Saturday Night Showcase: Ultraman Leo

It’s been too long since we did anything Ultraman-related here at the Spotlight, so Shout Factory decided to fix that. Ultraman Leo is the seventh Ultra Series show, following after Ultraman Taro. Leo is not from the usual Ultra worlds of Nebula M78 but planet L77 the Leo constellation. I’m not sure what qualifies as being an Ultra Being but that means he’s not one of the Ultra Brothers. He’s the last survivor of his home planet, destroyed by an alien menace that’s set its sites on Earth, naturally starting with Japan because where else do you attack with giant monsters except around the Pacific Ocean. Why do you think the Power Rangers all seem to be around California, even it looks like New Zealand?

In this first episode we also see Ultraseven in action. This one you might have seen on TV in that subpar dub from Ted Turner’s company. However, while he will be part of this series, this first episode is called “Death Of Seven!” so it won’t be much of a part. Can Leo avenge Seven? Since this is part one of a two-parter it’s going to be a bit longer to find out. I should warn you that Shout Factory’s subtitles in this video are a bit glitchy.

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“Yesterday’s” Comic> Superman Adventures #44

“Here’s one reoccurrence I didn’t miss from the Silver Age.”

Superman Adventures #44

DC Comics (June, 2000)

“Law And Orders”

WRITER: David Michelinie

PENCILER: Aluir Amancio

INKER: Terry Austin

COLORIST: Marie Severin

SEPARATIONS: Zylonol

LETTERER: Phil Felix

EDITOR: Joey Cavalieri

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YouTube’s Celebrity Invasion

Oh, we’re talking YouTube again. Okay.

YouTube’s slogan is or was (I don’t know if they still use it) “broadcast yourself”. It was a platform for ordinary people to post cute or fun videos of themselves doing stuff or commenting on certain issues or events. While there were and are people who would post TV shows and movies they didn’t have the rights to, YouTube was about creator-made content, without the big studios and big name celebrities. In time, as video editing software and special effects software as well as updated video cameras, microphone set-ups, capture devices for video games, and other equipment and software once reserved for big and small studios became fiscally accessible to everyone else, YouTube, along with sites like Blip, Dailymotion, Vimeo, and just hosting stuff yourself somewhere brought a new kind of celebrity, one that didn’t need a Hollywood sized budget to drive its success, and created new forms of entertainment that couldn’t exist honestly or properly in mainstream media.

However, mainstream media took notice and not just because of those unapproved uploads I mentioned. In fact some distributors have worked deals to air smaller content that wouldn’t be picked up by TV, and even a few that are but on smaller channels, on YouTube. Maker Studios dismantled and destroyed Blip so it would get picked up by Disney, as more and more Hollywood studios see the potential of streaming but don’t like to share money and want as much of it as possible. Before that they would post trailers and previews for upcoming movies and TV shows. But the YouTube celebrity were still mostly people who wouldn’t make it in the hard to break through Hollywood circles and formed their own identity, some of them even making that break into larger media with their own shows on major and extended television channels or even the music industry. That didn’t change what a YouTube celebrity is.

In the last few years this has changed, as rich celebrities who can afford editors and high-end equipment have started making their own presence on the platform, which threatens to overshadow the “broadcast yourself” nature that YouTube was founded on. YouTube creator Ryder, also known by the screenname Footofaferret and host of A Brief History, goes into better detail than I can why the YouTube community isn’t happy with this invasion of the bigger celebrities and their impact on smaller ones and the direction Google might take YouTube.

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“Yesterday’s” Comic> Elementals volume 3 #2

(insert overdone hentai joke here)

Elementals volume 3 #2

Comico Comics (January, 1996)

“Birth Of A Supernation” part 2

WRITER: Jack Herman

PENCILER/COVER CO-ARTIST: Tony Daniel

INKER: Phil Moy

COLORIST: Wallace Lowe

COVER CO-ARTIST: Neil Trais

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BW’s Morning Article Link: Gremlins The Animated Series?

The streaming wars continue to get bizarre, but not always in a bad way. Now being proposed, according to Variety, is a Gremlins prequel cartoon (I’m assuming it’s a prequel) following the adventures of Mr. Wing, the man who had Gizmo the Mogwai, how he learned about the Gremlins and their connection to the Mogwai, how he obtained Gizmo, and whatever else they have planned. This will be exclusive to WarnerMedia’s upcoming streaming service because of course it will. This has possibilities if done right. The key phrase being if done right which I am less and less convinced they know how to do given their DC content.

Movie Franchises That Should Be “Spider-Versed”

I have heard little if any complaint about Spider-Man: Into The Spider-Verse. It’s not perfect, chief to me considering I haven’t seen it being that the amazing art style leads to it looking like a low frame-rate in movement. The process creating the art is rather amazing though. No pun intended. It has however been called the best theatrical Spider-Film by a few critics I’ve seen and while I don’t know if that sentiment has reached the levels of Batman: Mask Of The Phantasm has reached with Bat-Fans who don’t hate animation it does leave an opening we discussed yesterday, the benefits of the animation medium in certain genres.

To expand on that, when you see something in live-action you tend to connect it to the real world. Even with the advancements in special effects it changes your perspective of what is believable and “realistic”, although longtime readers know how I feel about the misuse of that word these days. Animation is so far removed from the real world that you can more easily accept a more fantastic reality, and its attempt to emulate the real world has more potential to fall flat than live-action. It’s not impossible and with computer generated special effects it’s practically an animation/live-action hybrid, at least in a visual sense. Replace Godzilla’s suit actor with a CG model and it’s not that different from the technique in Who Framed Roger Rabbit really. At least Jurassic Park included puppetry and…well, not so much costumes.

There are benefits to going full animation. What held the Spider-Man movies back as early as James Cameron’s intended movie was the effects, and Cameron these days is becoming a CG-SFX addict. Imagine if he or any other director had embraced full-animation however. Some of the best Spidey-moves I saw was from Spider-Man Unlimited, which fully embraced how to make Spider-Man look like a spider man as well as the comic character, with some tweaks. (Peter needs a haircut.) And if Spider-Man, from the years of cartoons and the lone theatrical movie, can show movie goers the advantages of animation, maybe Hollywood should try out a few other ideas. They won’t of course because Hollywood looks down on cartoons, but these ideas might work a lot better with just voice actors and the right animation team.

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“Yesterday’s” Comic> Robotech Romance

“I’ll just hold it in place until the glue dries, then you arm will be fine.”

Robotech Romance

Academy Comics, Ltd (November, 1996)

WRITER: Robert W. Gibson

“The Stars And The Tears”

ARTIST: Frances Birchfield

“Two Beers With A Skirt Chaser”

ARTIST: Serapio Calm

“”When The going Gets Tough…”

ARTIST: Michelle Birchfield

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