Film Fix Fixes Man Of Steel (and I do my part)

Last night we looked at NerdSync fixing how the recovery suit from the Return Of Superman story arc could have been better used in the Justice League Snyder Cut (which I may alternately refer to here on as “Snyder League” for short). But what about Man Of Steel, a movie that I STRESS YET AGAIN I thought was a decent superhero movie but as an adaptation of Superman completely missed why Superman is beloved enough to even get a movie in the first place, never mind numerous movies, even more numerous TV and audio series, and every other piece of media and merchandise that has come from the DC comic hero DC seems determined to completely alter or get rid of. (More on that tomorrow. Yeah, we might as well make a theme here that Friday’s going to break.) You can make a good movie and a terrible adaptation at the same time. These are not mutually exclusive but a bad adaptation will ruin enjoyment of a good movie based on a property you enjoy. It’s why as a fan of classic Battlestar Galactica I have no interest in the remake I call Battlestar Namesake.

The YouTube channel Center Row has taken a look at Man Of Steel for the series Film Fix, where the goal is to make the movie work better as an adaptation. I have my own thoughts I’d like to add to this one. That shouldn’t surprise you by now.

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“Yesterday’s” Comic> Star Trek: Voyager #6

I’m still trying to figure out what anyone wants with Janeway.

Star Trek: Voyager #6

Marvel/Paramount Comics (April, 1997)

“Relicquest” part one

WRITER: Ben Raab

PENCILER: Jesus Redondo

INKER: Sergio Melia

COLORIST: John Kalisz

LETTERER: Chris Eliopoulous

EDITOR: Tim Tuohy

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BW’s Daily Video: Stuntwoman & Corridor Crew React To Stunts

Catch more of the Corridor Crew on their YouTube channel.

And catch Amy Johnson on her YouTube channel.

NerdSync Fixes Superman’s Black Snyder Suit

I’ve made no secret that I hate Snyder’s version of the Superman costume, and I’m not a fan of his take on Superman either. (Before the Snyder fans get on my case I have stated time and again from the first review I did of the movie that it’s a good superhero movie but a terrible Superman movie. You will not convince me otherwise. Don’t even waste your keyboard’s lifespan.) Superman wears bright colors, which is apparently Synder’s Kryptonite along with sunlight when he can’t make it look dramatic. There are reasons why but the video already goes into that.

Said video is from Scott Niswander over at YouTube channel NerdSync. However, the video doesn’t go into the almost black costume from before but the definitely black costume used in the famed “Snyder Cut” of Justice League. I don’t have HBO Max so I haven’t seen it, though I did review the original theatrical cut (as it aired on TV) that attempted (and failed) to soften Snyder’s more cynical tone when it comes to superheroes. Watchmen was perfect for how he sees superheroes, the DC Universe is the antithesis. I don’t know if Snyder was having a Todd Phillips “my view is better than 80+ years of comics minus what Dan DiDio did to DC” perspective but people who love what DC was and don’t want a darker Superman rejected it. The iconic hero of hope is absent from Snyder’s vision as the aspiration hero has been replaced with the allegedly relatable hero and that’s just not how you approach Superman.

In Niswander’s video he goes over the history of the black Superman costume, how the Snyder cut misuses it, apparently wants to ignore the last portion of the movie (and I haven’t seen this Peter Jackson-length “epic” to understand it), and how they could have used the black suit (which no, is not iconic, as I’ve gone over) better and how the classic suit (though it would still be in Snyder’s colors, so it’s practically black anyway) would have better served what the story is supposed to be going for.

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“Yesterday’s” Comic> What If? Newer Fantastic Four

I think the colors actually work for them.

What If? Newer Fantastic Four

Marvel Comics (February, 2009)

WRITER: Paul Tobin

PENCILER: Patrick Scherberger

INKER: Craig Yeung

COLORIST: Chris Sotomayor

COVER ART: Scherberger (I’m guessing Patrick) and Mari

LETTERER: Nate Piekos

PRODUCTION: Joe Sabino

CONSULTING: Ralph Macchio

EDITOR: Nathan Cosby

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BW’s Daily Video: How Big Can Godzilla Get

Visit The Facility on Kyle Hill’s YouTube channel.

This is why you can stuff your “realism” argument.

Chapter By Chapter> Star Trek: Prime Directive prologue and Part 1: chapter 1

Chapter By Chapter features me reading one chapter of the selected book at the time and reviewing it as if I were reviewing an episode of a TV show or an issue of a comic. There will be spoilers if you haven’t read to the point I have, and if you’ve read further I ask that you don’t spoil anything further into the book. Think of it as read-along book club.

PART ONE: AFTERMATH

The book is in three parts and which part we’re in will be shown thusly.

Yes, it’s the last of the three books I was trying to choose from as to what to review next in the Chapter By Chapter series. I’ve already discussed my concerns going in so now it’s time to go in.

It appears we’re starting this story after the events that led to the crew’s disgrace and the Enterprise being destroyed. I’m actually prepared to be frustrated by this part solely based on my personality alone and not any worries concerning the book. I hate when the heroes are mistreated in stories long after it makes sense since they’ve had to prove themselves. I’m not talking characters like J. Jonah Jameson, though by now you’d think New York would trust Spider-Man almost as much as they do Captain America…

Fine, no longer a good example. I’m thinking more along the lines of the Transformers. In recent shows Transformers keep their existence a secret, though how they pull that off in the Bayverse is a mystery I doubt Bay himself would understand if he actually cared. The exception is Cyberverse, where people eventually do learn and we’re told have no problem cheering on the Autobots, but given how little actual human presence there is in the show I’m basically taking their word for it.

However in the comics the majority of humans see the Autobots as big a threat as the Decepticons (oddly, that’s also part of the Bay movies because the government seems to hate their saviors) and attack them just as much. This is not the only series that does this of course but it is the most egregious example of it. So now here I am about to read a book where the heroes I grew up with are about to be treated as the scum of the universe, the scourge of the Alpha Quadrant or something like that and I am not okay with this. If I can get through part one without hating most of the characters who aren’t the usual crew I may be willing to accept why they feel that way after book two. I’m not sure how well this will work for me personally but I’ll try to be as impartial as possible from a storytelling perspective. I know there are some actual authors out there in the readership and I wouldn’t mind hearing some of you weighing in on this storytelling style.

With all that said it’s time for the short prologue and the first chapter of part one.

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