Chapter By Chapter: Tom Clancy’s Op-Center chapters 45-46

Chapter by Chapter features me reading one chapter of the selected book at the time and reviewing it as if I were reviewing an episode of a TV show or an issue of a comic. There will be spoilers if you haven’t read to the point I have, and if you’ve read further I ask that you don’t spoil anything further into the book. Think of it as read-along book club.

I’ve come to realize just how little has happened in forty-four chapters and 200 pages. So much time thus far has been spent on character histories that don’t matter in this story, as if they’re setting up the whole series rather than just this book. It’s unnecessary padding for flavor text that just shows off their world-building. This is how long it has taken them to even start investigating stuff since the early chapters. With viral attacks, characters you can’t really care for, and histories that have no impact on the story to define character traits that may or may not influence the series of events this book ends up longer than it needs to be.

Right now, Hwan and Donald in Korea is trying to stop a war being started by a group of extremists who want to kill each other. The title character are fighting a computer virus while the man in charge is worrying about his son and his second-in-command is off playing soldier…and by the way they still aren’t there. I don’t think 24 works as well in this book as it did on TV but I didn’t watch the show. I’m only invested in part of the story while the other half keeps slowing and bogging things down. At least we have two chapters filling the length of one rather than three or four, but I’d still rather only review one chapter at a time. It’s in the article series title after all.

  • Chapter 45: Tuesday, 10:05 AM, Op-Center: 6 pages
  • Chapter 46: Wednesday, 12:30 AM, outside of Seoul: 6 pages and a few lines of the 7th

Is South Korea really a day plus off from Eastern Time? Man, time zones are bizarre.

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“Yesterday’s” Comic> Firestorm: The Nuclear Man #29

“I want to be popular with the ladies, not the robots.”

Firestorm: The Nuclear Man #29

DC Comics (November, 2006)

“In My Father’s House” part 2

WRITER: Stuart Moore

PENCILER: Jamal Igle

INKER: Keith Champagne

COLORIST: David Baron

COVER ART: Brian Stelfreeze

LETTERER: Ken Lopez

EDITOR: Michael Siglain

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BW’s Morning Article Link: Why Make Superhero Comics If You Aren’t DC/Marvel

When I interviewed Billy Tucci one of the pieces of advice he gave was that Marvel and DC Comics had such a lock on the superhero genre that nobody else should bother, and the small press comic community seems to agree. I don’t because I’ve been creating superheroes since fifth or sixth grade and I love superhero stories. Michael Terracciano, writer for the superhero web comic Star Power also disagrees with this advice and wrote a blog explaining why he and artist Garth Graham produced a sci-fi superhero comic.

Jake & Leon #397: Doomed Patrol

Maybe the show is good, but the trailer isn’t impressing me.

The problem with using the clips in place of my roughs was trying to fill in the spaces caused by the difference in aspect ratios between the video and my panel layout. It’s not A Scanner Darkly but it was an interesting experiment since I try to translate the screenshots into my art style.

As for the trailers for Doom Patrol I’m seeing I’m really not impressed. These people were broken even before they got powers. Negative Man is cheating on his wife with another man and they have a child (note that it’s the adultery I’m talking about…if they wanted to make him gay for some reason then just make him gay), Robotman was a jerk and Elasti-Girl was diva, Cyborg I’m not sure about, and Crazy Jane has multiple personality disorder. And then they gain superpowers and they’re even more broken. I’m not well-versed in the Doom Patrol but I thought their gimmick was that their normal lives were ruined until they became freaks due to their powers and had to deal with new lives. Also, I didn’t think Elasti-Girl was a Clayface/Plastic Man hybrid when it came to her powers. I thought she stretched and altered size. A good trailer makes the show something you want to watch. I’ve seen plenty of trailers and I don’t want to watch. What is it with the live-action productions that they don’t match even what’s good about the Marvel Cinematic Universe, never mind what DC should be…under someone other than Dan DiDio?

Meanwhile, over at The Clutter Reports that software organizing project is more involved that I intended but I’m still making good progress.

I started scripting a new video review, and I’m hoping to finish it in time. That includes recording and editing. In the meantime I still have articles to come. There’s another commentary coming this week, something a bit fun, and I’ll try to get another in-depth review in as well. I’d also like to get back to the Worldbuilding Project and some of the other artistic articles I started a long time ago, like Reconstruction Zone and Re-Covered. I even have some good choices for both series, but I have to get the time to work on them. Scheduling is my biggest weakness right now and that’s what I have to work on. Hopefully I still give you guys something to enjoy this week.

Saturday Night Showcase: The Confusing Star Trek Licensing Multiverse

Clear your schedule folks. This is one is a cluster and that has nothing to do with stars. Celebrities maybe but not stars.

In a previously posted video from Midnight’s Edge we looked at the confusing history of the Star Trek license with a follow-up promised. Recently they released that follow-up, which includes how the licensing disaster, egos, major screw-ups, and genre bias has also messed up the Star Trek multiverse to the point that you don’t know what reality you’re setting foot in. Is it the classic continuity? The movies by Bad Robot? What’s the Prime continuity and does it involve the Transformers? It’s all a total mess and there’s no proof it’s going to get better.

Tonight I want to post a series of videos by Midnight’s Edge on the matter. The first is an overall summary (and with this mess 45+ minutes qualifies as a summary) of the rights issues between CBS, Paramount, and the Bad Robot and Secret Hideout production companies, the various continuities in the Star Trek multiverse and where the various interpretations actually belong, and just how we got into this disaster when the franchise got into the hands of people who didn’t care after previously being tossed around to the people that do.

If you aren’t interested in the larger license history and just want the basic details you need to figure out the timeline kerfuffle the second video is only about 25 minutes. It’s the “too long, didn’t watch” version focusing on the timeline stuff and should tell you what you want to know. The whole license chaos is interesting enough that I want to show both but you can choose which one you want.

Finally, they had an interview with Robert Meyer Burnett, who has made numerous Trek documentaries and was the director on the infamous Axanar fan film that led to the overly strict fan film rules. It’s just short of two hours long (including some last minute comments by the main Midnight’s Edge team) and you may want to have it on while doing other things since it’s in podcast form, but it’s a fascinating discussion of the full negative impact of the current directions the franchise has taken and references the information on other two videos.

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“Yesterday’s” Comic> Batman: Gotham Adventures #25

Bruce wore the wrong costume to the Flash-themed party.

Batman: Gotham Adventures #25

DC Comics (June, 2000)

“…Recognized, In Flashes, And With Glory…”

WRITER: Scott Peterson

PENCILER: Tim Levins

INKER: Terry Beatty

COLORIST: Lee Loughridge

LETTERER: Tim Harkins

ASSISTANT EDITOR: Frank Berrios

EDITOR: Bob Schreck

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Internet Spotlight: Amazon Academy

What happens when the writer of one of my favorite Superman stories joins forces with BW’s virtual mentor to create a webcomic that took all of the good parts of Wonder Woman that DC’s abandoned and turns it into a school story? It gets a long overdue Spotlight feature.

Amazon Academy, written by Dan Miskin with art by Jerzy Drozd, is a webcomic in which an American all-girls boarding school is started by Amazons living in New York City. With the tagline “every girl has her secrets”, the first chapter and a prologue are already up on the website. As of this writing the story is taking a bit of a break, at least in part because Jerzy is in the process of moving, so now is a good time to check it out. So let’s check it out.

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