to make this a V-Log but the first recording went wrong and I didn’t have time to try again if that pattern continued, so we’re going with an article. Over the past few weeks I’ve been posting videos from The Cartoon Cypher discussing anime dubs and countering some of the complaints made against it, either due to misconceptions or a particular complaint being outdated. Look, if you prefer a show subtitled in the original Japanese, that’s fine. Watch it any way you want. To attack the dub and those who prefer them as being “impure” is the point of the videos I posted. It also leads into a discussion I didn’t realize I needed to dig more into outside of the Robotech reviews until even the Cypher narrator seemed to be coming down against “hack dubs”, which is why I wanted to make it into a video but this is what I can put together.

So what is a “hack dub”? Unlike the more typical questionable dubs like Speed Racer a hack dub completely alters the show. You know, like Japan did with Beast Wars: Transformers and the US did with Ghost Stories or most 4Kids dubs. Now I’m not defending the practice as something that would work today; we live in different times. Anime is more popular and we have a better understanding of Japanese culture than we did. The case has been made that even modern Pokémon is still altered for kids in the US, which actually does lead into my point: if it wasn’t for hack dubs, you wouldn’t be an anime fan.

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